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First, Dostoyevsky will be return to original state into "the individual person", review his misery and lofty life approximately; then based on his "Writer" status, to examine his creative experience, creative motivation and so on; Finally, according to the specific discussion about Dostoyevsky\'s life and creation, I pointed out that Dostoyevsky namely a "desolate man"., and according to his Russian moral character which based on religion, start to explore his concept of loneliness from his religious concept, and summarized as follows: because of the lack of communication and sincereness, desolation has become a inescapable destiny of mankind.

首先,将陀氏还原为"个体人",大致回顾他艰难而不屈的一生;然后再根据陀氏的"作家"身份,考查他的创作经历,创作动机等;最后,根据前面已具体论述过的陀氏生平及创作,指出陀氏本人即是一位"孤独者(来源:ABd9fcC论文网www.abclunwen.com)"。并根据他身为俄罗斯人的天然宗教品性,从陀氏的宗教观入手对其孤独观进行探索,并总结如下:在缺失了真情与交流的现实世界,孤独成为人类不可逃避的命运。

Chapter five: the conclusion, it will use the the Linkou county's slip yuteki tenmoku glaze in one's own art works and plan design of the exhibition, finally by exhibiting in way that to present this achievement of this research, I hope to transmit individual's artistic expression on the creation in the slip yuteki tenmoku glaze through the performing and appreciating of the works, set up my own art practice and connect with local ly.

第五章结论,将针对林口尼将可烧出的油滴天目釉、应用泥浆釉於自己的创作与展览的计画设计,最后藉由作品展览的方式来做为这个研究的成果发表与林口泥浆釉之运用的心得,希望透过作品的展演与欣赏能传达个人於泥浆油滴釉与个人创作上的艺术表现,建立自己的创作风格与并当地互动与连结。

Wang Lisan" s Sonatina in its three movements: In the Sun ; after the New Rain; Dance of Mountain Folks, covering the composing background; composing characteristics; main technical objects", playing skills; major teaching points and practice methods.

文章内容包括:汪立三及其音乐创作、乐曲的创作背景、创作特征、主要技术课题及其弹奏法、教学要点及练习方法等多方面的论述。

Stayed; meanwhile, the romantic and imaginary style reflects the spirit of Romanticism; brilliant and gorgeous music shows the trend of technicalism; the use of metaphoric wordpuzzle hints to the people Schumann had encountered; furthermore, harmony with mysterious nature reflects the philosophic thinking trend of Naturalism; his musical composition is always associated with things surrounded him, and this tells the source of his endless inspiration for the creation.

经本研究发现,《阿贝格变奏曲》虽是舒曼初期的创作,但是,此作真实的反映他所身处的环境与时代背景,浪漫、幻想的风格反映浪漫主义的精神;灿烂、华丽的音乐显示炫技派的风潮;隐喻性字谜的使用暗示他所邂逅的人物;具神秘特质的和声则反映出自然主义的哲学思潮,他的音乐创作总是与周遭的事物互相结合,而这也透露了他源源不绝创作灵感的来源。

This English translation of Gao's early play and his theoretical essay on modern Chinese drama will not only make the realist play accessible for English-speaking readers worldwide but also reveal the early formation of the playwright's unique theatric creativity and theory.

高行健是2000年诺贝尔文学奖得主,也是一位优秀的前卫实验剧作家。本书译自它的写实主义剧作《绝对信号》。该剧是中国剧作史上头一部只依靠舞台灯光与音效来呈现角色情感的剧作。本书也翻译了他早期关於剧本创作理念的文章,译者并以专文分析高行健的戏剧创作内涵。本书出版的目的是希望将高行健的戏剧创作,推荐给英语世界的广大读者。

So the content of a fiction only came from the auctorial plans, product, experience and his background.

于是,作者的创作意图、创作活动、心理体验及其创作背景成了一部小说意义的唯一依据。

Actually, there are many valuable materials of poetics in plentiful notes in Song Dynasty, which concern author theory, writing theory, appreciating theory and so on . By collecting ,classifying ,generalizing and analyzing these materials, it's very useful for us to understand the poetic benshi ,allusions related to writers ; to review the life of poets in Song Dynasty , their excursion , missing-piece collection;to research into the writing background ,writing attitude ,aesthetic fashion .It's also very helpful to understand contents and aesthetic features of poetry correctly.

实际上,在数量众多的宋人笔记中,保存了大量的有价值的诗学材料,其内容涉及作家论、创作论、风格论、鉴赏论等诗学理论的各个方面,对这些材料进行搜集、分类、归纳和研究,对于今人了解与诗歌创作主体相关的诗歌本事、诗坛掌故及奇闻逸事,考察宋代诗人的生平、交游,为其作品辑佚、系年,研究宋代诗歌的创作背景、审美风尚,以及把握宋诗的思想内容和艺术特色等,均具有重要的意义。

But, the vague photo-like picture remained. That, on one hand, insures the style continuality of the artist's working and reduces as possible the risk brought by the changing of styles; on the other hand, that makes it different with previous creations and opens a new direction for the artist.

这在一方面确保了艺术家创作风格上的延续性,将因变化而可能带来的风险降到最小;另一方面,也使作品与以前的创作有了很大的不同,为艺术家打开了一个新的创作维度。

According to Ernst idea of artistic creation, he applied Freud's "The Interpretation of Dreams" and the theories of "Unconscious". In the meanwhile, due to the influence of old Alchemy, internal rebellion genes, random consciousness of creation, contradictious thoughts, displacement, the rules of narration and the sarcasms to sex, religion, politics, society all above produced his beliefs and wonderful creations.

恩斯特之创作理念,应用了佛洛伊德《梦的解析》与「潜意识」原理,同时受到古老炼金术的影响,体内叛逆的因子,创作的随机意识,矛盾的思维,转移作用,叙事法则,以及对於性、宗教、政治、社会等的讽刺,都是其创作的来源与信念。

According to Ernst idea of artistic creation, he applied Freud's "The Interpretation of Dreams" and the theories of "Unconscious". In the meanwhile, due to the influence of old Alchemy, internal rebellion genes, random consciousness of creation, contradictious thoughts, displacement, the rules of narration and the sarcasms to sex, religion, politics, society all above produced his beliefs and wonderful creations.

恩斯特之创作理念,应用了佛洛伊德《梦的解析》与&潜意识&原理,同时受到古老炼金术的影响,体内叛逆的因子,创作的随机意识,矛盾的思维,转移作用,叙事法则,以及对于性、宗教、政治、社会等的讽刺,都是其创作的来源与信念。

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