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In this paper, we propose that legal argument is essentially plausible, defeasible, and nonmonotonic and show that the criteria for evaluating legal argument are deductive validity, inductive strength, and plausibility.

本文从广义的逻辑观出发,提供了法律论证本质上是似真的、可废止的和非单调的,进而提出了法律逻辑的评价标准是演绎有效性、归纳强度和似真性。

In the centre of Garrick is the village square .Like many of the "roads"in Garrick, the square is unpaved but rock hard from centrries of foot traffic.

格里克小村的中央是个广场,在那里有一些条条道道似路般纵横,只是若真的在那些用卵石铺就的小路上走起来却不那么容易了。

If you can seem, T-MAC, you told me you are stubble, really, please?

如果可似,T-MAC,你告诉我,现茬的你,真的好吗?

The unlikely team find themselves all heading to Rockhampton and having discovered that they each have performance skills,decide to form a vaudeville ensemble called the Ragtime Rovers.

这个似假绯真的团体每个人都想去洛开普敦,而且每个人都会特技,决定组成一个杂耍团〝雷格态海盗Ragtime Rovers

推荐网络例句

The physiology of the skin machine body for the sake of the environment in the maintenance stability, but eject a body metabolism creation of metabolism thing BE'grease', summer perspire many various skin disease light or good, autumn perspire little metabolism thing metabolism don't go out, various skin disease made, this be the skin machine body of various burning disease.

皮肤机体的生理为了维持内环境稳定,而排出身体代谢产生的代谢物是'油泥',夏天出汗多各种皮肤病就轻或好了,秋天出汗少代谢物代谢不出去,各种皮肤病就犯了,这就是皮肤机体的各种炎症。

If I had anything tender in me, I shot it dead.

如果我有什么招标的话,我枪死亡。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是:立足于色彩绘画,分别从&色彩&、&水墨&两个角度出发,先对它们在中国古代画史论著中作一考证;分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路;着重分析色彩绘画中心&失落&亦即&水墨之变&的原由;及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。