从...起 - 网络例句 - 英语人，englisher

One pace teachs me to make a station, arrive from the domain name space, from analytic to upload, arrive from HTML CMS, I what let do not have a technology also made a way station, the scene warbling of the oriole at that time is in eye, a website from begin conception to build SEO, true, very excited, I am very clear remember these courses, begin corn of bought a CN, with the space of a 100M, spent 76 yuan, 75 yuan space, 1 yuan rice

一步一步教我做站，从域名到空间，从解析到上传，从HTML到CMS，让没技术的我也做起了一个小站，当时的情景呖呖在目，一个网站从开始构思建设到SEO，真的，很兴奋，我很清楚的记得这些过程，开始买的一个CN玉米，和一个100M的空间，花了76元，75元的空间，1元的米

TCM is closely related and promotes each other with Chinese traditional culture from cultural improvement;multi-science standard put forward by Polo.Sajade is defined to TCM from the angle of respecting science;TCM functions importantly to keep ecological balance and prevent land sandization from the angle of preserving multi-biology;TCM sponsors "beneficiary"for humane treatment;thus we are fully convinced to prove TCM's important social value and practical meaning.

从文化进步的角度对中医药与中国传统文化紧密联系，相互促进；从尊重科学的角度对中医药符合保罗·萨迦德提出的多元科学划界标准；从维护生物多样**的角度对中医中药在保持生态平衡，防止土地沙化领域起着重要作用；从人道的角度：中医药提倡"仁"术，人**化治病；因此我们有充分的理由证明中医中药具有重要的社会价值和现实意义。

TCM is closely related and promotes each other with Chinese traditional culture from cultural improvement; multi-science standard put forward by Polo. Sajade is defined to TCM from the angle of respecting science; TCM functions importantly to keep ecological balance and prevent land sandization from the angle of preserving multi-biology; TCM sponsors "beneficiary" for humane treatment; thus we are fully convinced to prove TCM's important social value and practical meaning.

从文化进步的角度对中医药与中国传统文化紧密联系，相互促进；从尊重科学的角度对中医药符合保罗萨迦德提出的多元科学划界标准；从维护生物多样性的角度对中医中药在保持生态平衡，防止土地沙化领域起着重要作用；从人道的角度：中医药提倡"仁"术，人性化治病；因此我们有充分的理由证明中医中药具有重要的社会价值和现实意义。

TCM is closely related and promotes each other with Chinese traditional culture from cultural improvement;multi-science standard put forward by Polo.Sajade is defined to TCM from the angle of respecting science;TCM functions importantly to keep ecological balance and prevent land sandization from the angle of preserving multi-biology;TCM sponsors 'beneficiary'for humane treatment;thus we are fully convinced to prove TCM's important social value and practical meaning.

从文化进步的角度对中医药和中国传统文化紧密联系，相互促进；从尊重科学的角度对中医药符合保罗·萨迦德提出的多元科学划界标准；从维护生物多样性的角度对中医中药在保持生态平衡，防止土地沙化领域起着重要作用；从人道的角度；中医药提倡'仁'术，人性化治病；因此我们有充分的理由证明中医中药具有重要的社会价值和现实意义。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

First the formation of composing features is explored with reference to the life experiences of Lehar, the social and cultural background of his age and the development of Viennese operetta; secondly, the composing features are analyzed as to rhythm, melody, instruments device, ensemble and play books; Finally, the work is analyzed from the angle of singing. In this part the style of singing is explained specifically in terms of rhythm, timbre, etc. Also a famous Aria "vilja-lied" in this work is explained in detail and a comparison is made between operetta and opera to impress people with the singing style of operetta in a deeper way.

首先，本文从雷哈尔的生活经历、所处时代的社会文化背景、维也纳轻歌剧的发展来分析《风流寡妇》创作特特征的形成；其次，从节奏、旋律、配器、重唱以及剧本这几个方面来分析作品的创作特征；最后，从演唱的角度分析作品，除了从节奏、音色、起句等方面具体的分析作品的演唱风格外，还对其中的一首著名咏叹调维利亚之歌做了详细地分析，并且从演唱的角度把轻歌剧和歌剧做了一个比较，从而使人们能够更深刻的理解轻歌剧演唱的风格。

The agreements provides that Pacific Corp shall pay undischarged debts on easy terms starting from 1996, arrears and interests accruing thereon in the amount of 15,084, to be paid by the quarter ending 1996, interests in the amount of 977 to take effect as of November 6th 1995 at one-year bank lending rate.

协议还约定，太平洋公司于1996年从一季度起分季度偿付欠款，1996年底付清，欠款及利息共计人民币15.084，977元利息自1995年11月6日起算起，按照银行1年贷款利率计算，利息每个季度结算一次。

It's near 30 years from August 1979 to now, Ma Hongbin embarked upon painting and calligraphy when he indited the Qi-yan poems ( Name of Ancient poetry metrics ) for the Chinese painting by Chinese painting master Mr.

马鸿斌对书画艺术的热爱，是从1979年8月读国画大师吴作人先生和黄胄先生作的国画作品而作七言诗算起至今将近30年。1981年起，在读大学一年级起，开始临历代名家书法字帖及练习现代硬笔书法，创作名人铅笔素描并在大学师生书画展览获奖。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

In addition, the blank holding force that is required to avoid wrinkle and rupture during conical part deep drawing is researched. The necessity of reasonable blank holding force in pressing is expounded. From the view of mechanical analysis, the wrinkle critical condition of side-wall is derived for the first time by the stress state of side-wall, the main deformation region on blank. According to the critical condition of plastic instability for flange, side--wall, corner of punch on blank, The blank holding force in conical part deep drawing is divided into four different regions within its forming figure. The basic principle of reasonable blank holding force during stamping is summarized and provided. The mathematical model of reasonable blank holding force that avoids the wrinkle and rupture is established and verified by the finite element numerical simulation and the grid experiment method. The result shows that it is accurate and reliable.

此外，本文还研究了圆锥形件拉深成形过程中，随着拉深变形过程的进行，毛坯为避免产生起皱、破坏缺陷而对压边力的需求情况，阐明了圆锥形件拉深成形过程中压边力合理变化的必要性；由毛坯主要变形区悬空锥壁部分的受力变形情况，从力学分析的角度，首次推导得出了圆锥形零件悬空锥壁起皱失稳的临界条件；并根据主要变形区法兰、悬空锥壁及凸模圆角部分的塑性失稳临界条件，在其成形范围图中，将圆锥形件成形过程中的压边力划分为四个区域；总结并提出了圆锥形件成形过程中压边力合理变化的基本原则；建立了防止起皱、破坏缺陷产生的压边力合理变化的数学模式，并得到了有限元数值模拟及网格实验法的验证，证实了理论分析结果的正确性和可靠性。