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Following the expressed concepts, Giotto helps the designer to create traditional guilloches or rosettes, borders, frames, backgrounds, relief effect, latent images, void or anti-photocopy patterns, cut and paste possibilities to resemble the old style guilloche borders, as well as offering the implementation and tools for new evolved elements introducing dynamic changes and line width modulation or a combination of both, which make each design unique.

在被表达的观念之后, Giotto 帮助设计者产生传统的 guilloches 或蔷薇结,边缘,体格,背景,减轻效果,潜伏性的图像,空的或反影印式样,削减和浆糊可能性相似旧的风格扭索状装饰边缘,连同提供落实和工具为介绍动态的变化和线宽度调音或一个两者的组合新进展元素,这使每设计独特。

Why pay $100s for a guitar tuner when you can get one this cheap with a free metronome.

为什麼要支付100元,为吉他调音器时,您可以得到一本廉价的与免费的节拍器。

This is because they are playing in a minor key which is the relative minor to the key of the harmonica.

以C调口琴为例子,按理应该是演奏E调,这把位上你应该第二孔吹音E作为主音,我们其实把这主音大多也唱成6,所以其实是演奏E小调,刚好是G大调的关系小调。

Chinese composers and theorists have conducted great deal of exploration and systematic research on the "evolution of chromaticalization", which has been frequently used in the composition, but are considered by the theorists as chromatic chords, polytonality and pentatonic twelve-tone sequence, etc.. Seldom were the usages accounted for "chromaticalization" to which, consequently, little attention has been paid.

中国作曲家及理论家在对于西方音乐"半音化演进"方面做过大量的探索和系统的研究,"五声性半音化"在中国作曲家的作品中被频繁地使用,但大量的创作实践大都被理论家们总结为变音和弦、多调重叠以及五声性十二音序列等的使用方法,并没有从"半音化"的角度说明它们的规律,致使一直以来未引起人们的重视。

In order to improve the discrepancy of Ocarina, we used air window of whistle, air chamber of syringe together with the sound holes of Ocarina in making a sound adjustable Ocarina. The frequency spectrum was analyzed with computer sound fixing and ranging software and statistical software was employed to analyze the effects on pitch of area of sound hole and cubic of air chamber.

本研究为改良陶笛的缺失,利用哨子的气窗、针筒的气腔与陶笛的配孔式音孔结合,自创一种可调音的陶笛,并以电脑测音软体分析其频谱,利用统计分析其音孔面积与气腔体积对音高的影响。

The combination of these features provides a rich environment for exploring any stringed instrument, and proves invaluable when working with alternate tunings.

结合这些功能提供了丰富的环境,为探索任何弦乐器的文书,并证明了宝贵的工作时,与候补调音。

A first inversion triad, expressed numerically as a 6-3 chord, has its original middle note as its bass, with the original top note a third above it and the original bottom note, the root, a sixth above it. Thus the tonic triad of C major is C-E-G in root position, and E-G-C in first inversion.

三和弦第一转位用数字6-3和弦来表示,以原中间音为低音,原最高音为其上的三音,原最低音,根音,为其上的六音。C大调主音三和弦在原位为C-E-G,第一转位为E-G-C。

A second inversion triad, expressed numerically as a 6-4 chord, has its original top note as its bass, with the original bottom note, the root, a fourth above it and the original middle note a sixth above it. Thus the tonic triad of C major is C-E-G in root position, and G-C-E in second inversion inversion.

三和弦第二转位用数字6-4和弦来表示,以原最高音为低音,原最低音,根音,为其上的四音,原中间音为其上的六音。C大调主音三和弦在原位为C-E-G,第二转位为G-C-E。

They were free improvisations and served as brief introductions to larger pieces of music or particular larger and more complex movements; lutenists also used them to test the instrument or the acoustics of the room before performing.

它们属於一种即兴创作和是作为一些较长的乐曲的引子的;鲁特琴演奏者也会用它来为其他乐器调音或者吸引房内听众的注意。

Standard major triad,with the input set as the root.

标准的大调三和音,输入设为基础音。

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推荐网络例句

The physiology of the skin machine body for the sake of the environment in the maintenance stability, but eject a body metabolism creation of metabolism thing BE'grease', summer perspire many various skin disease light or good, autumn perspire little metabolism thing metabolism don't go out, various skin disease made, this be the skin machine body of various burning disease.

皮肤机体的生理为了维持内环境稳定,而排出身体代谢产生的代谢物是'油泥',夏天出汗多各种皮肤病就轻或好了,秋天出汗少代谢物代谢不出去,各种皮肤病就犯了,这就是皮肤机体的各种炎症。

If I had anything tender in me, I shot it dead.

如果我有什么招标的话,我枪死亡。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是:立足于色彩绘画,分别从&色彩&、&水墨&两个角度出发,先对它们在中国古代画史论著中作一考证;分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路;着重分析色彩绘画中心&失落&亦即&水墨之变&的原由;及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。