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Any man of mine better be proud of me even when i'm ugly he still better love me and i can be late for a date that's fine but he better be on time any man of mine'll say it fits just right when last year's dress is just a little too tight and anything i do or say better be okay when i have a bad hair day and if i change my mind a million times i wanna hear him say yeah, yeah, yeah, yeah, yeah i like it that way any man of mine better walk the line better show me a teasin' squeezin' pleasin' kinda time i need a man who knows, how the story goes he's gotta be a heartbeatin' fine treatin' breathtakin' earthquakin' kind any man of mine well any man of mine better disagree when i say another woman's lookin' better than me and when i cook him dinner and i burn it black he better say, mmmm, i like it like that yeah and if i change my mind a million times i wanna hear him say yeah, yeah, yeah, yeah, yeah i like it that way any man of mine better walk the line better show me a teasin' squeezin' pleasin' kinda time i need a man who knows, how the story goes he's gotta be a heartbeatin' fine treatin' breathtakin' earthquakin' kind any man of mine let me hear you say yeah, yeah, yeah, yeah, yeah i like it that way any man of mine better walk the line better show me a teasin' squeezin' pleasin' kinda time i need a man who knows, how the story goes he's gotta be a heartbeatin' fine treatin' breathtakin' earthquakin' kind any man of mine you gotta shimmy shake make the earth quake kick, turn, stomp, stomp, then you jump heel to toe, do si do 'til your boots wanna break 'til your feet and your back ache keep it movin''til you just can't take anymore come on everybody on the floor a-one two, a-three four hup two, hum if you wanna be a man of mine, that's right this is what a woman wants...

any man of mine 这是一个女人想要的…我钟意的男人最好以我为豪即使我丑得可以他最好照样爱我我约会迟到没什么大不了但他最好给我准时我钟意的男人该说正合身当去年的裙子不过略显紧了些我怎么发牢骚出怨气都行当我哪天走了霉运如果我改变主意千千万万次我要听到他说对,对,对,对,对,我就喜欢那样我钟意的男人最好别找麻烦最好秀我一段兴奋甜蜜惬意的时光我需要一个男人,懂得爱情的进程他得是那种让人心跳不止温柔体贴另人窒息惊天动地的那种我钟意的男人我钟意的男人最好否认当我说别的女人长得比我漂亮而当我为他做饭却烧糊了他最好说,恩,正合我的胃口如果我改变主意千千万万次我要听到他说对,对,对,对,对,我就喜欢那样我钟意的男人最好别找麻烦最好秀我一段兴奋甜蜜惬意的时光我需要一个男人,懂得爱情的进程他得是那种让人心跳不止温柔体贴另人窒息惊天动地的那种我钟意的男人让我听到你说对,对,对,对,对,我就喜欢那样我钟意的男人最好别找麻烦最好秀我一段兴奋甜蜜惬意的时光我需要一个男人,懂得爱情的进程他得是那种让人心跳不止温柔体贴另人窒息惊天动地的那种我钟意的男人你得可以震撼人心可使地动山摇踢腿,转身,蹬地,蹬地,然后跳步脚跟到脚尖,多西多直到跳破靴子直到脚酸背痛别停下直到你实在跳不动来吧所有站着的来-一二,来-三四来,二,来如果你想成为我钟意的男人,就这样这是一个女人想要的

The writer grasped veraciously the despondent and downfallen character of the figures in her novels. She portrayed an obsolete, closed and downfallen "memory" of the flaccid and common people in the times of transition with her unique realization of life. With a desolate and sharp angle of view of "appreciation of ugly", she wrote her works in a pose of anti-heroism and romanticism and took love affairs and marriage as cutting points reflecting a common, eternal and desolate tragic life under the desolate background elaborately built by her.

作家准确地把握了人物封闭于其中的那种生活的颓丧、没落的特征,以其独特的人生感悟,以反英雄主义和浪漫主义的创作姿态,以苍凉犀利的"审丑"视角,以男女婚恋关系为切入点,在精心营造的苍凉背景下,演绎了普通、软弱的凡人在时代转折之际古旧的、封闭的、没落的生活"记忆",反映了普遍的、永恒的、苍凉的悲剧人生。

Analyzing calmly, we find that, besides market economy, the reasons for the prosperity even involve the satisfaction of showing-off desire, star dreams and the determinant desire of the public and the relevation of ugliness. At the same time, there are some dangers behind the phenomenon-the lack of the thinking of the populace, the possibility for super women to become slaves, and the confusion or even shift of beauty and the ugliness.

冷静分析,不难发现,超级女声的火爆除其市场经济的原因外,也有超女的表现欲、明星梦以及大众的决定欲及审丑欲得到满足的原因,而其狂欢的背后也潜藏着令人担忧的危险―大众理性思考的缺失,超女们沦为工具的可能,美丑边界模糊甚或移位。

Out of that dark, unstitched wound, that sink of abominations, that cradle of black thronged cities where the music of ideas is drowned in cold fat, out of strangled Utopias is born a clown, a being divided between beauty and ugliness, between light and chaos, a clown who when he looks down and sidelong is Satan himself and when he looks upward sees a buttered angel, a snail with wings.

从那个黑洞洞的未缝合的伤口、从那个令人嫌恶的臭水沟、从那个挤满黑压压人群的城市的摇篮(思想的乐曲就在这儿被淹没在动物油中)、从被扼杀的乌托邦中,生下一个小丑,一个半美半丑、半明亮半混沌的怪物,这个小丑向厂向旁边看时是撒旦,向上看时是一个涂了黄油的天使、一个长翅膀的蜗牛。

Obviously ,he was affected by Baudelaire's Ferocity Flowers .In the choice of poem tastes , Most of his writings are facing to the frightful side of life .and he created many evil imagoes ,such as cadavers、dull bones 、bloodiness, muddiness、hungriness and dead leaves.

其作品很明显的受到了波德莱尔《恶之花》的影响,在诗歌审美对象的选择上,多数的诗都是面向生活中的丑恶面,大量营造死尸、枯骨、血污、寒夜、泥泞、荒漠、死叶等丑恶的意象,带有明显的&以丑为美&、&从恶中发掘美&的美学倾向。

There is an original, rude, endless desert world in the southern fringe of Guerbantonggute Desert and Zang'er Basin, which is a natural hungry arboretum as well:verdant sacsaoul, luxuriant Populus diversifolia, refreshing Russian olive, elegant three-awn, medical worthing rhubarb, jingling bell bur, vigorous phoenix tree and blood-redrose willow that composes a big natural sight with color, gout and tone.

准噶尔盆地古尔班通古特沙漠南缘,是一片原始、粗犷、一望无垠的沙漠世界,又是一座天然的荒漠植物园,葱绿的梭梭、茂密的胡杨、沁人心脾的沙枣、飘逸羽叶的三芒草、以丑为美的猪毛菜、富有药用价值的大黄、大芸黄芪、&叮铛&作声的铃铛刺、形似鹿角的苍劲梧桐,还有血红的红柳,组成了一幅色、味、声、相并茂的大自然景观。

"Stretcher bars Flower" as the county a widespread folk dance of local characteristics, the history of the origins of the immortals "Three Xian Gu" sacrificial ceremony in order to carry statues of dancers of "driving" the main line, are ritual dance team leader in the dance species gradually evolve into a self-entertainment of the masses of the Plaza art, a flower by two-person stretcher bars, exercise on a horizontal bar made of bamboo materials, the carrying of objects known as:"bar box", people from bars handheld bar charge card, its paddle-shaped, performers have jun bars, ugly bars on the points, when抬杠should not exercise on a horizontal bar over the shoulder, should not bar use of hands, they make the same direction, opposite, running and carrying the show, high overhead, low hip tip, are the scope of activities of exercise on a horizontal bar, the basic action has Yan mallard water, tiger big kick tail, large clean waiting for, performing routines倒卷curtain has pearls, Wufu want longevity,十三太保,二十八宿and so on, just Taihua no accompaniment instruments.

&抬花杠&为该县广泛流传的一种具有地方特色的民间舞蹈,源起历史上对神仙&三仙姑&的祭祀仪式,以舞者肩扛神像&过驾&为主线,是祭祀舞队中的领队舞种,逐渐演变成为群众自娱性的广场艺术,一幅花杠由二人抬,杠子用竹料加工制成,所抬之物称为:&杠箱&,领杠人手持押杠牌,其为船桨状,表演者有俊杠、丑杠之分,抬杠时杠子不能过肩头,不能用手扶杠,二人做同向、相向、相背而抬的表演,高至头顶,低至臀尖,都是杠子的活动范围,基本的动作有燕凫水、老虎大蹶尾、大抹坐等,表演套路有珍珠倒卷帘、五福捧寿、十三太保、二十八宿等,泰华刚没有任何乐器伴奏。

This paper analyses three tendency of network pioneer poem,"Sensual Composition","Breakage" and "Ant- elevation"."Sensual Composition" give a hard shock on current poem which had a aged character, but it also interflows with the utility of commercial society."Breakage" brings a valiant tidal current in poem composition, also forms a wild style."Ant- elevation" lead poem to the ground, hoist the flag of criticizing social problem, but it can also fall poem into trap of politics.

论文重点分析了先锋诗学中出现的&肉身化&、&破坏性&、&崇低&等三大倾向,认为&肉身化&写作对当下诗歌写作中陈腐的&中老年&特征进行了一次重大冲击,但客观上也迎合了&消费社会&的功利性;&破坏性&力量带来了一股强悍的诗歌写作潮流,解构、反讽、审丑、怪诞等写作手法形成了一种粗暴的美学风格,但也引发了诗歌写作新一轮的戏噱和狂欢;&崇低&将诗歌写作再度引向&地面&,重举批判现实的大旗,拆解虚伪的假面,但其借助网络所强调的&政治性批判&和对写作&政治禁区&的突破正让它面临沦为意识形态工具的危险。

5 Those hours that with gentle work did frame The lovely gaze where every eye doth dwell Will play the tyrants to the very same, And that unfair which fairly doth excel: For never-resting time leads summer on To hideous winter and confounds him there, Sap checked with frost and lusty leaves quite gone, Beauty o'er-snowed and bareness every where: Then were not summer's distillation left A liquid prisoner pent in walls of glass, Beauty's effect with beauty were bereft, Nor it nor no remembrance what it was.

五 那些时辰曾经用轻盈的细工织就这众目共注的可爱明眸,终有天对它摆出魔王的面孔,把绝代佳丽剁成龙锺的老丑:因为不舍昼夜的时光把盛夏带到狰狞的冬天去把它结果;生机被严霜窒息,绿叶又全下,白雪掩埋了美,满目是赤裸裸:那时候如果夏天尚未经提炼,让它凝成香露锁在玻璃瓶里,美和美的流泽将一起被截断,美,和美的记忆都无人再提起:但提炼过的花,纵和冬天抗衡

The thesis think Tie Ning female identity experience poem ego, female ego, reasonableness ego of continuously mature development process,Tie Ning molded to take"fragrant snow" as to represent by poem of beautiful and artistic young girls, remeding the defent of female narration. After mid–80s, Tie Ning with mightiness of the female consciousness carried out to cross and surmount of the female's rightness by the female's review of ugly and appreciate beauty by duble variation. Which is the make–up of what Zhang Jie and Zhang Xin Xins novels neglect to female's essence life, It is also the watchful to Lin Bai and Chen Rans which excessively sinked in a female. In the new century, Tie Ning's stupid flower embody the tendency of the female return to the spirit of new time and great words, Indicate new century female literature is a important change of appreciate attitude.

论文认为,铁凝女性身份的认同经历了诗性自我、女性自我、理性自我的不断成熟的发展过程:铁凝以诗性自我塑造了以&香雪&为代表的美仑美奂的少女群像,弥补了新时期初期深陷男权文化中心的女性写作的匮乏;80年代中期以后,铁凝以强烈的女性自我意识在审丑与审美的双重变奏中实现了对女性自我的超越,既是对张洁、张辛欣们忽视女性本体生命欲求的弥补,也是对林白、陈染们过度陷于女性偏执的警醒;在新世纪,铁凝的《笨花》体现了女性意识叛逆后回归新的时代精神和宏大话语的趋向,预示了新世纪女性文学审美态度上的重大转变。

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