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不屈挠的

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Wolf - Denotes valiant captains that do in the end gain their attempts after long sieges and hard enterprises.

狼-象征无畏的军人,在长期艰苦围城之后仍决不屈挠,并以此取得最终胜利的坚毅者,一种不能被阻拦的人。

And 20 years after, on the other side of the globe, again the filth of murky foxholes, the stench of ghostly trenches, the slime of dripping dugouts; those boiling suns of relentless heat, those torrential rains of devastating storms; the loneliness and utter desolation of jungle trails; the bitterness of long separation from those they loved and cherished; the deadly pestilence of tropical disease; the horror of stricken areas of war; their resolute and determined defense, their swift and sure attack, their indomitable purpose, their complete and decisive victory—always victory.

20年以后,在世界的另一边,他们又面对着黑黝黝肮脏的散兵坑、阴森森恶臭的战壕、湿淋淋污浊的坑道,还有那酷热的火辣辣的阳光、疾风狂暴的倾盆大雨、荒无人烟的丛林小道。他们忍受着与亲人长期分离的痛苦煎熬、热带疾病的猖獗蔓延、兵桌要地区的恐怖情景。他们坚定果敢的防御,他们迅速准确的攻击,他们不屈挠的目的,他们全面彻底的胜利——永恒的胜利——永远伴随着他们最后在血泊中的战斗。

推荐网络例句

The physiology of the skin machine body for the sake of the environment in the maintenance stability, but eject a body metabolism creation of metabolism thing BE'grease', summer perspire many various skin disease light or good, autumn perspire little metabolism thing metabolism don't go out, various skin disease made, this be the skin machine body of various burning disease.

皮肤机体的生理为了维持内环境稳定,而排出身体代谢产生的代谢物是'油泥',夏天出汗多各种皮肤病就轻或好了,秋天出汗少代谢物代谢不出去,各种皮肤病就犯了,这就是皮肤机体的各种炎症。

If I had anything tender in me, I shot it dead.

如果我有什么招标的话,我枪死亡。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是:立足于色彩绘画,分别从&色彩&、&水墨&两个角度出发,先对它们在中国古代画史论著中作一考证;分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路;着重分析色彩绘画中心&失落&亦即&水墨之变&的原由;及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。