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writers相关的网络例句

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与 writers 相关的网络例句 [注:此内容来源于网络,仅供参考]

The literary arena entrusts with by the collective naming to "The 1970's Writers", the market chooses in addition the alternative and the fashion writer star takes the representative, has caused "The 1970's Writers" 's in writing pattern identicalness, also urges them to carry on the differentiation in the creation, but the society from all walks of life to their work intense critique and even to the government department to their partial works forbids then further impels its creation the transformation.

文坛对70年代出生的作家赋予以&断代&式的集体命名,市场则挑选出&另类&、&时尚&的市场明星作为代表,导致了&70后&在写作模式上的雷同,也促使她们在创作上进行分化,而社会各界对她们作品的激烈批判乃至于政府部门对她们部分作品的查禁则进一步推动其创作的转变。

Creation of Zhi Qing writers has shown complicated creation motivation: the rough experience and life experience cause them intense desire; The tenacious "Zhi Qing complex" caused by peculiar Zhi Qing identity and cultural psychology becomes the spirit driving force that the writer creates; at the same time, intense sense of social responsibility and sense of mission also urge Zhi Qing writers to take up in hand not to stop field writing for their generation.

知青作家的创作表现出了复杂的创作动机:坎坷的知青经历和生活体验造成了知青作家强烈的诉说欲求;而特殊的知青身份和文化心理形成的执着的&知青情结&成为作家创作的精神驱动力;同时强烈的社会责任感和使命感也促使知青作家拿起手中的笔为知青一代不停地写作。

As soon, however, as Tragedy and Comedy appeared in the field, those naturally drawn to the one line of poetry became writers of comedies instead of iambs, and those naturally drawn to the other, writers of tragedies instead of epics, because these new modes of art were grander and of more esteem than the old.

然而一旦悲剧和喜剧登台亮相,以前对诗的自然划分由抑扬格和史诗变成了喜剧作家和悲剧作家,因为技艺的新样式比旧样式更宏大,更受人欢迎。

All that might be very interesting if we recognised a divine power, based on itself and always alike, guiding its peoples through Napoleons, Louis', and writers; but we do not acknowledge such a power, and therefore before talking about Napoleons, and Louis', and great writers, we must show the connection existing between those persons and the movement of the nations.

假如我们承认神权,它依靠其自身,总是借助于拿破仑之流、路易之流和著作家们来管理本民族的话,纵然,这一切说法,都可能是非常有趣的,可是,我们并不承认这种神权,因此,在谈论拿破仑之流,路易之流和著作家们之前,应该阐明这些人物和各民族的活动之间有什么关系。

Many modern writers of sonnets choose simply to be called sonnet writers.

许多现代作家的十四行诗选择仅仅是所谓的十四行诗的作家。

As for the writing of India, there exit some complicated and intricate historical relations between colonial literature and post-colonial literature , which is related to the Orientalist attitude of British writers and Indian-British writers.

殖民文学与后殖民文学在书写东方印度主题方面,存在一些复杂微妙的历史联系,存在着历时性和共时性的&东方&话语,这与一些英国作家和印裔英国作家的东方主义心态有关。

In the contemporary literature from 1949 to 1978,revanchism values continued,but"the validity"of revenge had not been regarded asthe narrative emphasization by writers,and it was unnecessary demonstrate Goddessof vengeance's charm because the liberated area writers had finished it perfectly.

从复仇、报应、革命三者之间的关系来看,尽管作家们也认识到了私人复仇方式的负面性,并表现出了用公力报应--公共复仇代替私力复仇的理性追求,但其以正当性论证为叙事重心的主题架构偏向的却始终是复仇的合理性。

But the abstracts by native writers and Chinese do have the same tendency in writing style and tense usage. On the basis of the language's deep structure analysis, first in terms of thematic structure, choice of Themes is found to be in common in many ways among abstracts by native and Chinese writers, for instance, simple Themes are most frequently and clausal Themes least frequently used in both.

通过对上述差异和共性的分析与讨论,作者提出了以下的摘要写作技巧:撰写摘要应使用正式文体;避免出现个人主观观点;遵循摘要写作之四步骤;删除与摘要构成无关的信息;语言表述多样化避免单调;以简单的词组或组合开始句子,避免使用过长的成分;增加连接成分的使用和尽量使用线性推进来展开文章以达到衔接和连贯。

In the Eastern Han dynasty, the North a large number of writers, such as Cao Cao , Cao Pi, Cao Zhi, Wang Can, Liu Zhen, Chen Lin, Xu dry, Cai Wenji, Handan sun and so on, they gathered in Dongjak Taiwan to express their own straight-minded, generous-permanent gas, desire to express the ambition to perform meritorious deeds; Min time Mourning arbitrary, reflecting the social reality and people's tragic life, set off in the history of our poetry writers created the first high tide.han xian di at a time because of their age Jian'an, so future generations as Jian'an literature.

东汉末年,北方一大批文学家,如曹操、曹丕、曹植、王粲、刘桢、陈琳、徐干、蔡文姬、邯郸淳等,他们聚集在铜雀台,用自己的笔直抒胸襟,慷慨任气,抒发渴望建功立业的雄心壮志;闵时悼乱,反映社会现实和人民群众的悲惨生活,掀起了我国诗歌史上文人创作的第一个高潮。

Alive, the author's sense of survival of the formation of two reasons: on the one hand, Yu Hua's because the small growth in the hospital environment, from the visual, touch, hearing on the death of a great feeling; On the other hand Yu Hua read a lot of Western literature, Western literature by writers of the impact, such as Kafka, writers found a unique way of real performance.

在《活着》中,作家的生存意识的形成有两个方面的原因:一方面余华因为从小就生长在医院的环境下,从视觉、触觉、听觉上对死亡有很大的感触;另一方面余华阅读大量西方文学作品,受西方文学作家的影响,如卡夫卡等,作家找到了表现现实的独特方式。

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I'm strongly against the death penalty — it's an eye for an eye.

我不赞成死刑——这是以牙还牙的报复行为。

And to get you the support you need, we're enlisting all elements of our national power: our diplomacy and development, our economic might and our moral suasion, so that you and the rest of our military do not bear the burden of our security alone.

并给你们所须的支援,我们正徵召国家所有各种的力量:我们的外交及发展,我们的经济力量与道德劝说,所以你们与其他军人不须要孤独地负起国家安全的责任。

Imagine yourself to be an actor in a play on the stage.

设想你自己是一个演员在舞台上表演。