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Tourists c8ynedi: we should proceed, and may be difficult to contact her,,,, although no matter what I will do its utmost to fight fellow Wenchuan disaster area, but hope that the fellow in Jiangyou She could also eat a bit , even a bottle of mineral water will do,,, beg fellow townsman, and, she is now on the road at the entrance of China Telecom Bay Road on a truck...

游客c8ynedi：就要出发了，也许很难联系她，，，，虽然无论怎样我会尽全力去抢汶川救灾区老乡，，，可是希望在江油的老乡也能跟她带点吃的，哪怕一瓶矿泉水也行，，，求求老乡了，，，她现在在马路湾中国电信的门口公路上的一辆货车上。。。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识，但关键就是分寸感的把握，不然，或者伦为真的大众趣味，或者切入过多的经英语词汇，而使语言虚弱，就我而言，我不敢重操油画，或是改造扩充，就是由于它本身太文化了，一出手就高雅了，怕弄个不伦不类而失掉语言直接性的强度，文化结构的改变，艺术的俗语是一种趋势，从艺术语言上，我是用传统刺绣方式和手法的，早在圆明园画家村时，我几乎没有画出什么东西，油画肯定觉得使用起来有问题，在当时偶然在颐和园门前，看到很多刺绣的艺术品，一下子感到找到了方法，因为刺绣这种手段属于工业文明之前的东西，它有种土色和平民的感觉，这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求，那种不伦不类的现代性，正好我的家乡唐山有一个很有名的刺绣厂，找师傅做作品可能更方便，有了这个想法之后，也得到朋友的鼓励，刺绣这一传统民间资源的再利用，在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然，它不单单是语言风格样式上的意义，它体现的是深层的社会文化结构改变的宣示。

The Moroccans, who take the game as an act of snobbery, do their utmost to be disruptive.

她们的年轻和对自由的渴望帮助她们克服她们的不同，成为了朋友。。。。。

The gaoler standing at his side , and the other gaolers moving about , who would have been well enough as to appearance in the ordinary exercise of their functions , looked so extravagantly coarse contrasted with sorrowing mothers and blooming daughters who were there with the apparitions of the coquette , the young beauty , and the mature woman delicately bred - that the inversion of all experience and likelihood which the scene of shadows presented , was heightened to its utmost

站在他身边的典狱长和行动着的看守在一般执行任务时虽也看得过去，但跟这些悲伤的母亲和妙的女儿一对比，跟芳姿绰约的佳丽年轻的少妇和受过优秀教养的成熟的妇女等人的幽灵一对比，便显得异常粗鄙。在他一切的经历之中，这个充满幽暗身影的场面使他的沧桑之感达到了极点。

According to the 137Cs concentration distribution along a typical profile A-1, the sediment accumulation rate and the natural surface soil erosion rate are respectively 16.6t/km^2a and 45.95t/km^2a, which shows that about 63.88% of the eroded surface soil is removed by way of underground loss. The relative contribution ratio of surface soil loss and underground soil loss are respectively 70.13% and 29.87%. By comparison to the utmost soil formation rate 13.51t/km^2a in Maolan, the risk of soil erosion in the Engineering Monument grass-covered depression is higher.

2根据草地洼地典型堆积农耕地土壤剖面A-1的137Cs浓度分布特征，1963年以来的流域平均堆积泥沙数量是16.6t/km^2a，流域平均土壤侵蚀速率为45.95t/km^2a，约占侵蚀产沙数量63.88%的泥沙以地下流失的形式散失；(3)草地洼地小流域内地面土壤流失与地下土壤流失的相对贡献率分别是70.13%和29.87%；(4)以茂兰地区最大成土速率为依据推算出的允许土壤侵蚀量是13.51t/km^2a，草地洼地的土壤侵蚀危险程度极高。

He chooses the fairest place and middle of any wall, or panel, wherein to draw a picture, which he finishes with his utmost care and art, and the vacuity about it he fills with grotesques, which are odd fantastic figures without any grace but what they derive from their variety, and the extravagance of their shapes.

他选取最合适的地方和墙壁或饰板的中央，倾其心力和艺术在那里作画，而以异形装饰补充空虚之处。异形是各种奇异怪诞的一点也不优雅的形象，这得自它们的多样性和它们样子的放肆。

He chooses the fairest place and middle of any wall or panel wherein to draw a picture which he finishes with his utmost care and art and the vacuity about it he fills with grotesques which are odd fantastic figures without any grace but what they derive from their variety and the extravagance of their shapes.

他选取最合适的地方和墙壁或饰板的中心，倾其心力和艺术在那里作画，而以异形装饰补充空虚之处。异形是各种奇特怪诞的一点也不优雅的形象，这得自它们的多样性和它们样子的放肆。

Li Gu of one singing always is can the linear characteristic; that utmost ground highlights melody tone change to combine is right the adornment of word sound makes original melody more beautiful, more the need that accords with case of zephyr of mood dialect and vocal content expression, affection, she is multi-purpose on skill the opera bites word law.

李谷一的演唱总是能够最大限度地突出旋律乐音变化组合的线性特征；对字音的装饰使原来的曲调更美、更符合语气语调和歌唱内容表达、情感和风格的需要，技巧上她多用戏曲咬字法。

These basic principles reflect the utmost respect and concern for the planet and its habitants.

这些基本原则体现了我们对地球及其居住者无比的尊重和关心。

I always 1exert my utmost effort to do everything I should do, and don't like to leave something half-done.

我总是尽力地做好我所应该做的事，从不喜欢半途而废。

Chrysanthemum of 10 thousand birthday is lax to edaphic requirement, with the arenaceous qualitative loam with fecund, good drainage had better.

万寿菊对土壤要求不严，以肥沃。排水良好的砂质壤土为好。

He unstepped the mast and furled the sail and tied it.

他拔下桅杆，把帆卷起，系住。