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tragicomedy相关的网络例句

查询词典 tragicomedy

与 tragicomedy 相关的网络例句 [注:此内容来源于网络,仅供参考]

In his final period, Shakespeare turned to romance or tragicomedy and completed three more major plays: Cymbeline, The Winter's Tale and The Tempest, as well as the collaboration, Pericles, Prince of Tyre.

在他最后的创作时期,莎士比亚转向传奇剧,或者称为悲喜剧,又完成了另外三部主要戏剧《辛白林》、《冬天的故事》和《暴风雨》,以及和他人合著的作品《泰尔亲王佩利科尔斯》。

In many areas, this tragicomedy staged continuously.

在许多地区,这一悲喜剧不断上演。

The absurd comedy is an ultra-morphology that makes the base on the tragicomedy and ironic comedy, it merges the feelings stimulating function of the two theatricals that results in the feelings tending to bereavement for their colliding with each other.

荒诞喜剧也可以说集悲剧和喜剧于一体的喜剧,它把这两种戏剧类型的情感激发功能加以融和,最终致使情感因素互相抵触而趋于丧失。

Chinese tragicomedy origins from the ancient sacrificial rite whose intrinsic structure"auspicious-ominous-auspicious" is corresponding with the structure of classical tragicomedy. It reflects the ancient Chinese asperation on the plenteous harvest, good fortune and satisfaction.

中国悲喜剧起源于古代祭祀仪式,古典悲喜剧&喜—悲—喜&结构和祭祀仪式的内在结构&吉—凶—吉&相对应,体现了中国古代人民对农业丰收、化灾纳福、祈求圆满的强烈愿望。

Generally classical tragicomedy has two climaxes, tradical climax and comedical climax.

古典悲喜剧一般都有两个高潮,即悲剧高潮和喜剧高潮。

According to the aesthetic psychology, tradical climax makes the leading characters and readers" mind lost and inclined, but comedical climax makes it harmonious and balanced, hence achives the "beauty of harmony of classical tragicomedy.

从审美心理上说,悲剧高潮使剧中主人公和观众心理失落、倾斜,而喜剧高潮则使之恢复内心的和谐与平衡,从而达到古典悲喜剧的中和之美。

of or relating to or characteristic of tragicomedy.

属于或关于悲喜剧的,或有悲喜剧特征的。

The development of tragicomedy corresponds to the change of social value.

中西悲喜剧的兴衰,与社会价值的变化直接相关。

A lot of time to weave the story of the tragicomedy staged numerous.

时间编织了许多的故事,上演了无数的悲喜剧。

Classical tragicomedy is the cristal of Chinese culture, and best represents the Chinese culture spirit. But regretfully Chinese dramatists followed the Western footsteps, put most of their energy onto the classical tragedy and neglect the study of classical tragicomedy. They classified many classical tragicomedies into the category of tragedy. It brought about the confusion in the classification of Chinese classical drama.

古典悲喜剧是中国文化的结晶,最能代表中国文化精神,遗憾的是我国戏剧界往往步西方的后尘,集中精力研究古典悲剧,忽略了对古典悲喜剧的探讨;又因为对古典悲喜剧的价值认识不足,有意无意地将许多悲喜剧划入悲剧范畴,造成我国古典戏曲分类上的混乱。

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