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tonality相关的网络例句

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与 tonality 相关的网络例句 [注:此内容来源于网络,仅供参考]

The conducting and receiving sensibility of the Gong tonality vibromusic sound wave at the main points of the spleen and stomach meridians:(1) The conducting sensibility of meridians and acupoints were different from each other;(2) The conducting of the spleen and stomach meridians of the FD group was weaker than the control group;(3) In the FD group, the spleen meridians had higher conducting sensibility than the control meridians and soft tissues, while in the control group the zusanli point of stomach meridian have higher sensibility than other points;(4) Divide the FD into gastric motility disorders form and non-gastric motility disorders form, the diference of interclass of Diji point's receiving sensibility of music sound wave had statistical significance.

脾胃经腧穴对宫调音乐声波传导的接收:(1)不同经络不同腧穴对音乐声波传导接收敏感性存在差异;(2)FD组脾胃经腧穴对宫调音乐声波接收弱于对照组;(3)FD组脾经腧穴对音乐声波的接收较对照经及对照软组织敏感,对照组胃经足三里穴对音乐声波的接收敏感性高于其他腧穴;(4)动力障碍型与非动力障碍型地机穴的音乐声波接收差别有统计学意义; 4。

Finally designs has the tonality control circuit the audio frequency amplification electric circuit to have very well chooses the frequency function, with pronunciation magnifying power.

最后设计出来的带有音调控制电路的音频放大电路具有很好的选频功能,和语音放大能力。

In patients with Functional Dyspesia, the vibroacoustic massotherapy might improve the gastrointestinal and psychosomatic symptoms, and increase the conducting and receiving sensibility of the Gong tonality vibromusic sound wave and the electric current

音乐声波按摩疗法具有改善FD患者的心身症状的作用,同时,可以显著提高患者的脾胃经及其他经穴的敏感性。

A well-known piece is BuxWV 146, in the rare key of F-sharp minor; it is believed that this prelude was written by Buxtehude especially for himself and his organ, and that he had an own way of tuning the instrument to allow for the tonality rarely used because of meantone temperament.

一位著名的BuxWV 146件,在罕见的F键小调,而是认为这是由胡德的前奏,特别是写自己和自己的器官,他得调整自己的方式的文书,以便很少使用的音调,因为meantone气质。

In addition, how tonality, cadence, motifs, relationship between lyrics and melody line are organised as well as the musical expressions embodied in each part of the mass are fully studied in order to understand the virtuosity and excellence of Beethoven's Missa Solemnis and to provide a reference for music appreciation teaching or music theory.

将整部作品分成垂怜经、荣耀经、信经、圣哉经与羔羊经等五个小节,探讨歌词与音乐的相关性,并研究贝多芬在每首曲中所运用的调性、终止式、主题动机、歌词与曲调线之间的关系及各曲所蕴含的音乐表现,进而了解贝多芬创作「庄严弥撒曲」精到之处,以作为音乐教学欣赏或音乐理论的参考。

The form was referred to as AB; two parts songs were usually selected; the meter signature was referred to as quarter note gets one beat and beats can be grouped in twos or fours, it remained stablely in the whole tune; the tempo of assigned chorus piece almostly based on "Moderato" and "Allegretto"; the tonality are combined with the major and minor scales and also present as the pentatonic scales, the minor scale were rarely used.

二 、九十二至九十六学年度国小合唱指定曲的内容,大部分与国小音乐能力指标相符:乐曲曲式明确,以二段式居多;编制以同声二部为主;拍号以单拍子的二拍、四拍为主,少有拍号变化;速度以中板、稍快板为主;调性不完全偏向大小调乐曲,仍兼顾调式乐曲,转调变化的不多,小调乐曲较少出现。

The composing fodder is from Chinese folk songs, by using and combining the traditional tonality structure of Chinese music and modern composing skills, Mr. Wang made successfully the work have both the richful grace of Chinese music and the strong modern music characteristics which was fresh and originative in that time. It is regarded as the earliest successful sonatina in modern China.

此曲的创作选材于中国的民歌,作者运用传统的民族调性结构和现代的作曲技法相结合创作而成,使乐曲既有浓郁的民族风情又具有时代特征,在那个时代既新鲜又有创意,是中国较早成功的一首《小奏鸣曲》。

Furthermore, applying the deductive and comparative approach by the classification and organization of chord structure, harmonic progress and the tonality management in six chamber music. Stravinsky use pitches material on the basis of diatonic tone and pitch organizing principle on the basis of polytonality to form his unique harmonic language. Accordingly, we get the further understanding about Stravinskys precise and rational music creation style as well as his extraordinary arractive music language.

文章采用总结归纳和比较研究的方法,通过对六部室内乐作品在和弦结构、和声进行、调性处理等方面和声应用技术的梳理和分类,探讨斯特拉文斯基以自然音为音高基本材料,以多调性为音高组织原则而形成的独特和声语言,从而进一步理解斯特拉文斯基严谨、理性的创作风格以及个性化和极富魅力的音乐语言表达。

In Luo Zhong-rong"s modern compositions, the pitch organization and the form of it"s structure hold the prominent position and issue significant function in music context, and the researches of these aspects in this dissertation occupied referentially also a more wide space. The first three chapters introduced three kinds of pitch organization used in these compositions: serial set, twelve-tone tonality and pentatonic aggregate.

音高的组织与结构方式在罗忠铬的现代音乐创作中有着十分突出的作用,论文在这方面的研究也相应占据了较大的篇幅,前三章分别介绍了作曲家在这些创作中使用的三种音高组织:"序列"、"十二音调式体系"以及"五声性十二音集合"。

In the first chapter,different construction of harmony and scale is concluded,the transformation of hamony and the technique of scale is analyzed. The concept of "tonality" of Ligeti is discussed.

这篇论文由三章构成,在这三章中,对利盖蒂作品中的音高组织的材料,音高组织发展的方式,以及音高组织与别的音乐要素之间的相互作用等方面进行了论述。

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11:4 你说,我的道理纯净,我在你眼前清洁。

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