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tonality相关的网络例句

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与 tonality 相关的网络例句 [注:此内容来源于网络,仅供参考]

Although this Flute Sonata composed in traditional forms, it is conceived not by tonality but by Hindemith's "center-tone theory" which reveals that he is not restricted by the formulas of traditional tonality.

这首《长笛奏鸣曲》虽然以传统的曲式结构来创作,但不以调性而以亨德密特自创的「中心音理论」来构思,显示出他不受传统调性的规则所束缚。

Second, most of the content of the assigned chorus piece were chosen to meet to the elementary students' musical abilities. The form was referred to as AB; two parts songs were usually selected; the meter signature was referred to as quarter note gets one beat and beats can be grouped in twos or fours, it remained stablely in the whole tune; the tempo of assigned chorus piece almostly based on "Moderato" and "Allegretto"; the tonality are combined with the major and minor scales and also present as the pentatonic scales, the minor scale were rarely used.

二 、九十二至九十六学年度国小合唱指定曲的内容,大部分与国小音乐能力指标相符:乐曲曲式明确,以二段式居多;编制以同声二部为主;拍号以单拍子的二拍、四拍为主,少有拍号变化;速度以中板、稍快板为主;调性不完全偏向大小调乐曲,仍兼顾调式乐曲,转调变化的不多,小调乐曲较少出现。

Tonality and atonality is nothing to do with modrn music.

音乐和数学、天文、以及生命有密切的关系。

It is based on an ideal, existentialism, from German philosopher, Martin Heidegger. The musical materials of the composition are inspired by the musical languages between the western tonality and atonality at the end of 19th and begin of 20th century.

主要是以德国哲学家海德格之「存在主义」为理念出发,结合十九世纪末二十世纪初,西方音乐中调性与非调性之间,新旧交迭所产生的和声语法为题材创作。

The pitch organization logic of pentatonic twelve-tone is the most important structure logic in Luo Zhongrong's twelve-tone music works, mainly composed of two structure types: pentatonic tonality serial and pentatonic atonality serial.

五声性十二音的音高组织逻辑是罗忠镕十二音作品中最重要的结构逻辑,主要有五声性调性序列和五声性非调性序列两种结构类型。

This paper mainly from the "Yellow River Cantata" creative motives, 8 movement of the melody tonality of summary and analysis of the PC, and the "Yellow River Cantata" After the meaning of simple exposition.

本文主要从《黄河大合唱》的创作动机,对八个乐章的调式调性进行了简要分析来看它所产生的作用,以及《黄河大合唱》产生后的意义进行了简单的阐述。

Following, too, the fundamental constructive principle of all synagogal chants, explained under Cantillation and azzanut, in consequence of which the same text varies alike in tonality and in melodic outline according to the importance of the occasion and to the esthetic expression associated with it, there have gradually shaped themselves in each of the traditional uses a number of tuneful renderings of the addish which have become in themselves typical melodies of the day or of the service.

之后,也根本建设性的原则,所有synagogal呼喊,解释下cantillation和azzanut ,在后果的,即同一文本的不同,无论大小,调性和旋律纲要根据重要性的场合和审美表达与此相关,有已逐步形成了自己的每一项传统使用的一些tuneful透视图的addish已成为在自己典型的旋律在日间或该项服务。

When I wanted to change tonality, I would use a capo. I soon felt 4 s#~- r, x2 Q1 _limited anyway.

当我要改变音色的时候,我用一个变调夹,我很快就会感到受限制了。

The quality of note relation in semitone and chords sequence has been changed during the course of harmony chromaticism, and compared with the subordination status in classical harmony, they used more initiative in the modern music and contained more elements of chromatic tonality.

与在传统和声中次要位置相比,近现代音乐中的半音中音关系和弦连接的应用更为主动,也包含了更多的半音调性的因素,并且有了自己的概念与名称,不再是根音四、五度和声序进的附属,真正成为了一种独立的和声序进。

The quality of note relation in semitone and chords sequence has been changed during the course of harmony chromaticism, and compared with the subordination status in classical harmony, they used more initiative in the modern music and contained more elements of chromatic tonality. With its own conception and titles, not the pertain to the roots fourth or fifth chords sequence, the chromatic turned into a individual harmonic sequence itself.

与在传统和声中次要位置相比,近现代音乐中的半音中音关系和弦连接的应用更为主动,也包含了更多的半音调性的因素,并且有了自己的概念与名称,不再是根音四、五度和声序进的附属,真正成为了一种独立的和声序进。

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