查询词典 style

In ancient Greek, there were three main styles in architecture, they are: The Doric style, the Ionic style and the Corinthian style.

古希腊的建筑形式主要有三种，它们是：陶立克式，爱奥尼亚式和科林斯式。

Research methodology adopted the foundation of Erwin Panofsky's Iconology to inspect cultural origin of peony prototype, and adopted the definition of third level to connect image of woman and peony for attempting to explain the definition of peony to maternity and family. This creation displayed there styles: remindful style, decorative style, and surreal style, and then planed three glue watercolor creative series that were "guardian series","flowerage series", and "riches as floating clouds series".

方法学上以般洛夫斯基（Erwin Panofsky，1892-1968）的图像学为基础，探讨以牡丹为原型的文化脉络，以第三层的意义将女人与牡丹的形象连结在一起，并将牡丹延伸意义为母性与家，以此为创作主轴，发展出三个风格：怀旧风格、装饰风格、超现实风格，并规划出三个胶彩创作系列：「守护系列」、「花解系列」、「富贵如云系列」。

His preference of bold and unstrained style and lucid and elegant style shows his personal style of unrestrained frivolousness.

他对豪放和清婉两种风格的倾心更是体现了他狂中带雅的面貌。

This article is based on the research of Mr. Li Yinghai"s monograph the modes of Music of the Han nationality and their harmony, his music composition and a series of his vocal music works, piano works. From the structure of the chord, the harmonic progression, the modes and tonality, texture composition style, the style of dealing with the skill and technique of national music sound simulation, etc. the author expounds Mr. Li Yinghai"s great achievement and his precious experience on academic research and application on national mode harmony in detail.1. Music composition should regard nationalitys traditional music as foundation, and at the same time use European traditional skill and technique of music composition for reference, seek the harmony of traditional skill and technique, modern idea and national style. Only in this way could we promote research of the national music theory and creation of the national music.2. Theory stems from practice, guides practice again at the same time. And theory is developing, perfecting constantly in practice.

文章以黎英海先生的理论专著《汉族调式及其和声》以及他创作、改编的一系列声乐作品、钢琴作品为研究对象，从和弦结构、和声进行、调式调性、织体写法、间音处理手法、民族音乐音色模拟技法等方面详细论述了黎英海先生在民族调式和声理论的研究与应用上取得的丰硕成果与宝贵经验及其给我们的两点启示：1、音乐创作应以民族传统音乐为根基，以欧洲传统作曲技法为借鉴，努力探求音乐创作中传统技法、现代理念与民族风格的和谐统一，以此推动民族音乐理论的研究与民族音乐的创作。2、理论来源于实践，同时又指导实践，并在实践中不断发展、完善。

The Chinese style Western-style food that this follows authentic Western-style food to had reformed in Chinese irresistibility actually a truth, game culture, not best, suit most only.

这其实就跟正宗西餐在中国难敌改良过的中式西餐一个道理，游戏文化，没有最好的，只有最适合。

The third part for to Shuo Ya arranges the style characteristic the introduction,in this part to Shuo Ya a book's arrangement style has carried on the outline,and pointed out that its arrangement style place and the reason the contradiction,namely agreed Fu Guyun with a character does not arrange in together,its reason is Zhu Junsheng the discrimination which explains to Shuowen Jiezi,thinks its significance identical not; The synonymy,the isomorph,the ancient rhyme with a character do not arrange in together,its reason is Zhu Junsheng focuses under the total concept the subordinate concept.

第三部分为对《说雅》编排体例特点的介绍，在这一部分中对《说雅》一书的编排体例进行了概述，并指出其编排体例的矛盾之处及其原因，即同意符古韵又同部的字不排列在一起，其原因是朱骏声对《说文解字》释义的辨析，认为其意义并不完全相同；同义、同形、古韵又同部的字不排列在一起，其原因是朱骏声着眼于总概念下的下属概念。

Results To boy students, influential factors of anxiety were grade, more internet bars and electronic game rooms nearby home, parents' education style. Influential factors of depression were grade, parents' marital status, parents' educational style. Influential factors of learning maladaptation were grade, whether to be student leader, mother's educational level, family fuction. What's more, grade, region, whether to be student leader, parents' marital status, mother's educational level, more dance halls and video rooms nearby home, parents' educational style affect the interpersonal communication.

结果 男生影响因素其焦虑为年级、住家附近网吧、电游室多少、家长教育方式；其抑郁为年级、父母婚姻状况、家长教育方式；其学习适应不良为年级、是否班干部、母亲受教育程度、家庭功能；其人际交往不良为年级、地区、是否班干部、父母婚姻状况、母亲受教育程度、住家附近歌舞厅、录像室多少以及家长教育方式。

In this paper, searching technology of product information based on knowledge was researched. On the aspect of cognition, we researched the relation between user\'s cognition and designer\'s cognition, explored the knowledge flow in the process of product development, set up a matching model between user\'s knowledge and designer\'s knowledge, brought forward a modeling method based on users\' cognition, and set up a measurable model of product feature; coded and decoded product form element, set up a computer aided product form design system and image evaluating system based on the result of measurement. Accordingly, the product style and product image were systematically discussed, the recognition space of product style and image was constructed, the factors that affect product style and image were put forwards and analyzed, and the relation between product image and form elements was tested by experiments. Furthermore, the product automatic recognition technologies were discussed.And then, with the media of concept model and the kernel of parameter technology, a mathematic model that describing product layout design by constraints and rules was presented. Furthermore, a product design integration system based on imagery thinking including product fonii base system based on imagery thinking, product form design system based on imagery thinking and product form intelligent design system based on space layout were set up, which tested the system and provided a new way for product innovative design.

本文以产品特征描述目标对象——产品，研究一种基于知识的产品信息检索技术，在对产品的认知方面，研究了用户认知和设计师认知之间的关系，研究了产品开发过程中的知识流传递过程，建立了用户知识和设计知识之间的匹配模型，提出了一种基于用户知识的产品建模方法，它不但提取了产品的特征，还建立了产品特征量化模型，从而实现了产品知识的量化描述；对产品造型元素进行分解和编码，利用实验量化结果构造计算机辅助产品形状设计系统和心象评价系统；使用量表分析造型元素的心象尺度，构造输入、输出系统，建立了产品设计知识库咨询系统，可以方便用户和设计师来导入或查询产品设计方案；实现了对产品造型心象的分类知识库系统，便于设计师存储或查询，辅助设计师进行产品创新设计；通过实验量化了产品造型参数和产品心象参数之间的关系，并在此基础上建立了基于心象的产品形状设计系统，为产品空间布局方案智能生成系统奠定基础；在基于知识库的基础上建立了产品空间布局方案智能生成系统，通过更改概念产品造型参数，实现了产品设计方案的智能生成，使系列化的设计工作变得十分方便；将产品的心象运用到实际设计过程中，能够引导流行趋势，创造出产品无形的设计价值。

And the westernized women's clothing formed, namely the women's clothing of Shanghai's style.2、 Westernized subject content that the westernization of the modeling element is the women's clothing, and modeling westernization of element clothing structure, clothing modeling form change that westernization brings of craft in fact: The westernization of the element of the surface fabric, on one hand influenced by western artistic style, on one hand textile technology, westernized result of technology of dyeing ; The auxiliary materials element is occidentalized to followthe direct result of western fashion , aesthetic change.3、 Key point that Shanghai women's clothing is westernized that widewesternization is the Republic of China period, occidentalize to make the wholeform of the women's clothing changed into the Western-style S type from thetraditional H type in wide type, the change of such external form is the widecultural transition to narrow clothes decorations culture of clothes decorations infact.4、 In the westernized course of the women's clothing of the Republic of ChinaShanghai, 1920 times rely mainly on the fact that the dress is matched andoccidentalized ; 1930 times rely mainly on occidentalizing in modeling ; And1940 times rely mainly on the fact that the auxiliary materials are occidentalized .

局部西化女装是在保留部分传统女装构成元素的基础上，通过造型元素西化、面料元素西化或辅料元素西化，而形成的西化女装，即海派女装。 2、造型元素的西化是女装西化的主体内容，而造型元素的西化实质上是服装结构、工艺的西化带来的服装造型形态变化；面料元素的西化，一方面是受到西方艺术风格的影响，一方面是纺织技术、染色技术的西化结果；辅料元素西化多是追随西方流行时尚、审美变化的直接结果。 3、廓型的西化是民国时期上海女装西化的关键所在，廓型西化使得女装的整体形态由传统的H型转变为西式的S型，这种外在的形态的改变实质上是宽衣服饰文化向窄衣服饰文化的过渡。 4、民国上海女装的西化过程中，1920年代以服饰搭配西化为主；1930年代以造型西化为主；而1940年代以辅料西化为主。

Woman whole life to heel of shoe height of request, compare to the parabola be similar, when young wear low-heeled shoes:If is sport style, usually is for the sake of the manifestation itself of sarcastic lovely, the shoe top color be gorgeous, if is fair lady style, the decorate of shoe top then think very much, add a bowknot, inset up some pearl or paillette, but aught, heel of shoe affirmation is so-so, most also just Xie type;Attend a work, the heel of shoe will rise along with the climb of post or increase of social intercourse activity but more and more Gao, Gao of the heel of shoe can increase chemisette charming manner, such as the willow hand breeze and flutter many Zi, shape also more ability bring into relief, female the magic power be exertive to the extremity;After age enlarge, the high-heeled shoes start isn't suitable for to run about, slowly fell the very ugly appearance of old style and the color and the rise half be a black.

女人一生对鞋跟高度的要求，就好比抛物线一样，年少时好穿平底鞋：如果是运动款，往往是为了显示自己的俏皮可爱，鞋面颜色绚丽，如果是淑女款，鞋面的装饰则很花心思，加个蝴蝶结，镶上些珍珠或亮片，但是不管怎样，鞋跟肯定是平平的，最多也只是个楔型；参加工作了，鞋跟会随着职位的爬升或社交活动的增多而越来越高，高的鞋跟可以增添女人的媚态，如杨柳扶风，摇曳多姿，身材也更能突显，女性魅力发挥到极点；年纪增大后，高跟鞋开始不适合行走，慢慢的落到了老式的丑丑的样子，颜色还多半是黑色的。

Chrysanthemum of 10 thousand birthday is lax to edaphic requirement, with the arenaceous qualitative loam with fecund, good drainage had better.

万寿菊对土壤要求不严，以肥沃。排水良好的砂质壤土为好。

He unstepped the mast and furled the sail and tied it.

他拔下桅杆，把帆卷起，系住。