查询词典 style and features

Customized Client chamber under the stairs, the actual hole size, the use of features such as room design features such as color match with the overall design style of the design and production, custom staircase into the main skeleton of steel or wood structure, the use of time plate finger jointing solid wood, tempered glass or transparent acrylic sheet Shincho.

定制式楼梯则根据客户房型情况，实际洞口尺寸，房间使用功能等设计因素，配合整体色彩搭配，设计风格进行设计和生产，定制式楼梯其主体骨架分为钢结构或木质结构，踏步板采用指接实木，钢化玻璃或新潮亚克力透明板材。

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。

Their parents were individually interviewed about features of home enviroment.four features were identified:(1) Home atmosphere and culture resource were import context factors.(2) Parenting cognitions could be an organizing factor for effective parenting practice.(3)authority and democratic style in parenting is necessary.(4)Gameful instructions and richful activities were direct reasons for positive development.

通过对访谈结果的分析，提出高入学准备水平幼儿的家庭环境具有如下特征：第一，和谐的家庭氛围和充裕的家庭文化资源是重要的背景条件；第二，科学的养育认知是父母有效组织自身育儿活动实践的基础；第三，权威而民主的教养风格是教育效果的保障；第四，寓教于乐的教育形式和丰富的活动经验是幼儿积极发展的直接原因。

Ancient Chinese novels in the vernacular evolve from oral literature,have literary features of oral account such as the same pattern of narration,the same style of narration and the same style of individual authors;therefore,the monologic structure of narrative expression and close and complete plot composition are similar.

植根于说话艺术的中国古代早期白话小说的叙事艺术也不能不带有口叙文学的特征：叙述人的模式化及由此造成的作者个性的消失，叙述语式的独白型结构和封闭性完成式的情节构成。明中叶以后，这种模式发生着缓慢的变化。首先是叙述人的个性化与角色化及由此造成的作者与叙述人的分离。

This article starts form carding the formation and development of the animations in the United States, Japan and Europe, in their respective national television animation style characteristics. In the second chapter, from the national culture, folk customs and ways, the character and geographical four conditions explore the United States, Japan, Europe, ethnic style animation in the film formation due to the dynamic; Chapter III trays to find the common aesthetic features of the Television Animation factors in United States, Japan, Europe, also this part describes the characters from four aspects, such as to find truthfulness, to find kind and so on. Chapter four is the key of this article, this part colludes several parts , such as film animation level, the way how animation to present to the concept of integrity, the character and language of the text character and so on . This end of this article is a summary of papers, down from globalization understanding of the vision of China Television Animation, the theoretical study of the ultimate goal is to practice creative services, what is more important is a comparative analysis, which received some of reference, identify China Television Animation and the gap between other countries, in order to learn from foreign advanced development of the film and television animation experience in the domestic film and television animation themes and concepts updates, in the localization of the close integration with the international on the road to the former OK, can have a more far-reaching significance.

论文首先从美、日、欧、中影视动画各自民族风格的特点出发，对其民族风格的形成与发展进行系统的梳理；进而在第二章中，从民族文化、民风民俗、民族性格和地域条件四个方面探究美、日、欧、中影视动画民族风格形成的动因；第三章是对美、日、欧、中影视动画的同质性因素进行比较，论文从启真、扬善、弘美、尚趣四个维度来寻求其共通的美学特征；第四章中外影视动画民族风格的异质性因素比较是本文的重点，也是论文的难点，这一章涉及到许多影视动画本体性的层面，拟从动画的观念品格、文本品格和行为品格三个方面进行把握、比较；最后一章是论文的总结，从全球化的视野下来认识中国影视动画，理论研究的最终目的是要为实践创作服务的，因而，论文更主要的是通过比较分析，从中获得一些借鉴性意见，找出中国影视动画和其他国家之间的差距，更好的学习国外影视动画先进的发展经验，以期对国产影视动画在题材和观念的更新上、在本土化与国际化紧密结合的道路上如何前行能够有更为深远的指导意义。

And traces in their rough-style paintings. Their paintings also assimilate some features and techniques of folk embroidery and paper cutting. With their simple, new and fresh style, these paintings have become a flouring and charming part of folk art.

20世纪五十年代中国新农民文化运动蓬勃发展，陕西一批喜欢绘画的农民拿起画笔，以朴素的绘画语言，描绘自己新的生活，其风格粗犷中蕴含着细腻，作品溶进了民间刺绣和剪纸的手法，质朴清新，成为民间艺术艺苑中的一株奇葩。

The shape of the fault He125 in plane was illustrated by using striking, rotation and angle of branch fault. And its profile features include fault horizontal slip, vertical slip, and dip, fault throw and growth index were interpreted by selecting precise points. Based on these features, 3-D structural elements, fault plane system and structural style were studied.

从走向、转度、分支断层间的夹角三个要素入手阐明断层平面形态，通过精确取点利用三角函数解释断层的水平滑距、垂直滑距、倾角、生长指数、古落差等剖面几何要素，研究了河125断层的三维结构要素、断面体系及构造样式。

The rhythmic proportion was an important precondition and foundation to the serialize rhythm and integral serialism later. The article analyzed Webern's two early compositions, the Six Orchestral Pieces, Op.6 (1909), and the Five Pieces for Orchestra, Op.10 (1913), both of them in the style of free atonality. From the relation principle of the rhythmic cell, the writer discussed Webern's way of organizing rhythm, technique of developing variate of rhythmic cell, as well as its score writing way, and summarized the Webern's early orchestral outputs rhythmic features and its impact on the rhythm style of the works in his later years.

文章以威伯恩早期自由无调性时期的两部管弦乐作品《六首管弦乐小品》Op.6和《五首管弦乐小品》Op.10为对象，从&节奏细胞&的形成以及关系原则着手进行剖析，挖掘、揭示作品中节奏的组织方式；并进一步用作品文本说明、论证节奏细胞的变值发展手法与节奏细胞的谱面组成方式；最后总结出威伯恩早期管弦乐作品中的节奏特征以及对作者晚期节奏风格产生的影响。

The old Hong Kong and Macau Street" is reflected in the twentieth century, with two to three decades on behalf of the Lingnan architectural features of the Hong Kong streets and reflect the old style of Portuguese architecture in Macau landscape composition, their elegant style, building sophisticated, ancient and modern co-exist, Chinese and Western, it including cinemas, casinos, photo studio, brothels, police stations, a banking house, firm, etc., inns, etc.,"the old Macau, including Xu's Grand Courtyard, dragon and tiger Hall, Haojiang hotel.

旧香港澳门一条街&是由反映二十世纪二三十年代具有岭南建筑特色的香港街区和体现旧时葡式建筑风格的澳门景观组成，它们造型考究，建筑精良，古今并存，中西合璧，它包括戏院、赌场、影楼、妓寨、警署、钱庄、商行等、客栈等，&旧澳门街包括许家大院、龙虎堂、濠江酒店等。

The writer try to show the Chinese style in that work, especially the fugue of it representative the music aesthetics features and the meaning of the culture, and also compared it with European traditional Fugue. The writer concluded that the Chinese style of that work, not only embodied on Chinese traditional pentatonic scale, but also the representative significance of Chinese traditional cultures internally.

论述其中的赋格所体现出的古琴音乐之美学特征与文化内涵，并将其与欧洲传统赋格进行对比分析，得出结论：该作品中的&中国风格&不仅仅体现在中国民族的五声性调式与标题性音乐传统，更在于其内在的中国传统文化的象征意义。

Chrysanthemum of 10 thousand birthday is lax to edaphic requirement, with the arenaceous qualitative loam with fecund, good drainage had better.

万寿菊对土壤要求不严，以肥沃。排水良好的砂质壤土为好。

He unstepped the mast and furled the sail and tied it.

他拔下桅杆，把帆卷起，系住。