查询词典 shaw

From Man and Superman to Androcles and the Lion, Shaw 5skewered the sensibilities of the time with a 6penetrating view of social inequalities and a finely honed satiric eye.

从《人与超人》到《安德鲁克里斯与狮子》，萧伯纳以敏锐的眼光洞悉社会各种不平等现象，针砭时弊。

George Bernard Shaw: a brilliant dramatist was strongly against "art for art's sake".

萧伯纳：辉煌的剧作家反对"为艺术而艺术强烈"。

Shaw was strongly against the credo of "art for art's sake" held by those decadent aesthetic artists.

逸夫强烈反对信条"为艺术而艺术"所持的颓废美学艺术家。

David Blacklock alongside Conrad Veidt and Valerie Hobson in Michael Powell and Emeric Pressburger's first collaboration The Spy in Black. Shaw described himself as a movie buff and called Academy Award-winning actor Spencer Tracy his "great god of all screen actors";he was so impressed by Tracy's technique that he claimed to become depressed while watching his movies because Tracy made acting look simple, while Shaw claimed to find it so difficult to master himself.

在1939年，在与康拉德·维德和瓦莱丽·霍布森一道参演米切尔·鲍威尔和艾默力·皮斯伯格的首部合作作品《暗处的间谍》，扮演主角大卫·布莱克洛克指挥官时，肖谦称自己只是个"电影爱好者"，还把奥斯卡奖获得者斯宾塞·屈赛称作"所有电影演员中的神"，屈赛的演技令肖如此震撼，使表演看起来如此简单，以至于肖称在观赏屈赛的电影时，因为觉得自己在表演时还难以收放自如垂头而沮丧。

Cast : Joshua Jackson as Benjamin Shaw, Rachael Taylor as Jane Shaw, Megumi Okina as Megumi Tanaka, David Denman as Bruno, John Hensley as Adam, Maya Hazen as Seiko, James Kyson Lee as Ritsuo, Yoshiko Miyazaki as Akiko, Kei ..

演员：乔舒亚杰克逊的本杰明肖，瑞切尔泰勒为简肖，奥菜惠的田中惠，大卫登曼的布鲁诺，约翰汉斯莱，如亚当，玛雅哈森，精工，詹姆斯Kyson李小龙Ritsuo，宫崎义子的明子，企。。。

Although his good looks began to diminish, reviewers felt his florid and weatherbeaten face was well utilised by Shaw in evoking grandeur and self-assuredness in such roles as generals, priests and his familiar Shakespearean parts. In 1956, his wife Margaret Delamere died; she was survived by her daughter with Shaw, Drusilla.[8] Shaw began a romantic relationship in the mid-1950s with Joan Ingpen, the well-known classical music and opera talent agent who previously represented Shaw.

虽然他英俊的外貌开始衰老，但评论家发现无论是红润还是沧桑的面貌都能被肖得心应手地用以唤起诸如将军，牧师以及他精通的莎剧角色中的气魄与自信。1956年，肖的爱妻玛格丽特·德拉米尔过世，给他留下一个女儿——德鲁塞拉。50年代中期，肖与以琼·英潘展开了一段罗曼史，琼是一位极具天赋的音乐和歌剧经纪人，之前就为肖做代理。

Shaw's visit to China in 1933 drew much attention of the press circle and the academic circle. However, the points at issue about Bernard Shaw focused on his Fabianism thought and his special ""creative evolution"" and ignored his plays. It seemed that he was a political critic instead of a dramatist.Around about 1956, controlled briefly by social ideology, the research on Bernard Shaw presented a scene of prosperity. But actually it didn't make much academic advancement.

在1933年萧伯纳访问中国前后，新闻界与学术界掀起了介绍和研究萧伯纳的热潮，这一时期学界争论的焦点集中在萧伯纳带有社会主义倾向的思想及其独特的"创造进化论"，而对于其剧作则多是泛泛而谈，缺乏深入地探讨。1956年前后，由于意识形态因素的介入，萧伯纳研究领域表面上呈现出一幅欣欣向荣的景象，但实际上并没有多大的学术进展。

When Shaw appeared in It Happened Here, a 1966 World War II film, he wrote much of his own dialogue, which the filmmakers would later admit "gave his dialogue an individual slant which enhanced his performance."[7] Shaw also helped in other aspects of the filmmaking, including casting; he introduced the filmmakers to Fiona Leland, who would be cast as Shaw's wife in It Happened Here.[7] Shaw wrote other plays, including The Ship's Bell, The Cliff Walk, The Glass Maze and Cul de Sac.

当肖参演1966年的二战电影《纳粹暴行录》时，他撰写了自己角色的大部分台词，对此电影制片人后来承认肖&给予了他的台词一种个人化的倾向，使他的表演更有力度&，肖还在其他方面帮助过电影的制作，包括选角；他把菲奥娜·利兰介绍给制片人，在《纳粹暴行录》中扮演肖的妻子。

As with Shakespeare, many of Shaw's plays are continually restaged or rewritten into new media because Shaw wrote on many themes which touch on the human condition, independent of time and space.

和莎士比亚一样，萧的许多戏剧作品不断被重新搬上舞台或改编用在新的媒体上，这是因为萧所写的主题触及人生百态，不因时间和空间改变而有所不同。

As with Shakespeare, many of Shaw's plays are continually restaged or rewritten into new mediabecause Shaw wrote on many themes which touch on the human condition, independent of time and space.

和莎士比亚一样，萧的许多戏剧作品不断被重新搬上舞台或改编用在新的媒体上，这是因为萧所写的主题触及人生百态，不因时间和空间改变而有所不同。

In this paper, the requirement analysis, design and implementation of the system are introduced in detail.

此论文详细介绍了系统的需求分析，系统设计和具体实现。

In the context of economic globalization is increasingly deepening, China's economy can not be spared.

在经济全球化日益加深的背景下，中国经济不可能做到独善其身。