查询词典 script-writer

The spatial narrative structures in Calvino's fictions can be divided into three types :"the building of two worlds "is the main way in the earlier writing phase of Neorealist and Fairy tale .Dimidiation and mergence is the art feature .It signs that the sense of the world and the creative ideas of the writer start to form;"Synchrony and Juxtaposition "and "Crystal pattern "are the prominent characteristics during his Postmodernism writings phase. The writer takes the complex and diverse form of space art, such as segments、juxtaposition、defamiliarization、crystal's combination and derivatives, ect. to represent the essence of the world, and to exprsee the writer's confusion and efforts to understand and build a sense of it.

卡尔维诺小说的空间叙事结构具有阶段性，可以分为三种不同的类型："两个世界的构建"是早期新现实主义和童话寓言创作阶段的主要方法，二分和弥合是其艺术特点，标志作家世界感和创作观念开始形成；"共时并置"和"晶体模式"则是后现代主义小说创作时期的突出特征，作家以片断、并置、陌生化、晶体组合衍生等复杂多样的空间化艺术形式来表现世界的本质以及自身理解世界、构建意义的困惑和努力。

In the part I, the concept, development and current lawmaking status of E-mail are introduced. In this part, the writer states the source, development and basic technical principals of E-mail and analyses its current application status and the importance of effectiveness identification of being evidence. Besides, related international laws on E-mail and lawmaking status in many countries are introduced. Present situation of our country's lawmaking and related model laws since the utilization of E-business and E-mail are also stated and discussed. Part II emphasizes on the differences between E-mail and traditional evidences and generalizes the characteristics of E-mail, i.e.: forgeability, changeability, dependence, uncertainty, duplicatability and transmission. Through the detailed analysis, the writer concludes that it is the above-mentioned characteristics to hinder E-mail becoming the effective evidence. Part III is the key one of this article and mainly discusses the effectiveness identification of E-mail as evidence. In this part, the writer states how the 5 characteristics of E-mail mentioned in Part II to affect the validity and authenticity of E-mail as evidence.

第一部分介绍了电子邮件的概念、发展及立法现状，在该部分中笔者详细阐述了电子邮件的产生、发展以及电子邮件运作的基本技术原理，论述了电子邮件目前的应用状况以及解决其作为证据被认定问题的重要性，同时还介绍了世界上与电子邮件有关的相关国际规范以及各国立法的情况，并讨论了我国自电子商务及电子邮件使用以来的立法现状以及相关的典型立法；第二部分重点阐述了电子邮件与传统证据的区别，并将这些区别归纳为电子邮件作为数据电文的一种类型所具有的特殊属性，即：易伪造性，易修改性，依附性，原件不确定性，易复制和传播性，通过对这些特性的详细阐述，得出了这些属性是导致电子邮件无法成为有效证据的主要障碍的这一结论；第三部分是本文的重点，着重讨论了电子邮件证据效力的认定问题，该部分主要阐述了第二部分提及的电子邮件的五个特性造成了电子邮件证据在合法性和真实性这二方面的障碍。

As to the procedure of obtaining evidence, the writer points out some procedures which are illegal and will result in the invalid of E-mail; as to the authenticity, several methods to identify were concluded and their advantages and disadvantages are also listed. In addition, the writer points out that the laws in force on the authenticity of E-mail were very macroscopic and vague. And there are not concrete laws in effect to identify the authenticity of E-mail without electronic signature and encryption. So the writer explains his views that each links of E-mail's lifecycle should be deeply analyzed and checked to exclude the possibilities of unauthenticity of E-mail.

就取证程序方面，该部分则指出了哪些取证程序是违反法律并可能会导致电子邮件无效；就电子邮件真实性的问题，本文主要从现有立法归纳出几种认定电子邮件真实性的具体方式，并阐述了这些方式的利弊，同时笔者还在该部分指出，现行法律对于电子邮件真实性问题的认识，仍仅停留在宏观层面，显得过于宽泛，尤其是针对未经签署电子签名和加密的电子邮件真实性的认定问题，现行法律没有进行具体规范。

So when an early writer shows his familiarity with them, quotes them as authoritative and as evidently well known to his readers, it may be taken as a proof not only of the existence and widespread knowledge of the Epistles, but that the writer took them for what they claim to be, genuine Epistles of St. Paul; and if the writer lived in the time of Apostles, of Apostolic men, of disciples of Apostles, and of Timothy and Titus (as did Ignatius, Polycarp, and Clement) we may be sure that he was correct in doing so.

因此，当早期的作家表明他熟悉他们，他们是权威的报价和明显众所周知他的读者，可以作为证据，不仅存在和广泛的知识的书信，但作者把他们的他们声称，真正的书信圣保罗；如果作家生活在使徒的时候，男人的使徒，使徒的门徒和蒂莫和提图斯（伊格内修一样，波利卡普，和克莱门特），我们可能可以肯定，他是正确的这样做。

So when an early writer shows his familiarity with them, quotes them as authoritative and as evidently well known to his readers, it may be taken as a proof not only of the existence and widespread knowledge of the Epistles, but that the writer took them for what they claim to be, genuine Epistles of St. Paul; and if the writer lived in the time of Apostles, of Apostolic men, of disciples of Apostles, and of Timothy and Titus (as did Ignatius, Polycarp, and Clement) we may be sure that he was correct in doing so.

因此，当早期的作家表明他熟悉他们，他们报价的权威性和明显众所周知，他的读者，可以作为一个证明不仅存在和广泛的知识，书信，但作者把他们的他们声称，真正的书信的圣保罗，如果作者生活在使徒时，男子的使徒的弟子门徒，以及霍震霆和提图斯（伊格内修一样，波利卡普，并克莱门特）我们可以可以肯定，他是正确的这样做。

According to the writer, Li balances literary critics w...ith other artistic categories, and appreciates critical works from the height of aesthetics. From Li's brand-new perspective, critique is not only"independent"but also"artistic", which is of remarkable significance as regards its implication in the revolutionary changes of literary criticism. The 2nd chapter"literary criticism is a form of discovery", literarily refers to Li Jianwu stressed that critic main body consciousness to text permeating, and his claims on critics'subjectivity and capabilities in aesthetic judgments. The writer concludes Li's ideas as the three following aspects:"critique is self-discovery","critique is the discovery of the writer's mind", and"critique is the discovery of humanity in literature", and gives full illustration one by one.

他把文学批评放在了与其他艺术品类平等的位置，并且从审美的高度衡量文学批评，认为批评是&独立的批评&，也是&艺术的批评&，其意义非常深远，具有文学批评革命性的改变这一意味在里面；第二章&文学批评是一种发现&指的是李健吾强调批评家主体意识对文本的渗入，要求发挥批评家的主体作用和审美判断能力，笔者将此概括为：&批评是自我的发现&、&批评是作家心灵的发现&、&批评是作品中人性的发现&三个方面，并一一进行阐释；第三章重点论述李健吾文学批评的模式。

It is the center of this article that how to put the costumes art of china's ethnic groups to good use in the modern character design. The writer expounds and proves the inevitability and necessary of the combination of external works and china's costumes art of traditional ethnic groups, according to which the writer chose several characters from famous classical novel ?The Creation Of Chinese Gods and recreated them with interrelated knowledge. These recreative examples and: Nvwa Sudaji nine-tailed Fox Denchanyu and Longji princess. Their vivid creative images and design prove the superiority of the two combinations. Meanwhile, some good relative suggestions have been put forward and a theory has been concluded in which modern character design is "skeleton", the comprehensive artistic display of the costumes art of china's ethnic groups is "blood and flesh".In addition, the topic is discussed according to higher practical field. Through the tentative analyses of productive economy and social development in china, the writer applies the costumes art of china's ethnic groups to modern character design, which will be good for the development and improvement of products' economic results, the improve and perfect of educational system, the standard of continuing cultural tradition and the resist of foreign culture invasion.

本文围绕中国传统民族服饰艺术在角色设计中的运用这一论题进行论述和研究，通过国外角色作品对中国传统民族服饰艺术的运用，论证了两者结合的必然性和必要性，并以服饰是角色灵魂设计的重点作为切入点，结合了融会贯通的中国传统民族服饰艺术知识进行了对名著《封神演义》人物：女娲、苏妲己、九尾狐、邓蝉玉及龙吉公主的实例创作，以生动的形象和实际设计的演练论证了两者结合的优越性，同时，也为创作提出了相关的建议，并提出了以现代角色设计为&骨骼&，以中国传统民族服饰的综合艺术表现为&血肉&的结论。

The spatial narrative structures in Calvino's fictions can be divided into three types :"the building of two worlds "is the main way in the earlier writing phase of Neorealist and Fairy tale .Dimidiation and mergence is the art feature .It signs that the sense of the world and the creative ideas of the writer start to form;"Synchrony and Juxtaposition "and "Crystal pattern "are the prominent characteristics during his Postmodernism writings phase. The writer takes the complex and diverse form of space art, such as segments、juxtaposition、defamiliarization、crystal's combination and derivatives, ect. to represent the essence of the world, and to exprsee the writer's confusion and efforts to understand and build a sense of it.

卡尔维诺小说的空间叙事结构具有阶段性，可以分为三种不同的类型：&两个世界的构建&是早期新现实主义和童话寓言创作阶段的主要方法，二分和弥合是其艺术特点，标志作家世界感和创作观念开始形成；&共时并置&和&晶体模式&则是后现代主义小说创作时期的突出特征，作家以片断、并置、陌生化、晶体组合衍生等复杂多样的空间化艺术形式来表现世界的本质以及自身理解世界、构建意义的困惑和努力。

The writer cultivates self discipline the question is ancientbut Chang Xin topic, this kind of tutelage the writer cultivated selfdiscipline the creation to us still to have the positive instructionsignificance today, moreover cultivated vital energy to say also willcontinue to the later generation writer to have the influence.

作家修养问题是一个古老而常新的话题，这种修养对我们今天的作家修养创作仍然具有积极的指导意义，而且养气说还将对后世作家继续产生影响。

Crew members made a model of the set according the requirements in the script. The director and I discussed the details of the script while examining the model of the set; how things should be done and how the action sequences should be shot etc. We exchanged many ideas and it was extremely constructive.

工作人员根据剧本的要求做了一个场景的模型，我和导演看着模型在研究剧本的细节，应该怎样做，动作又怎样等等，交流了很多意见，非常有建设性。

Chimborazo and Cotopaxi, took me by the hand.

越过琴博腊索山和科托帕克西山。

This car is in a good condition.

这辆车的状况很好。