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与 reviewers 相关的网络例句 [注:此内容来源于网络,仅供参考]

Estimable reviewers hailed it as a modern masterpiece, but how many readers out there ever finished it?

值得尊敬的评论家把它尊为现代杰作,但是有多少读者把它读完了?

When we completed the questions,our reviewers personality was Fruitless Feaster,Rain Check Athlete,and Self scrutinizer-surprisingly accurate!

当我们完成了问题,我们的评论是徒劳的斯特个性,雨检查运动员,与自我scrutinizer-惊人的准确!

Now, despite The Legend of Chun-Li adaptation's spectacular flame-out at box-offices and with reviewers, its screenwriter has been handed another beloved, award-winning game license.

现在,尽管的票房和口碑都不好,但他的编剧已经着手下一部知名的游戏改编电影。

The Rainbow Theatre had been adapted for stagings of rock operas in the 1970s, and both reference books mentioned in footnotes indicate that this,coupled with incidental music throughout the performance, caused some reviewers to label it as a "musical".

彩虹剧院继承了1970年代的石头剧场舞台,而书中注脚也提及於此,再者,整个演出皆伴随著音乐,因此某些剧评将它归类为「音乐剧」。

This essay reviews all comments on the Rong Yu Tang edition of Shui Hu Zhuan(including the preface of Loyal Shui Hu Zhuan with the author"s name as Li Zhi, the four articles with the author"s name as " the little monk Huai Lin", all the critics at the end of every chapter , the interlinear notes and the top notes and the various marks, etc.), trying to reveal the reviewers conceptions, his theoretical contributions and their status in Chinese novel-commentary history.

本论文以容与堂本《水浒传》的评点文字为研究对象(包括卷首署名李贽的《忠义水浒传叙》,署名"小沙弥怀林"的四篇文字,还有每回末的总评以及分散于正文中的大量眉批、夹批和各种符号等等),力图揭示出它反映的评点者的思想状况,总结其作出的理论贡献,并探讨它在中国小说批评史上的历史地位。

The "jadedness problem" among reviewers is that, having seen so many films, they get tired of certain kinds of films even when they are done well, while they get excited by something that strikes them as new, even when it's actually loathsome [n2] or badly done.

"审美疲劳问题"是指评论家们看多了某一类型的电影于是开始厌倦这类电影,即使拍的很好他们也不会喜欢。而有些拍摄并不太好的电影以新颖和异类冲击着他们的视觉感受,从而大获好评。

The "jadedness problem" among reviewers is that, having been so many films, they get tired of certain kinds of films even when they are done well, while they get excited by something that strikes them as new, even when it's actually loathsome or badly done.

While 在这里是不是体现出前后是两种相反的情况(这些影视评论家们对一些好的影片感到厌倦,而会兴奋于那些让他们感到新鲜的即使是很糟糕的影片)。

In the end, one wonders whether the jadedness problem shows that reviewers can't see story content anymore at all, leaving them to review only the manner and style of filmmaking, or shows instead that they really do prefer films that degrade the human spirit for two hours in the dark.

最后,你可能想知道,疲倦现象是否意味着影评人完全不看故事内容而只是对影片的拍摄手法和风格作评论,还是他们确实更偏好能在漆黑的两小时里引人堕落的影片?

In the end, one wonders whether the jadedness problem shows that reviewers can't see story content anymore at all, leaving them to review only the manner and style of filmmaking, or shows instead that really do prefer films that degrade the human spirit for two hours in dark.

到最后,我们只能纳闷的问是那些影评人真的没看影片内,只评价那些拍摄手法,影片风格,还是说他们确实更加偏好那些在黑暗的两小时里引人堕落的影片?

This may be a sign that the Jamesian conception of the literary muse has begun to yield to a Trollopian conception of literature as a kind of intellectual handicraft; or it may indicate little more than the desperation with which book reviewers seize on any novel adjective.

这可能是詹姆士文学灵感观念开始让位于作为一种智力创作技巧的特罗洛普文学观念的一个信号;或者它也有可能暗示了书评作者们对采用小说修饰语的进一步失望。

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