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process art相关的网络例句

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与 process art 相关的网络例句 [注:此内容来源于网络,仅供参考]

The essence of a mythology was that art produced evolution in the acceptable process. This is due to logic evolution in west art history,the relationship change between accepter and creator in the painting market,the artists art thoughts' orientation difference of the...

这神话的本质正是艺术在接受过程中发生了性质嬗变,它是由西方艺术史自身逻辑的演进、美术市场中接受者与创作者之间关系的变化、艺术家本人的艺术思想在不同时代接受者定位差异等方面的原因而产生的。

Many traditional Chinese concepts relevant for ink painting have also been an important reference for modern and contemporary art, like for example the emphasis on the creative process, the aspects of communication and interaction, as well as the open nature of the art work; further the claim for eliminating limitations set by disciplines and for eradicating the aesthetic distance between life and art.

他们注重创作过程,注重参与,互动与交流,以及作品的开放性品质。进一步来说,取消学科之间的限制,消除生活和艺术之间的美学距离。

Starting from aesthetics of art formation, art types and art psychology, the article studies bom commixture of two- subject teaching of music and fine arts, fusion of emotion forms, and common feeling in appreciating process.

从艺术形态学、术类型学、术心理学等美学多视角,探寻音乐、术双学科的原本混合性,情感形式间的融合性和鉴赏过程中的通感性。

There are 6 chapters inside of the thesis:(1) Interpretation of the motivation of research.(2) Analyzing of correlation documents and starting to construct a framework of criticize and analyze of "public art".(3) Discussing the forming of creation ideas.(4) Analyzing the influence results of public from the exposition of society.(5) Discussing the interactive relationship of artist, works, commonalty and art criticism from the installation process of works. Point out the meaning of society and the possibility of communication in the criticism of public art.(6) Reference, review and the propositions for further studies.

本论文共分六章,第一章说明本研究的动机、目的、范围、内容、方法与流程;第二章针对相关文献分析并初步建立公共艺术的评析架构;第三章则就公共艺术的创作意念生成进行探讨;第四章则就公共艺术的社会解读来分析影响大众观赏公共艺术的因素;第五章从公共艺术设置过程对社会的影响,探讨创作者、作品、大众与艺评的互动关系,并尝试提出公共艺术评论对社会的意义与沟通的可能;第六章为本研究的结论与检讨,并对后续研究提出建议。

The documentary is various art element creation effect , union seeing and hearing draws art being an integral whole, with definition , music , scene sound , primitive tableau, the scene is reproduced waiting for a variety of means to come to reflect the objective true event , come to show story be rich in content, development of personage story line , in the process of the element handling various art, discover a little new problem , new view and neodoxy , leave vast imagination space to person.

内容提要:纪录片是多种艺术元素的创作效果,并集视听声画艺术为一体,以解说、音乐、现场声、原始画面,情景再现等多种手段来反映客观真实事件,来表现故事内容,丰富人物故事情节的发展,在处理多种艺术元素的过程中,发现一些新问题、新见解和新观点,给人留下广阔的想象空间。

Learning, thinking and creating will be exhibited, including his important sketches as well as literatures about his inspiration and actions at each critical juncture of mindset transformation. This part will be organized according to three key clues: the changing times in China and its great impact on personal existence; the influence of Mr. Fang's experience in such an era on his art creation, and how he has developed his self identity; discussion of the "process" and "back end" of his art creation, revealing his observation of and reflection on the era, his in-depth thoughts about art, and unquantifiable language changes, etc.

展览包括两个部分,一是文献部分,展览精选了艺术家在不同阶段,如学习、积累过程和创作实践中的关键资料,全面介绍和展示艺术家重要的创作手稿,各个思想转折点上的作品构思和行动的重要文献;此部分的内容将按照三条重要的线索进行:即中国面临的时代变迁的巨大背景和时代对于个人生存的深刻影响;时代境遇对艺术创作的影响和艺术家自我身份的建立进行梳理和展示;旨在讨论艺术家创作中的"过程"和"后台"——在其中隐现着的艺术家对时代的观察和思考,对艺术的真知灼见以及不可量化的语言变化等等。

In him pursue with realize oneself art target of process, aware of self or not tored down the wall of that\" art tradition\" aware of self, opened from now on the art investigate in multiple layers to forbid the area, greatness filling still too here.

在他追求和实现自己艺术目标的过程中,自觉或不自觉地拆除了那堵&艺术传统&之墙,从此打开了艺术探索的层层禁区,塞尚的伟大也在此。

This text inquiries into China to carve the art and wests carve the art in of carve of the emergence and the development processes of the comprehensive material performance, it is the social cultural art to constitute the part, having it the special foundation and growing up the process.

本文探讨了中国雕塑艺术和西方雕塑艺术中的雕塑的综合材料表现的出现及发展过程,它作为社会文化艺术的组成部分,有其特有的基础和成长历程。

"Up to the limit" is an art work about time. On the surface, this art work tests people's tolerance of extreme tedium of endless routine labor and unbearably apathic physical space where one can hardly stay long. But the concept of time emerges during the process of close references with the formation of the work; moreover, a hidden craziness opposite to the apathy of the work sharply stabs into the viewers' eyes and further thrusts into their hearts; and it is exactly during the process of watching, that time settles down and achieves its existence.

极限》则是一组以时间为题的作品,表面看作品是在考验一种无穷尽的忍受,一种冷漠无比的枯燥,一种不能存留的短暂的物理空间,一种样式化的不断重复的工作,时间之概念恰在这一系列与作品形成密切相关的制作当中浮现出来,并以一种与作品的冷漠完全相反的隐藏起来的疯狂,尖锐地插进观看者的双眸,并延伸到其内心,时间恰好在这观赏的过程中得以落实,而成为一种实存。

Several years learning in Sichuan Academy of Fine Arts, Liu Qiming tried several art languages and styles,and he upgraded study from a passive process to a proactive process with attempt and explorement,which created a solid base for his later art career.

在川美学习的几年中,刘骐鸣尝试了多种语言和风格,将学习从一种惯常的被动过程提升为一种主动积极的尝试和探索的过程,为以后的创作生涯做了厚实的铺垫。

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相关中文对照歌词
Holy Thou Art God
We Are The Art
How Great Thou Art
How Great Thou Art
All This Is That
Part Of The Process
How Great Thou Art
Illumination
A Process So Familiar
Art Of Madness
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