查询词典 pop culture

In terms of forms and themes, Qu's works respond to the pop culture, especially to western pop culture selected by the mass media. Qu transforms our cognition of pop culture by badinage, and reserves the artistic elements into entertainments. All these transformation finally achieve a sense of nonsence.

瞿广慈的作品是统整大众文化的，在造型和主题的发展上，则更将西方艺术中经过大众媒体筛选的视觉经验捡取，这些认知最后经由瞿广慈揶揄手法的转换，再次将艺术性反转回娱乐性，达到胡语般的叙事效果。

The third group use the mass media to spread philosophies contradicting pop culture so as to stimulate the thinking and imagination of the public, which can be taken as artists' counterattack to the fast growing pop culture. The exhibition "Reproducer: Liu Qingyuan+ Sub-Condition" belongs to the third. The exhibition begins with the artist's serious work.

当然也有一些艺术家选择大众文化传播平台去传播与大众文化相左的观念，以刺激公众的思考和想象力，这可以看作是艺术家对迅速发展的大众文化的一种反击，像《复制者：刘庆元＋亚状态》展览就属于后者。

Music People in Britain are interested in a wide range of music, including classical music, rock and pop misic, Jazz , folk and Light Mucic. In the early 1960s a new pop culture—beat, emerged in Britain's Liverpool.

英国人喜欢各种各样的音乐，包括古典音乐，摇滚和流行音乐，爵士乐，民间音乐和轻音乐。20世纪60年代，一种新的流行文化—披头士，出现在英国的利物浦。

People in Britain are interested in a wide range of music, including classical music, rock and pop misic, Jazz , folk and Light Mucic. In the early 1960s a new pop culture—beat, emerged in Britain's Liverpool.

b {/Qy2？va'x8N$ze0英国人喜欢各种各样的音乐，包括古典音乐，摇滚和流行音乐，爵士乐，民间音乐和轻音乐。20世纪60年代，一种新的流行文化—披头士，出现在英国的利物浦。

Silicon Pop Culture got their hands on Sony's shiny new 1GB NW-E507 flash-based digital audio player (part of their Network Walkman line, natch), also one of the company's first MP3-friendly devices.

Silicon Pop Culture手上正测著新力最闪亮的新星，1GB容量的NW-E507数位音乐播放器(自然是 Network Walkman系列产品之一)，这也是新力对MP3格式亲合力最高的产品。

Many artists used such exhibition medium to confront the aggressive and vulgarized pop culture by highlighting contradicting values and ideology, which resulted in the infiltration of modern art into pop culture. Thirdly, the development of art has actually helped shape the public in an imperceptible way ever since the 20th century.

有很多艺术家将这种展示方式作为对抗步步紧逼的、庸俗化的大众文化的一种手段，凸显其与大众文化所宣扬的不同的价值观与意识形态，这也导致了当代艺术向大众文化领域的渗透。

In A (1991-1992) it is done on classical sculptures, which are the symbol of western culture, to express the cultural conflicts between China and the Western world. In B(1993) it is done on China's political icon MAO to illustrate the crazy worships in the modern China, and in C (1993 to 1996) it is done directly on Fashion model to reflect the current consumption culture,which has pointed out the same things like in the work of Stock Issue,to predict that the pop culture epoch has arrived in China.

整个系列保持了使用国粹——针灸——这一主体媒介的一致性，A部（1991——1992）以象征西方文化的古典雕塑模型为对象，切入中西文化冲突的问题；B部（1993）以毛泽东像的雕塑模型为对象，是针对现代中国的疯狂政治偶像崇拜问题的； C部（1993——1996）直接使用作为时装模特的商品模型，在问题的指向上与1992年的《发行股票》一样联系到了当下的消费文化，提示取代主流精英的市民化审美趣味的时代来临。

It is common knowledge and rather obvious that contemporary art and pop culture have been influencing and mixing up with each other with ever stronger momentum. Generally speaking, such phenomenon is caused by the following factors: first of all, pop culture is an unavoidable existence in the field of the contemporary social culture, especially in urban culture. Elements of pop culture are always employed by artists who attempt to present the modern social life in a critical, ironical or neutral way. But their standpoint and intention of choosing the visual resources are different from that of the mass media and the public.

众所周知，在当代社会中艺术与大众文化的相互渗透、混杂的现象已经明显加剧，造成这种现象的原因大致有这么几点：首先，大众文化是当代社会文化领域，特别是都市文化领域中一个不能回避的问题，不管艺术家是处于批判、反讽或者是不动声色的呈现当代社会生活的时候都涉及到运用大众文化形态的问题，只不过艺术家选择这些视觉资源的时候其出发点及立场与大众传媒和社会公众不同。

Web-video mash-ups, whether they are comic remixes of pop culture phenomena, test-reels for would-be auteurs or viral advertising efforts, reveal a youth culture that is increasingly growing from the bottom up.

恶搞的网络视频，不论是流行文化元素的搞笑混合，未来电影导演的样片还是病毒广告宣传，都展现出一种正在不断成长的年轻的草根文化。

Pop-music, pop-culture, come to this step?

流行音乐。流行文化。走到这般地步无法进入。

But in the course of internationalization, they meet with misunderstanding and puzzlement.

许多企业已经意识到了这一点，但在国际化的进程中，仍存在一些误区与困惑。

Inorder toaccomplish this goal as quickly as possible, we'll beteamingup with anexperienced group of modelers, skinners, and animatorswhosenames willbe announced in the coming weeks.

为了尽快实现这个目标，我们在未来数周内将公布与一些有经验的模型、皮肤、动画制作小组合作。