查询词典 poetry

Emotional impulse and eruption make the creators body fiercely turbulent and intensive, emotions then link with poetry through the sustainer of body, we study the relations between poetry and emotions from the angle of emergence of poetry; But from the angle of reading of poetry, emotions in poetry contain movements, and can make muscles intensive-, vigour inspiring, blood boiling.

情感冲动与爆发使创造者的身体产生剧烈的动荡、紧张，情感从而通过身体这个承受体与诗发生联系，这是从诗的产生来看诗与情感的关系；从诗的阅读来看，诗中的情感隐含着身体的动作性，能让人肌肉紧张、精神振奋、血液沸腾。

Yet an analysis of his dramatic monologues and other poems reveals that his poetry was carefully and artfully crafted.

他的folk poetry的一个显著特征是将讽刺和幽默相结合。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，"超验"与"妙悟"的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

It's an experimental creation period from "Boatman's Elegy" to "Sirius" during which the performance of poetry's perception and the knowing are not mature/Under the influence of the west modernism art, his poetry has been experienced from the new moon romantic to the modernism. It's his mature period from "Lotus's Association" to"Separates the Water Goddess of Mercy". During this time his poetry's intellectuality and sensibility tends to be mature. Through the reconsidering of the westernization, the poet starts to inaugurate a new sky, and the poetry displays a bright neoclassic principle characteristic, then penetrates into the traditional nationality culture;and the "Bestows on from Cercis chinensis" is the deepened time until now which the poet displays for all kinds of practical styles, which includes multiplex characteristic.In his poetry, the intellectuality blends with sensibility, the sensation combined with logos.

从《舟子的悲歌》到《天狼星》是诗人创作的实验期，这一时期诗歌的感性和知性的表现还不成熟，其间由于受西方现代主义艺术的影响，其诗歌经历了从新月浪漫派到现代主义的变化；从《莲的联想》到《隔水观音》是诗人创作的成熟期，这一时期诗歌的感性和知性表现趋于成熟，诗人通过对西化的反思开始"浪子回头"，诗歌表现出鲜明的新古典主义特征，进而深入到民族传统文化之中；而自《紫荆赋》至今是诗人创作的深化期，表现为兼容并蓄的写实风格，并具有多元取向的特征。

But there are thousands of languages on Earth that many people want to learn, but they can't, because there are little or no materials to start with: no Pocket Mohawk-English Dictionary, no Cherokee Poetry Reader, no Everyday Otomi: Second Year.

虽然地球上面有上千种需要学习语言，但是人们确无法开始学，因为他们没有必要的学习材料：没有 Mohawk-English 口袋字典，没有 Cherokee Poetry Reader ，没有 Everyday Otomi： Second Year 。

On Zhu's criticism of poetry, on the basis of previous studies, this paper thinks that the poetry criticism of Zhu mainly embodied in his understanding of history, and his exploring on the creative direction of poetry; he advocated "poetry prosaically" and the "inrtiopratation of poetry", the three aspects of the theory construct the overall framework of poetry criticism of Zhu.

关于朱自清的诗歌批评，本文在结合前人研究的基础上，认为朱自清诗歌批评主要体现在他会通古今，探讨新诗创作方向，提倡&诗歌散文化&以及提出&解诗&理论，这三个方面建构了朱自清诗歌批评的整体框架。

But other side , Dark value of oneself yet possess underrating the point , In immediate future the real scenery that lived on the community upper levels at that time may be out of probe into out , Secondly abstracting the element differentiateed Si in the poetry seeps into and also reacts mankind's necessity to the art effect of thinking development , As to taut with dark to spring up is the best instance verse speaking walk but scenery with hills and waters verse coming , It produces the regression to the image as displaying the poetry , But make known the sublimation in the one kind taller step that the poetry was produced , In immediate future in some essence that adjust to conceal the scenery with hills and waters image after pursues , But hoop of this middle , Ought to be undoubtedly that the dark word verse adjust in the firsthand poetry natural abandoing of image , This is that the dark word verse is living at the value location on the history of poetry .

而另一方面，玄言诗自身的价值仍有不可低估之处，即一可以从中探究出当时社会上层生活的实景；二是诗歌中抽象思辨因素的渗入也反应了人类思维发展对艺术影响的必然，至于紧随玄言诗步履而来的山水诗的兴起就是最好的例子，它既体现了诗歌创作对物象的回归，又反映了诗歌创作的一种更高层次上的升华，即对隐藏在山水物象之后的某种精神上的追求，而这中间的一环，无疑应是玄言诗对原始诗歌中朴质物象的舍弃，这才是玄言诗在诗史上的价值所在。

But other side , Dark value of oneself yet possess underrating the point , In immediate future the real scenery that lived on the community upper levels at that time may be out of probe into out , Secondly abstracting the element differentiateed Si in the poetry seeps into and also reacts mankinds necessity to the art effect of thinking development , As to taut with dark to spring up is the best instance verse speaking walk but scenery with hills and waters verse coming , It produces the regression to the image as displaying the poetry , But make known the sublimation in the one kind taller step that the poetry was produced , In immediate future in some essence that adjust to conceal the scenery with hills and waters image after pursues , But hoop of this middle , Ought to be undoubtedly that the dark word verse adjust in the firsthand poetry natural abandoing of image , This is that the dark word verse is living at the value location on the history of poetry .

而另一方面，玄言诗自身的价值仍有不可低估之处，即一可以从中探究出当时社会上层生活的实景；二是诗歌中抽象思辨因素的渗入也反应了人类思维发展对艺术影响的必然，至于紧随玄言诗步履而来的山水诗的兴起就是最好的例子，它既体现了诗歌创作对物象的回归，又反映了诗歌创作的一种更高层次上的升华，即对隐藏在山水物象之后的某种精神上的追求，而这中间的一环，无疑应是玄言诗对原始诗歌中朴质物象的舍弃，这才是玄言诗在诗史上的价值所在。

She is member of: The Authors Guild, League of Amer., American Academy of Poets, Poetry Society of America, National League of American Pen Women, Poetry Society of London, Poetry Society of Japan, Int'l Poets Academy-India, Int'l Soc.

此诗集摘译自作者2000年出版的：CALENDAR POETRY 2000，其中有些诗已同读者朋友在其它介绍作者的图书中见过面，现特加英文原诗稿，再次展现给读者朋友。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，&超验&与&妙悟&的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

This is not an ordinary box, which is used as a background picture of the dialog box, very pretty.

详细说明：这可不是一个一般的对话框，它是用图片作为背景的对话框，非常好看。

Conceal me what I am,and be my aid for such disguise as haply shall become the form of my intent.

遮掩我的身份，帮助我，我的面具将成为我的目的。