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personages相关的网络例句

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与 personages 相关的网络例句 [注:此内容来源于网络,仅供参考]

In the drama, personages' language is a key of personage's image-building.

在戏剧中,人物的语言是人物形象塑造的一个关键点。

Exotic figures from the Arabian Nights and such fabulous personages as Jack and the Bean Stalk enchant the children as well as their parents.

一千零一夜》里充满异国情调的人物,还有象《杰克和豆株》这类寓言中的角色,不但迷住了孩子们,也使他们的父母们心醉神往。

"Then it is not the same as they gave two years ago on the day of the entry of Monsieur the Legate, in which there were three beautiful girls to represent certain personages-"

"那不是两年前上演的那一出了,是那年教皇特使大人入城那一天演的,剧中有三个美女扮演……"吉斯盖特说道。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著,历来受到较高评价。然而,作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数,主要可分为两大类:1是所谓的荡妇恶婆;2是所谓女英雄。作家在对这两类型女性的描写时,都因作者有意或无意的女性意识而走向极端化,实际上是走上了两个无法交汇的极端,使女性形象的塑造过于偏激,不是"淫恶"到极端,就是"男性化"到极点,写淫妇恶婆,写尽其淫,狠,毒;写女英雄,则写尽其行侠仗义,巾帼不让须眉。这种极端化的女性角色定位,既是作者男权意识的自然反映,又是男权社会男性话语权的必然呈现,说白了,出现在《水浒传》的女性不过是点缀和突出男性的生活,是为表现父权制男性英雄世界服务的。

Little by little, when his astonishment had passed off, he grew accustomed to this radiance, he contemplated these deeds without dizziness, he examined these personages without terror; the Revolution and the Empire presented themselves luminously, in perspective, before his mind's eye; he beheld each of these groups of events and of men summed up in two tremendous facts: the Republic in the sovereignty of civil right restored to the masses, the Empire in the sovereignty of the French idea imposed on Europe; he beheld the grand figure of the people emerge from the Revolution, and the grand figure of France spring forth from the Empire.

渐渐地,惊恐的心情过去了,他已习惯于光辉的照耀,他已能注视那些动态而不感到晕眩,能细察那些人物也不觉得恐惧了,革命和帝国都在他的犀利目光前面辉煌灿烂地罗列着,他看出那两个阶段中每件大事和每个人都可概括为两种无比伟大的行动,共和国的伟大在于使交还给民众的民权获得最高的地位,帝国的伟大在于使强加给欧洲的法兰西思想获得最高的地位,他看见从革命中出现了人民的伟大面貌,从帝国中出现了法兰西的伟大面貌。他从心坎里承认那一切都是好的。

Little by little, when his astonishment had passed off, he GRE w accustomed to this radiance, he contemplated these deeds without dizziness, he examined these personages without terror; the Revolution and the Empire presented themselves luminously, in perspective, before his mind's eye; he beheld each of these groups of events and of men summed up in two tremendous facts: the Republic in the sovereignty of civil right restored to the masses, the Empire in the sovereignty of the French idea imposed on Europe; he beheld the grand figure of the people emerge from the Revolution, and the grand figure of France spring forth from the Empire.

渐渐地,惊恐的心情过去了,他已习惯于光辉的照耀,他已能注视那些动态而不感到晕眩,能细察那些人物也不觉得恐惧了,革命和帝国都在他的犀利目光前面辉煌灿烂地罗列着,他看出那两个阶段中每件大事和每个人都可概括为两种无比伟大的行动,共和国的伟大在于使交还给民众的民权获得最高的地位,帝国的伟大在于使强加给欧洲的法兰西思想获得最高的地位,他看见从革命中出现了人民的伟大面貌,从帝国中出现了法兰西的伟大面貌。他从心坎里承认那一切都是好的。

Some of them were entrusted with important tasks by personages or principates or even appointed to the high magisterial office.

家奴和被释奴从法律地位看是完全不同的,前者和其他

This, have not at going to a 100 beautiful award, undertake square movie channel wait for moviedom at red, Yu Qiuyu, Zhang Chaoyang, He Dong, Han Han together besides personages of more than 20 elite of social all circles, establish first on the history of 100 beautiful award " masses film observation is round ", will participate in the deepness about Chinese film to investigate questionnaire, about the film discuss greatly spread out at this point.

此次,有别于往届百花奖,承办方电影频道联手于丹、余秋雨、张朝阳、何东、韩寒等电影圈之外二十余位社会各界精英人士,在百花奖的历史上首次设立"大众电影观察团",并将参与关于中国电影的深度调查问卷,一场关于电影的大探讨就此展开。

This, have not at going to a 100 beautiful award, undertake channel of Fang report movie together Yu Qiuyu of Yu Dan 、 besides the moviedom such as Han Han of 、 of He Dong of 、 Zhang Chaoyang 、 personages of more than 20 elite of social all circles, zai establishs shadow of " public report to observe round " first on the history of 100 beautiful award, and Jiang participates in the deepness that closes at Chinese report shadow to investigate questionnaire, a big sound that involves at electric shadow is denounced spread out at this point.

此次,有别于往届百花奖,承办方电影频道联手于丹、余秋雨、张朝阳、何东、韩寒等电影圈之外二十余位社会各界精英人士,在百花奖的历史上首次设立"大众电影观察团",并将参与关于中国电影的深度调查问卷,一场关于电影的大探讨就此展开。

Although these enterprises and orgnaization are right future is confident, but many analytic personages still think, overmeasure of whole investment group the value of Web2.0 and gregarious website, the likelihood causes the network bubble that confuses your edition. The market prise of 5 trillion dollar that caused company of science and technology to that banking crisis October 2002 in March 2000 evaporates.

尽管这些企业和机构都对未来充满信心,但是不少分析人士依然认为,整个投资界高估了Web2.0与社交网站的价值,可能引发一次迷你版的网络泡沫。2000年3月至2002年10月的那次金融危机导致科技公司的5万亿美元市值蒸发。

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