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painting and calligraphy相关的网络例句

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与 painting and calligraphy 相关的网络例句 [注:此内容来源于网络,仅供参考]

In 2009, aiming to cultivate a harmonious spirits and environment and consolidate the existing cultural foundation, the community plans to carry the first cultural festively, which will consist 5 sports contests: basketball, table tennis, tug-of-war, billiards, Chinese chess and go; 5 theatrical performances: singing contest, open-air dancing contest, Kara OK contest, speech contest, closing and Awards Presentation ceremony; cultural and educational propagandas: forum by non-state-owned enterprises and organizations, training on dancing, gymnastics and gongfu, exchange on calligraphy, painting and photograph, reading salon (combined with "National Reading Month") and film exhibition; investigation and study: building up enterprise culture, construction of Party structure in non-state-owned organizations, construction of regional league, safety in production, birth control; model election: Top 10 post masters, Top 10 entrepreneurs, Top 10 Party Member, Top 5 enterprise and excellent employees.

2009年,社区以培育和谐企业精神、营造和谐文化氛围、夯实和谐文化基石为入手,以"首届职工文化节"为载体,举办"五个一"体育联赛:篮球、乒乓、拔河、台球、象棋和围棋;"五个一"文艺汇演:企业之歌比赛、企业广场舞比赛、职工卡拉OK比赛、职工演讲比赛、闭幕式文艺大汇演及表彰会;"五个一"文化宣教:非公企业社会组织建设论坛、舞操剑拳培训、书画摄影交流、职工读书沙龙(结合全国读书月试点活动)、大片电影展播;"五个一"调研考察:企业文化建设、非公党建、区域团建、安全生产、计生工作考察学习;"五个一"先锋评选:十佳岗位能手、十佳创业之星、十佳优秀共产党员、五型企业、五星员工。

The modern graphic design skeleton requires many kinds of artistic elements to support. Speaking of traditional Chinese painting , one form of China's traditional culture art, the perfect union of its traditional culture spirit, the words technique, methodicalness layout and a series of artistic experience and the theories, as well as visual elements such as poem, calligraphy, painting and seal has a significant influence and model function to the modern graphic design .

现代平面设计的构架需要多种艺术元素的支撑,就中国的传统文化艺术之中国画而言,它的传统文化精神、笔墨技法、章法布局等一系列艺术经验和理论,以及诗、书、画、印等视觉元素的完美结合对现代平面设计的影响与借鉴作用是重大的。

I am devoted habitué of every show in New York of Chinese calligraphy and poetry/painting and have been affected by every aspect of the work, from the performative aspect of the making of the calligraphy, to the exhilarating visuality of the approach to writing, to the interaction of word and image, to the mind-expanding horizontally (especially but also, of course, verticality) of the writing space of the scrolls.

在纽约,我是对中国书法、诗歌、绘画展览非常痴迷的人,而且在多方面受到这些展览的影响,从书法的书写方面,从写作使人视觉愉悦的方法上,在字与画的相互作用方面,在字、画卷轴书写空间思维的横向拓展上等方面。

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中,谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识,为中国画的现代性提供了一种方案;以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索,一直是中国画连绵的努力,在80年代后期汇聚成"现代水墨"(又或曰"抽象水墨"、"实验水墨"),是中国画的又一流向,但是不是没有脱离60、70年代美国的"抽象主义"意义,反而还有了拾人牙慧之嫌,所以始终难以获得更大的认可和成功;很有趣的是,与此"西化"流向同时的,还有以非常传统的方式出现的"新文人画"潮流,或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制,对传统理想的怀念和诉求,但由于已经失去了其语境和环境,"新文人画"显得娇情和造作,而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能;反而是延续传统一脉的国画,由于有巨大的人数基础的本土文化的认同,在中国经济发展后有了更大的市场,所以还是蔚然为中国画的一大潮向,从这也可以看到中国文化承传的保守性的力量。

Based on the archeological discoveries, historical documents on paper and preceding research results, from an aesthetic and iconological perspective, the writer has formed a conceptual period idea for the regional arts of this period, and has given a general order and explanation to different kinds of art works, including stone, pottery, rock painting, woodcarving, textile, bronze ware, lacquer, architecture, painting, sculpture, calligraphy, etc.

笔者以考古发现的材料和历史文献及前人研究的成果为依据,从艺术学和图像学的角度,对这一时期楼兰鄯善艺术作了概念性地时代划分,并对不同类型的艺术作品进行了大体排序和简要考释,所涉及的艺术类型包括石器、陶器、岩画、木雕、织物、铜器、漆器、建筑、绘画、雕塑、书法等。

Therefore, the Sonification of Chinese Classical Poetry and Chinese Calligraphy Painting not only provide a free access for the visually impaired and people who are unfamiliar with Chinese to appreciation but also enrich the state of mind and imagery in the delivery process. Thus, an immersive learning environment of Chinese Classical Poetry and Calligraphy Painting can be further developed.

透过诗词与书法的可听化研究,除了提供视觉障碍或不熟悉华文的人们另一种途径来欣赏中华文字的艺术表现之外,也使得诗词与书法在文字与图像上可以透过声音的辅助让鉴赏者能更即时地感知其中的意境,甚至建立出一套沉浸式华文诗词与书法学习环境。

I love art . I began to practice charcoal drawing , watercolor painting , Chinese painting and even calligraphy . Although you cannot say I mastered all this , I think it is good for my personality .

我喜欢艺术,小时候就开始学习素描、水彩、中国画、书法等,个人觉得自己虽然在艺术中还称不上&造诣&,但是个人的情操却得以良好的陶冶。

They indicated that the culture intension of traditional Chinese painting and the good points and function in Chinese knowledge education. The traditional Chinese painting pay attention to the traditional Chinese culture. It combimes firmly with poems and calligraphy and seal cutting. Chinese painting with other three greatest art Chinese zither, chesses, poems of Chinese classic four greatest arts combine extremely close. The traditional Chinese painting take a great part in knowledge education system .

第二,三章是全文的重点,主要论述了中国画的文化内涵以及中国画在知识教育体系中的优势以及作用,中国画重视与中国传统文化的结合,重视与诗文书印的结合,中国画还和中国古典四大艺术的其他三大艺术琴、棋、书结合得极为紧密,中国画教育是中国特色的知识教育体系的重要组成部分。

It is applied as the basic features of make-up soil to create a wealth of decorative techniques, that is, all kinds of colored glaze decoration, depiction of flowers, pick flowers, and white flowers, white painted underglazed designated flower, and red and green color, low-lead three-color glaze and white printing, printing and so on more than 30 kinds of celadon; techniques in particular rust spent five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting and traditional Chinese painting, calligraphy, art and porcelain technology combine to create a new integrated arts, explore the ancient ceramics of the new realm of aesthetics; for the future and colorful blue and white porcelain had paved the way for development.ci zhou yao decorative themes are rich and varied, unique, artist have a very cool way, and masterly skills of painting, will be pleased to see civilyu chong bird, rare birds andrui shou , landscape character, opera stories, poems Qu Fu,min yan motto, children at play Zaju painted on porcelain, etc., to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang's artistic style and rich color and a distinctive non-governmental national characteristics, and the world at large on the domestic ceramics have had a far-reaching implications.

它以施用化妆土为基本特征,创造了丰富的装饰技法,即有各类色釉装饰、刻划花、剔花、白地黑花、白地釉下绘划花,又有红绿彩、低温铅釉三彩和印花白瓷、印花青瓷等三十多种;尤其是铁锈花技法突破了五大官窑单色釉的局限,具有传统水墨画的艺术效果并把中国的传统绘画、书法技艺与制瓷工艺结合起来,创造了新的综合艺术,开拓了古代陶瓷美学的新境界;为以后青花和五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩,别具一格,画师们以极其潇洒的手法和高妙的画技,将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏曲故事、诗词曲赋、格言民谚、婴戏杂剧等绘于瓷器,保留了大量古代民间绘画、书法及反映民俗民风的实物资料,形成了质朴、洒脱、明快、豪放的艺术风格及浓郁的民间色彩和鲜明的民族特色,对国内乃至世界陶瓷产生了深远而巨大的影响。

Based on the archeological discoveries, historical documents on paper and preceding research results, from an aesthetie and iconologicai perspective, the writer has formed a conceptual period idea for the regional arts of this period, and has given a general order and explanation to different kinds of art works, including stone, pottery, rock painting, woodcarving, textile, bronze ware, lacquer, architecture, painting, sculpture, calligraphy, etc.

笔者以考古发现的材料和历史文献及前人研究的成果为依据,从艺术学和图像学的角度,对这一时期楼兰鄯善艺术作了概念性地时代划分,并对不同类型的艺术作品进行了大体排序和简要考释,所涉及的艺术类型包括石器、陶器、岩画、木雕、织物、铜器、漆器、建筑、绘画、雕塑、书法等。

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