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orchestra相关的网络例句

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与 orchestra 相关的网络例句 [注:此内容来源于网络,仅供参考]

Johnson, meanwhile explained to Johnson, how Aba the orchestra is simultaneously does catch two completely different age community's affection, because their song already had this kind to suit the young people, to fill likely smart-alecky and naive "Dear" as well as "Dance party Empress", also had is maturer, the extreme resonsideration, the emotion rich song, for example "Victor and "Understood Me for King" To understand You", therefore Klemmer firmly believed that in the Aba orchestra's song itself contained one to be able to attract several generation of person's stories.

约翰逊简要地概述了一下自己的要求,同时还对约翰逊解释了一下,阿巴乐队是如何同时捕获两个完全不同的年龄群体的喜爱的,因为他们的歌既有像这种适合年轻人、充满了俏皮和天真的《亲爱的》以及《舞会皇后》,也有更加成熟、极度反思、情感丰富的歌曲,比如说《胜者为王》和《懂我懂你》,所以克莱默坚持认为,阿巴乐队的歌曲里本身就蕴含了一个能够吸引几代人的故事。

He was also a featured soloist with the Shanghai Symphony Orchestra and the Beijing Symphony Orchestra.

他曾应邀与上海交响乐团和北京交响乐团合作演出。

In September 1981, he was invited by Center of U.S. China Arts Exchange to the United States, where he studied with Prof. Otto Muller of Yale University. In 1982, he successfully conducted at Aspen Festival in the United States. Commissioned by French Music Sound Records Corporation, he made the recording of Beethoven's Symphony No. 1 and No 4. From September 1983 to January 1985, he was involved in the production of the Song Cycle of Chinese Revolutions. Since 1985, he has toured Russia, Japan, Italy, the United States, Britain, Switzerland, South Korea, Democratic People's Republic of Korea, Thailand, Singapore, Australia and Germany, as well as such places as Hong Kong, Macao and Taiwan. In January 1998 and February 1999, Chen Xieyang visited Austria, Germany, and Denmark with Central Nationalities Orchestra of China. He gave concerts on the New Year's Eve of the lunar calendar in the Golden Hall in Vienna, Berlin Philharmonic Hall and so on. In August 2000, with the Central Nationalities Orchestra of China Chen Xieyang participated in the project 'Chinese Culture Touring in the United States', during which they presented concerts in Lincoln Center.

1981年9月,陈燮阳应邀赴美国考察,师从耶鲁大学奥托·缪勒教授进修指挥课并指挥多个美国乐团演出。1982年他在美国阿思本音乐节指挥音乐节乐团获得成功。1983年8月,他应法国"音乐之声"唱片公司之约,指挥中央乐团录制了贝多芬的第一、第四交响曲。1983年9月至1985年1月,陈燮阳参加大型音乐舞蹈史诗《中国革命之歌》的指挥工作。1985年以来,陈燮阳先后赴前苏联、日本、意大利、美国、英国、瑞士、韩国、朝鲜、泰国、新加坡、澳大利亚、德国等国家和港、澳、台地区举办音乐会,均受到欢迎和赞誉。1998年1月和1999年2年,陈燮阳率中央民族乐团赴奥地利、德国、丹麦等地,在世界著名的维也纳金色大厅和柏林爱乐大厅以及其他城市音乐厅举办中国新年音乐会。2000年8月,他又率中央民族乐团赴美国参加"中华文化美国行"的巡回演出,其中包括在纽约著名的林肯艺术中心举办音乐会。

Mr. Castronovo's concert work includes the tenor soloist in Rossini's Stabat Mater in London with the Orchestra of the Age of Enlightenment , Berlioz' Requiem with the Chicago Symphony Orchestra, concert performances of Kurt Weill's Street Scene with the New York Philharmonic, and an opera gala concert with the Deutsche Oper Berlin.

几乎演绎过莫扎特歌剧中所有角色的卡斯特罗诺夫,对歌唱有着独到的理解,演唱风格集浪漫、热情、英雄主义于一身。7月18日,他刚刚完成了在著名的英国皇家歌剧院的演出,8月,他又即将踏足中国,在国家大剧院一展歌喉。

Another well-known Gershwin piece is "An American in Paris." It is a long tone poem for orchestra. Its first public performance was by the New York Philharmonic Orchestra in nineteen twenty-eight.

格什温的另一首非常著名的协奏曲是《 An American in Paris 》,这是一首为管弦乐创作的长诗, 1928年美国纽约交响乐团第一次公开演奏这首协奏曲。

Since 1995 the celebrated Russian conductor Valery Gergiev has been the orchestra's Music Director. He initiated the Gergiev Festival Rotterdam which has grown out to be one of the orchestra's major events.

他创立的"鹿特丹捷吉耶夫艺术节"成为乐团的主要活动之一,该艺术节也是荷兰乃至西欧最高水平的音乐盛会。

I was well out of my league in terms of ability, and Phil, longtime cellist in the Chicago Symphony Orchestra, arranged for me to have some lessons with one of the orchestra's clarinetists, Lawrie Bloom.

布鲁姆,前者是大提琴演奏家,后者是大提琴和钢琴演奏家。从演奏水准上说,我与这个团队太不相称了。

In addition, she was "Artist in Residence" at the Lucerne Summer Festival, where she performed a wide variety of music including a "Tribute to Benny Goodman" and the world premiere of Hosokawa's Clarinet Concerto with the Chamber Orchestra of Europe. The 2000/2001 season includes concerts with the Gewandhaus Orchester Leipzig, Danish Radio Symphony Orchestra, Orchestre Philharmonique de Strasbourg, Orchestre de la Suisse Romande, as well as many recital and chamber music appearances.

此外,她还是洛桑夏季音乐节的&常任艺术家&,在该音乐节,她的演出曲目范围宽广包括&致本尼·古德曼&和与欧洲室内乐团世界首演细川的单簧管协奏曲。2000/2001音乐季,她与莱比锡布商协会管弦乐团、丹麦广播交响乐团、斯特拉斯堡爱乐乐团、瑞士罗曼德管弦乐团合作上演的音乐会以及举行众多的独奏会和室内音乐会。

Since then, he has performed with the Japan Philharmonic Orchestra, Orchestre des Concerts Lamoureux in France and the Slovak Philharmonic Orchestra, among many others.

自此,他就与日本爱乐管弦乐团、法国拉木鲁管弦乐团、斯洛伐克爱乐管弦乐团一同演出,并还有很多其他乐团。

Mr. Chen is working on three commissions at present, one given by the Koussevitzky Music Foundation joined by the Orchestre National de France for large orchestra, one given by the Montreal Symphony Orchestra, and another for 'Les Percussions de Strasbourg' commissioned by the French Ministry for Culture.

陈其钢现有三个委约作品,一个是Koussevitzky音乐基金会委约为法国国家管弦乐团创作的,一个是为蒙特利尔交响乐团创作的,还有一个是法国文化部委约为斯特拉斯堡打击乐团创作的。

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推荐网络例句

The physiology of the skin machine body for the sake of the environment in the maintenance stability, but eject a body metabolism creation of metabolism thing BE'grease', summer perspire many various skin disease light or good, autumn perspire little metabolism thing metabolism don't go out, various skin disease made, this be the skin machine body of various burning disease.

皮肤机体的生理为了维持内环境稳定,而排出身体代谢产生的代谢物是'油泥',夏天出汗多各种皮肤病就轻或好了,秋天出汗少代谢物代谢不出去,各种皮肤病就犯了,这就是皮肤机体的各种炎症。

If I had anything tender in me, I shot it dead.

如果我有什么招标的话,我枪死亡。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是:立足于色彩绘画,分别从&色彩&、&水墨&两个角度出发,先对它们在中国古代画史论著中作一考证;分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路;着重分析色彩绘画中心&失落&亦即&水墨之变&的原由;及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。