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operas相关的网络例句

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与 operas 相关的网络例句 [注:此内容来源于网络,仅供参考]

These include two operas by Giuseppe Verdi, Otello and Falstaff, whose critical standing compares with that of the source plays.

其中包括朱塞佩·威尔第的两部歌剧——《奥泰罗》和《法斯塔夫》,这两部作品和原著相比毫不逊色。

So when Gluck arrived in Paris in 1774 to produce a series of six French operas, he could be seen as continuing in the tradition of Rameau.

如此,当1774年Gluck在巴黎到达导致一系列的六个法国歌剧,他可能被看见如继续在Rameau的传统。

The opera"Faust"is one piece of representative work in all of Gounod's operas, the plot in which about a tragic love story between Faust and Margarita was from parts of Goethe's drama"Faust".

歌剧《浮士德》是古诺最具代表性的歌剧作品之一,它选用歌德诗剧《浮士德》第一部中的第二部分——浮士德与玛格丽特的爱情悲剧进行音乐描绘。

Charles Francois Gounod (1818—1893) is one of the great French opera composers in the nineteenth century. In his operas he insisted the tenet that thoughts of roles should be expressed by the music that was plain and truehearted. He created the kind of opera named"lyric opera", which broke through the"grand opera"in France in the period of 1830s and pointed out the direction of the French opera.

夏尔·弗朗索瓦·古诺(Charles Francois Gounod,1818——1893)是19世纪中、下叶法国的一位杰出的歌剧作曲家,在歌剧创作中他强调用朴实真挚的音乐语言来表达人物情感,他创作出一种被称之为"抒情歌剧"的歌剧类型,打破了自19世纪30年代以来形成的大歌剧浮华夸张风格的传统,为法国歌剧的发展指明了道路。

The dramatist and musical characters and the perfect combine between music and drama are the purports. The thesis is divided into three parts: the preface, four chapters and the conclusion. In the preface it is explained that what in this thesis is expounded and what kinds of study about the opera there are in Chinese and in the other area of the world. The first chapter is a summary about Gounod and his"Faust", which is the typical work in lyric operas. In the second chapter analysis on drama, the character and figures of the roles in the opera is made, and the characteristic of the plot ,the creation of opera and framework is put together. In the third chapter the music in the opera is studied, and the characteristics are put together on the base of particular analysis on typical passage of aria chorus ensemble. In the last chapter, perfect combine between drama and music is presented by study on Faust's character and psychology,and it is discussed that music implied the plot. And the conclusion is a whole comment of the opera and it's musical characteristics

更多论述。全文由引言、四个章节、结论等几个部分组成:引言是关于论文的选题、国内外研究现状的陈述,指明笔者选题的意义以及国内外学者对此课题的研究程度;第一章是对抒情歌剧作曲家古诺以及抒情歌剧的典范之作《浮士德》的一个总体上的概述;第二章从人物性格与戏剧情节、戏剧结构、戏剧创作等方面对歌剧《浮士德》进行分析,归纳其戏剧特点;第三章是对歌剧《浮士德》音乐特点的研究,通过对咏叹调类、重唱类、合唱类唱段中有代表性唱段的具体分析,总结其在音乐创作方面的主要特点;第四章从音乐刻画人物的性格与心理、音乐暗示戏剧情节的发展等方面,论述了歌剧《浮士德》在戏剧与音乐方面的完美结合;结论是对歌剧《浮士德》的整体论析。

Later versions include the long and famous poem Faust by the nineteenth-century Romantic writer Johann Wolfgang von Goethe, as well as operas by Charles Gounod and Arrigo Boito and a symphony by Hector Berlioz.

更新版本包括长期和著名的诗浮士德的十九世纪浪漫主义作家约翰沃尔夫冈冯歌德,以及歌剧由查尔斯古诺和萨基博伊托和交响乐的埃克托尔柏辽兹。

The grand"Sunning Buddha"ceremomy,the festiveperformances of Tibetan operas,and the fascinating horse-race-everthing is to feast your eyes with the mysterious customs of Tibet

充分考虑译文在文化层面和心理层面的可接受性,将"译文读者的文化习惯放在首位,处处为译文读者着想"(贺学耘,2006:58),凭借得体的译文使交际得以顺利进行。

The underground levels contains all sorts of gruesome objects from various operas that have been produced.

地下的几层有各种类型的可怕生物在不同的歌剧中出现。

But despite all this adulation for Handel's music, the operas remained untouched for 180 years after his death.

但尽管有这些对韩德尔音乐的吹捧,他的歌剧在其死后180年间却被束之高阁。

The genuine support of Arnes father became more apparent when he provided Arne with the financial backing to form a theatre company in 1732 for the purpose of staging English operas at the Little Theatre in the Haymarket .

在阿恩的父亲真正的支持变得更加明显,他提供了财政支持阿恩在1732年形成的举办在小剧场中的干草英语歌剧的目的,一个剧院。

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