查询词典 opera glasses

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

The results of Raman, SEM and EPMA tests show that the microstructure defects of the chalcogenide glasses play an important part in their second-order nonlinear optical properties. The glasses show large SNOP because of Sb2S3 microcrystal or the mental antimony in the glasses even before they were polarized. After the electrical/thermal polarized, GeSbS glasses show larger SNOP with the increase and growth of the microcrystal. The glasses show larger SNOP because of the existence of Sb2S3 microcrystal or the mental antimony in the glasses.

通过研究玻璃的拉曼光谱、扫描电镜和电子探针显微分析后发现，硫系玻璃内部的微结构缺陷对其二阶非线性光学性能有显著影响，玻璃体系内存在的Sb2S3微晶或金属锑颗粒能使硫系玻璃在未经极化处理前就具有较大的二阶非线性光学性能；经电场温度场极化处理后，随着微晶的增多和进一步长大，导致GeSbS玻璃具有更高的非线性光学性能；由于Sb2S3微晶或金属锑的存在，导致玻璃具有较高的二阶非线性光学性能。

X=0, 11, 22, 33, 44, and 55 borophosphate glasses series have investigated, and it is found that:(1) both the covalency bonding between Yb〓 ion and oxygen ion and the asymmetry in local structures surrounding Yb〓 ion have strong effects on integrated absorption cross section ∑〓 and emission cross section σ〓 of Yb〓 ion in borophosphate glasses;(2) the borophosphate glasses and borate glasses appear superior as Yb-gain media to the phosphate glasses, although the phosphate glasses have been demonstrated as the most appropriate Ndgain media.

在第二章中，我们对〓（x=0，11，22，33，44，和55）系列的掺Yb〓硼磷酸盐玻璃的吸收光谱和发射光谱特性进行了研究，结果表明：（1）在硼磷酸盐玻璃中，Yb-O键的共价键成分和Yb〓离子周围的近邻结构的对称性两个因素对积分吸收截面∑〓和受激发射截面σ〓的影响都很大；（2）尽管磷酸盐玻璃是最合适的掺钕激光增益基质，但是作为掺镱的激光增益基质，硼磷酸盐玻璃和硼酸盐玻璃都要优于磷酸盐玻璃。

More recently we've worked with professional Chinese opera artists in productions like Yue opera Hedda Gabler and Beijing opera Miss Julie , and are writing Yue opera Lady from the Sea , commissioned by Norway's Ibsen Theatre and Hangzhou Yue Opera Company. There seems to be another benefit resulting from this type of intercultural hybridism: to enrich the repertoire of traditional Chinese opera with more socially relevant stories, and with more psychologically complex characters.

近年来我们跟国内戏曲艺术家们搞的越剧《心比天高》、京剧《朱丽小姐》和正在为挪威易卜生剧院和杭州越剧院写的越剧《海上夫人》则让我们发现了这种嫁接的另一层意义：用更具现实社会意义的故事和更富有心理层次的新型角色来拓宽传统戏曲的视界。

Was born in Leipzig, the Leipzig University .1831 harmony and counterpoint .1833 Wurzburg, he became head of theater and opera chorus,"demons." In 1842 his opera "Leith Qi" in the performance a big success, this served as the command .1849 Dresden Royal Opera House, joined in May failed to escape the riots caused by Zurich refuge .1854 began brewing four years, in conjunction opera "Nibelung root Ring "and complete the opera" Tristan und Isolde,"the creation of .1860 years, returning in 1864 to be King Ludwig of Bavaria invited to Munich perform" Tristan und Isolde." In 1876 to build on thanks to the Opera .1877 Pruitt began work,"Parsifal," 182 years to complete because of illness drag .183 years, died of a heart attack in Venice.

生于莱比锡。1831年莱比锡大学学习和声与对位。1833年任维尔茨堡剧院合唱团团长并创作歌剧《妖魔》。1842年其歌剧《利思齐》演出大获成功，为此荣任德累斯顿皇家歌剧院指挥。1849年参加五月暴动失败逃致苏黎世避难。1854年起开始酝酿四联歌剧《尼伯龙根的指环》并完成歌剧《特里斯坦与伊索尔德》的创作。1860年回国，1864年应巴伐利亚国王路德维希之邀去慕尼黑演出《特里斯坦与伊索尔德》。1876年于拜鲁伊特筹建歌剧院。1877年开始创作《帕西法尔》，因病拖至182年完成。183年因心脏病逝世于威尼斯。

The drama art in Xinjiang, haw a long history, Each nation created its drama with unique artistic characteristics and styles based on its traditional culture. According to form and genre, the drama is divided into opera, dance drama and local drama. If distingue by national feature and region, I key are Uighur opera, Kazak opera, Sibo opera, melody opera and other local opera from the other pants of China.

新疆的戏剧艺术具有悠久的历史，各个民族在自己传统文化的基础上创造了独具艺术特色与风格的民族戏剧，按其艺术形式和体裁划分有歌剧、舞剧和地方戏曲，以民族特点和地域划分则有维吾尔剧、哈萨克剧、锡伯剧以及从我国内地传入新疆的曲子戏和其它地方戏曲。

The author considers that the form of the instrumental music structure came from special opera shape in Shangdang area and its act with five tune-patterns together in the same platform, it is also due to the Shangdang phonic criterion in Yongzheng government of Qing dynasty, which objectively shaped its system and scale, and meanwhile accelerate its growth and creativity. Shangdang instrumental music absorbed broadly t...更多he instrumental music on experience of Kun opera, Luo opera, Juan opera and Huang opera on basis of instrumental music on the local tune, which contains with diversity, and generally became of the art matrix of Shangdang folk music and opera melody.

本文认为：上党梆子器乐结构的形成，主要来自上党地区独特的戏曲生态和五种声腔同台共演的历史经验；特别是清代雍正年间国家政策对上党八音的规范，客观上引发了上党梆子器乐在体制和规模上的定型，也促进了上党梆子器乐在此基础上不断发展、创新；上党梆子器乐是在梆子腔器乐结构基础上，广泛吸收了昆腔、罗腔、卷腔、簧腔在器乐结构中的经验，由此兼容并包，逐渐成为集上党民间音乐和戏曲音乐大成的音乐艺术母体。

Under this slogan's direction, Hubei Province has done the much works regarding the promotion Huangmei Opera; Has established the Hubei Province Huangmei Opera theater; Invited the partial Huangmei Opera actor from Anhui Anking; Huanggang area's majority of Chu opera, the Chinese theatrical troupe changes the ripe plum opera company in abundance; Has established the Huang Gang skill school, trains the reserve talented person specially for the Huangmei Opera.

在这一口号的指引下，湖北省围绕振兴黄梅戏做了大量工作；成立了湖北省黄梅戏剧院；从安徽安庆聘请了部分黄梅戏演员；把黄冈地区的大部分楚剧、汉剧团纷纷改为黄梅戏剧团；成立了黄冈艺校，专门为黄梅戏培养后备人才。

The production of glasses cloth, glasses box Shenzhen seletar main production categories glasses optical products, including glasses cloth, glasses box and so on, is a large manufacturer of optical products.

深圳实里达主要生产眼镜类光学产品，包括眼镜布、眼镜盒等，是一家大型的光学产品制造商。

Substitute teacher is our primary school principals, he is a very old man's Bugouyanxiao that he had a double eagle eye, often on the natural course of my time on the very nature, I do not like this so I stifled the atmosphere, there is a very old man in particular Habits, with his glasses, I do not know if the old flowers or short-sighted glasses, not all the glasses on the bridge of the nose through the glasses with a man he did not, his eyes with a sharp nose, the man's time Head, above the framed glasses from the preview, this action has been very much afraid of me, the more quiet at a time when I knew that he would not issue a noise, and then the eagle eyes of my immediate aim, and then we all turned to see me ...... And for a long time ago, more and more like I do not like him, and he would seem to have any grudges against me more and more quickly verify my guess.

代课老师是我们的小学校长，他是一个很不苟言笑的老头子，他有一双鹰的眼睛，每每上自然课的时候我就很不自然，我不喜欢这个让我窒息的气氛，老头子有一个很特别的习惯，他带着的眼镜，不知道是老花还是近视的眼镜，不像大家把眼镜带着鼻梁上透过眼镜看人，他不，他把眼睛带着鼻子尖上，看人的时候低着头，从眼镜框子的上面瞄，这样的动作让我一直很惧怕，越在安静的时候我会发出不自知的噪音，然后鹰的眼睛马上就瞄准了我，然后大家都会扭头看我……久而之久，我好像越来越不喜欢他，他也好像也越来越跟我有仇，很快就验证了我的猜想。

His female bullfighter Lydia gradually Health love, but she was in a vegetative state after the Bulls Zhuangcheng away from her, just because Lydia's ex-boyfriend showed more affectionate than he is like love.

他对女斗牛士莉迪亚渐生爱意，却在她被公牛撞成植物人后离她而去，仅仅因为莉迪亚的前男友表现出好似比他更深情的爱。

I know of none which are not easy to answer, but what I am trying to do now is only by a series of hints to throw some light on the narrow path of legal doctrine, and upon two pitfalls which, as it seems to me, lie perilously near to it.

我不认为有什么难以回答的问题，但我现在要做的仅仅是通过一系列线索，来给法律理论的狭窄路径以及在我看来离它近得危险的两个陷阱提供一些启示。