查询词典 opera box

However, opera libretti (only one opera score, the Opera pastorale from 1701 survives ) enable the movements of the court to be reconstructed and we find performances in Casale, Venice and Genoa.

然而，歌剧利布雷蒂（只有一个戏分，从1701 歌剧院田园生存），使法院的流动，重组，我们发现在卡萨莱，威尼斯和热那亚演出。

Meanwhile, European opera is a highly developed mixture of music and drama, it shares the symbolism of music which differs from drama and provides the stage form of space and time of European opera a fresh feature of expressionism--another aspect of opera.

但歌剧作为音乐与戏剧的最高的综合形式，音乐本身的虚拟性特征使歌剧的时空表现有别于话剧而显现出一定的表现性风格。

During 50 years after coming into being in Chinese film, Traditional opera film living space is less , is in authigene state basically, system that the theory and aesthetics creating laws at the same time since Chinese motion picture technique , the artistic media restricting , traditional opera film creation do not form one package to traditional opera film study.

在中国电影诞生后的50年间，戏曲电影的生存空间较小，基本处于自生状态，同时由于中国电影技术、艺术手段的限制，戏曲电影创作没有形成一整套对于戏曲电影创作规律的理论和美学研究的体系。

After pointing out the connotations of the two theories, the author puts a stress on clarifying their gains and losses. The author thinks that,""Drama-Poetry Theory"" enlightened some playwrights' drama-creating, but it didn't intactly reveal the ousia of opera;"" Yue-Ousia Theory""explored the question of Opera origin , but it still didn't work out the ousia structure of Chinese traditional opera.

在阐明这两种学说各自的内涵之后，着重辨析了它们各自的得失，指出：&剧诗说&虽能在一定程度上指导戏曲创作实践，并启示了一种对于戏曲艺术的诗性领悟方式，但并未完整地揭示出戏曲艺术本体，也没有准确地把握到戏曲艺术精神；&乐本体说&虽然深入地探讨了戏曲本源问题，揭示了戏曲艺术的精神命脉和审美定性，但由于未能贯彻历史的、发展的、辩证的观点，仍未能准确完整地把握到戏曲的本体结构。

Gérard Mortier , the head of the Opéra National de Paris, who spoke on filmed opera at the recent annual meeting of Opera America, a trade organisation, is the most vocal of the cinemacast opponents.

巴黎国家歌剧院的主管Gérard Mortier在最近的歌剧美国协会（Opera America，一个商业组织）的年度会议上就歌剧电影化发表了意见，他是影院播映的最强反对者。

Gérard Mortier , the head of the Opéra National de Paris, who spoke on filmed opera at the recent annual meeting of Opera America,??

巴黎国家歌剧院的主管Gérard Mortier在最近的歌剧美国协会（Opera America，一个商业组织）的年度会议上就歌剧电影化发表了意见

This text analyzed the process of figuring the image of Naren Gaowa, explored the skill of singing in opera and figuring the image about the actress in Chinese opera by the analyse about the only woman----- Naren Gaowa in this appear, deeply understanding the status and the influence in the history of Chinese opera., which would enhance the intellect and expressive force of me in vocality.

本文通过对剧中唯一女主角——娜仁高娃的歌剧形象的分析，在前人时贤的有关《苍原》的研究基础之上，挖掘娜仁高娃这一形象的塑造过程，探索中国歌剧中女性人物的演唱技巧和形象塑造，进而深层认识《苍原》在中国歌剧发展史上的地位和作用，同时也能提高笔者在声乐演唱上的理解力和表现力。

The paper is composed of three main parts."Part of Drama" focuses on analyzing contents and artistic features of Shakespere"s drama "Othello";"Part of Opera" aims at illuminating contents and artistic features of Verdi"s opera-"Otello";"Part of Comparision"is the key part of the essay. The author tries to explore differences and causes by comparing Verdis opera with the original on the point of artistic features and contents.

全文分为三部分，第一部分&戏剧篇&意在分析莎士比亚戏剧《奥瑟罗》的主题内容和艺术特点；第二部分&歌剧篇&旨在阐明威尔第歌剧《奥瑟罗》的主题内容和艺术特点；第三部分&比较篇&是本文的研究重点，笔者致力于歌剧与原著在艺术特点和艺术内涵上的比较研究，探讨二者之异同及其原因。

ChapterⅠintroduces the intention, significance and methods of the research from the angle of Chinese historical phonetics. Following the course of re-examining materials, ChapterⅡsurveys the pattern of rhyme, excerpting the metrical feet, ChapterⅢconnects the rhyme categories, the rhyme of different systems contacting with each other, and literary reading and colloquial reading. ChapterⅣcompares the rhyme cateories of traditional Hua-gu opera in Changsha with traditional rhyme tablesd, as well as those of traditional Hua-gu opera in Shaoyang. The total study is conducted to become united with dialect. ChapterⅤcontains the surplus discussion with three theories: the rhyming quality, the connection between rhyme categories and oral speech, between those of literary readings in traditional Hua-gu opera.

本文正文分为五章：第一章从音韵学角度，讨论了花鼓戏用韵研究的背景、意义以及研究方法；接着谨遵韵脚字系联法的步骤，第二章侧重材料分析，包括甄别材料、审度韵例、摘录韵字，第三章侧重韵部系统，包括归纳韵部、异部相押以及文白异读的情况；第四章对传统剧目的韵部系统进行了纵横(与邵阳传统花鼓戏韵部系统的比较)两条线的考察，结合方言是纵横考察过程中的重要环节；第五章是余论部分，主要讨论了三个理论性问题：长沙传统花鼓戏押韵的性质、韵部与实际语音的关系以及与长沙读书音的关系。

Opera is a comprehensive art while drama is the most important artistic element of opera and the basic character of opera as well.

歌剧是一门综合性的艺术，而戏剧首当其冲是歌剧最重要的艺术元素，同时也是歌剧的基本品格。

His female bullfighter Lydia gradually Health love, but she was in a vegetative state after the Bulls Zhuangcheng away from her, just because Lydia's ex-boyfriend showed more affectionate than he is like love.

他对女斗牛士莉迪亚渐生爱意，却在她被公牛撞成植物人后离她而去，仅仅因为莉迪亚的前男友表现出好似比他更深情的爱。

I know of none which are not easy to answer, but what I am trying to do now is only by a series of hints to throw some light on the narrow path of legal doctrine, and upon two pitfalls which, as it seems to me, lie perilously near to it.

我不认为有什么难以回答的问题，但我现在要做的仅仅是通过一系列线索，来给法律理论的狭窄路径以及在我看来离它近得危险的两个陷阱提供一些启示。