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The rhythmic proportion was an important precondition and foundation to the serialize rhythm and integral serialism later. The article analyzed Webern's two early compositions, the Six Orchestral Pieces, Op.6 (1909), and the Five Pieces for Orchestra, Op.10 (1913), both of them in the style of free atonality. From the relation principle of the rhythmic cell, the writer discussed Webern's way of organizing rhythm, technique of developing variate of rhythmic cell, as well as its score writing way, and summarized the Webern's early orchestral outputs rhythmic features and its impact on the rhythm style of the works in his later years.

文章以威伯恩早期自由无调性时期的两部管弦乐作品《六首管弦乐小品》Op.6和《五首管弦乐小品》Op.10为对象,从"节奏细胞"的形成以及关系原则着手进行剖析,挖掘、揭示作品中节奏的组织方式;并进一步用作品文本说明、论证节奏细胞的变值发展手法与节奏细胞的谱面组成方式;最后总结出威伯恩早期管弦乐作品中的节奏特征以及对作者晚期节奏风格产生的影响。

Those like Op.10 No.2 and Op.25 No.6, which require more delicate fingerwork, seemed effortless to him. His incredible speed did not generate an excitement oftechnically showing off but rather anaturaltempo impression, yet he did work out within a shorter time. Op.10 No.3, was not much special probably due to its extremepopularity.

对手指独立性要求极高的Op.10 No.2,Op.25 No.6,在Backhaus手上,毫无难度,然而其不可思议的演奏速度却没有让你感到丝毫的炫技感,很自然的速度感觉,实际上却只用了比一般人少的时间演奏完毕。

Op.117 is the most famous one in all his intermezzo.

op.76、op.116、op.117、op.118和op.119中运用了"间奏曲"这一体裁。

In the piano music creation in his lifetime, only Op.10, Op.76, Op.116, Op.117, Op.118 and Op.119 use the "Intermezzo" However, in terms of time, these creative works, ran through the Brahms'career life.

在勃拉姆斯一生的钢琴曲创作中,只有Op.10、Op.76、Op.116、Op.117、Op.118和Op.119中运用了"间奏曲"这一体裁。但从时间上来讲,这几首作品的创作,贯穿了勃拉姆斯一生的创作生涯。

The comparisons of biochemistry between OP and OR rats The differences between OP and OR rats included not only body weight, but lipids metabolism and insulin sensitivity as well, characterized with insulin resistance, increasing in serum free fatty acids and ketone body, and hepatic TC and TG in OP rats. However, no significant differences were observed in serum TG, TC, LDL, HDL and fasting glucose between OP and OR rats.⑶Comparisons of metabolites in serum, urine and liver tissue between OP and OR rats①There were significant differences in amino acids concentration between OP and OR rats,especially in liver tissue, such as high concentrations in ketogenic and glucogenic amino acids in OP rats, suggesting differences in amino acids metabolism;② The different metabolites between OP and OR rats included increasing of various saturated fatty acids and decreasing of polyunsaturated fatty acids in OP rats;③The urinary metabolites analysis indicated that different structure or metabolism of gut microflora might exist between the two phenotypes, which probably influenced the regulation of body weight gain;④The end-products of catecholamines in urine and intermediates of krebs cycle in serum in OP rats were all up-regulated, suggesting that the activity of sympatheic nervous system and energy metabolism was higher in OP rats than OR rats.

胰岛素耐受实验和胰岛素敏感指数表明OP动物的胰岛素敏感性较OR动物下降,而OP大鼠血清中游离脂肪酸、酮体、肝脏总胆固醇和甘油三酯水平显著升高;但是,OP与OR大鼠血清中总胆固醇、甘油三酯、低密度脂蛋白、高密度脂蛋白和空腹血糖等的水平并无显著性差异;⑶肥胖易感与肥胖抵抗大鼠血清、尿液和肝脏组织提取物中代谢物的比较研究表明:①OP与OR大鼠的血清、尿液和肝组织提取物中多种氨基酸的含量存在显著差异,并以肝组织中的差异氨基酸数量为最多,包括各种生酮和生糖氨基酸水平在OP组的升高,说明氨基酸代谢的差异是两种体重表型大鼠之间存在的重要差异特征之一;②OP与OR动物肝脏和血清差异代谢物中包含多种饱和长链脂肪酸的升高如十四烷酸、十六烷酸、硬脂酸等和多不饱和脂肪酸的下降如亚油酸和花生四烯酸,说明两种体重表型动物的肝脏脂肪酸代谢存在明显差异;③长期高脂饮食喂养后,动物的尿液代谢物分析表明OP与OR动物体内的肠道菌群结构存在差异,这些菌群上的差别可能在动物体重增长的调节上产生影响;④与OR动物相比,OP动物尿液代谢物中儿茶酚胺类递质的代谢终产物如高香草酸、扁桃酸和4-羟基苯乙酸明显升高。

Personally when I make a joke about DKs being OP, I am alluding to the the fact that they were OP, particularly right after we shipped.

从我个人角度来说,当我拿DK很OP来开玩笑的时候,我其实是在影射DK在过去确实OP。

And no. 2, or op 24, or op. 35.

2, 或 op 24,或 op。 35。

They are:1 Max-Reger's biography and creation synopsis2 A summary of the structure of Partita and Fuga3 Synopsis of Chromatische Polyphonie4 Creation background of(op 132)5 Linearity writing technique of(op 132)6 Partita inheriting with innovation and Parts analysis7 Fuga melody analysis

本文将分七个部分予以陈述,分别为:一马克思-雷格尔生平及创作简介二简述变奏曲与赋格及其它赋格音乐套曲结构三半音复音音乐简介四《莫扎特主题变奏与赋格》(op 132)的创作背景五《莫扎特主题变奏与赋格》(op 132)线性写作技巧六变奏手法的继承与创新及各变奏乐章分析七赋格曲分析

Op.10-2, 5 and Op.25-6 are very good but sometimes too much rubato, samein Op.10-12 and Op.25-12 and the Op.25-12 is lack of power to finish the whole set, which should be heard in this so call "Ocean" etude.

Op.10-8流畅自如,虽然全首曲子很令我欣赏,但在音色上显得有点刚硬,细腻之处并未完全体现。

Were researched and performed by musicians in the whole world. In the past, some scholars and musicians mainly focused on g Minor Ballade Op.38 and f Minor Ballade Op.52, A Flat Major Ballade Op.47 came next. However, only a few general statements were given to F Major Ballade Op.38, of which the profound values were not dug out yet.

前人对肖邦叙事曲的研究多集中在《g小调叙事曲》Op.23和《f小调叙事曲》Op.52相关内容的研究上,《降A大调叙事曲》Op.47次之,而对《F大调叙事曲》Op.38的研究只出现一些概括性论述,没有能够全面深刻地发掘出这首作品的价值。

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相关中文对照歌词
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