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noble art相关的网络例句

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与 noble art 相关的网络例句 [注:此内容来源于网络,仅供参考]

Noble and beautiful works of art should not be subjected to haste; and this majestic new world is indeed a most noble and beautiful work.

高贵美丽的艺术品岂能是在匆匆忙忙中完成的,这个壮丽无比的新世界真是一件最高贵、最美丽的艺术品。

Teachers as engineers of human souls, is that students progress in their knowledge and ideas mentor, must have a noble morality and personality, noble character of the teaching art.

教师作为人类灵魂的工程师,是学生增长知识和思想进步的导师,必须具备高尚的师德和人格、崇高的品德的教学艺术。

To Germany,"simple, practical, user-friendly" design style, highly functional and comfortable with the noble art of taste, to create a sophisticated bathroom a new fashion culture.

以德国"简洁、实用、人性化"的设计风格,高度舒适的功能性与高尚的艺术品位,开创精致卫浴文化的新时尚。

Dad brought me to his Driving Academy where he taught his first disciple, Mum, how to master the noble art of driving.

老爸把我带到他一手创办的驾驶学校。他曾经在这里给他的第一门徒倾囊向授,这个门徒就是我老妈。

In this superb video production Muay Thai is brought to you with an easy-to-follow narration, and every move demonstrated by a master of this ancient and noble art .

此精品碟将泰拳技术用简单易懂的叙述方式展现在你面前,每一个招数都由一位技法精湛的大师亲自示范。

Its unique character grade, the leading international technical level, specifically for the love of life and fun to design the world's intellectual, on behalf of the world's classic and timeless international brand showcase Hometextile noble art.

以其独特的个性品位、领先国际的技术水平,专门为热爱生活充满情趣的世界知性人士设计,代表世界经典与永恒的国际品牌,展示高贵家纺艺术。

How could an untutored, untravelled glover's son from hickville, the argument goes, understand kings and courtiers, affairs of state, philosophy, law, music—let alone the noble art of falconry?

争论认为,一个来自hickville、未经教育、足不出户的手套商贩的儿子,怎么可能会熟知各个国王、朝臣、国家大事,还懂得哲学、法律、音乐——更别说贵族鹰猎术?

The instinctive sense of the dishonor which money-purchase does to art is so spong that sometimes a man of letters who can pay his way otherwise refuses pay for his work, as Lord Byron did, for a while, from a noble pride, and as Count Tolstoy has pied to do, from a noble conscience.

金钱购买给艺术的本能耻辱感如此强烈,以致可有时文人可以获得报酬却拒绝为其作品给予的报酬,Lord Byron有时因为尊贵的自豪而这么做,而Count Tolstoy则出于贵族的良知而尽力这么做。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识,但关键就是分寸感的把握,不然,或者伦为真的大众趣味,或者切入过多的经英语词汇,而使语言虚弱,就我而言,我不敢重操油画,或是改造扩充,就是由于它本身太文化了,一出手就高雅了,怕弄个不伦不类而失掉语言直接性的强度,文化结构的改变,艺术的俗语是一种趋势,从艺术语言上,我是用传统刺绣方式和手法的,早在圆明园画家村时,我几乎没有画出什么东西,油画肯定觉得使用起来有问题,在当时偶然在颐和园门前,看到很多刺绣的艺术品,一下子感到找到了方法,因为刺绣这种手段属于工业文明之前的东西,它有种土色和平民的感觉,这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求,那种不伦不类的现代性,正好我的家乡唐山有一个很有名的刺绣厂,找师傅做作品可能更方便,有了这个想法之后,也得到朋友的鼓励,刺绣这一传统民间资源的再利用,在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然,它不单单是语言风格样式上的意义,它体现的是深层的社会文化结构改变的宣示。

In the process of teaching vocal music, singing and give full play to the individual who can charm the singing, in addition to skills with the skills of highly skilled, noble art of self-cultivation, the mental quality must also occupy the position.

在声乐教学过程中,歌唱者能否充分发挥个人的歌唱魅力,除了具备娴熟的技能技巧,高尚的艺术修养之外,心理素质也占据了一定的地位。

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