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motif相关的网络例句

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与 motif 相关的网络例句 [注:此内容来源于网络,仅供参考]

In no particular order, she showed a stained-glass bird-motif smock worn over a totem pole-print top, a white faux-suede fringed dress, a metallic lamé space-dyed cape, a multi-print caftan edged in python lamé, a curly lamb coat in ultramarine, and a black-and-cream Tibetan goat capelet.

在任何特定的顺序,她表明,彩色玻璃鸟的Motif smock磨损超过图腾柱-打印,白色faux -人造麂皮摇曳的着装,一个金属lamé空间色织歌连臣角,一个多打印caftan微升在巨蟒lamé,一卷曲的羔羊大衣在ultramarine ,及一个黑色和霜藏山羊capelet 。

Here, we demonstrate the benefits of using information about the DNA double-helical stability for motif discovery.

这里,我们证明了使用DNA双螺旋稳定性的信息进行motif发现的优点。

In the chapter 4, we discuss local graph alignment and motif search in biological networks.

第四章,我们讨论了生物网络中的局部图比对和motif搜索。

It comes with a set of five well-known approaches to motif discovery.

它和一套5个著名的motif发现方法一起提供。

Because of its popularity, some companies even began to sell versi of Motif for Linux.

随着它的流行,一些公司也开始销售Linux上的 Motif系统。

The first instance of this problem was the Motif toolkit, back in the 80s.

这个问题的第一个例子是80年代的Motif工具箱。

Consequently, numerous motif discovery tools and correlated databases have been applied to solving this problem.

因此,许多motif发现工具和相关的数据库被用来解决这个问题。

RESULTS: We propose an algorithm that integrates two important aspects of a motif's significance - overrepresentation and cross-species conservation - into one probabilistic score.

结果:我们提出了一个整合一个motif的意义--代表多数的和跨物种的保守性-两个重要方面为一个概率值的算法。

The primary focus is on one aspect of motif discovery: discovering motifs in a set of unaligned DNA or protein sequences.

主要集中在motif发现的一个方面:对为比对的一套DNA或蛋白质序列的motif发现。

After amplying a 2.2kb fragment form the PPV-SC1 RF-DNA,we clone the fragment into pMD 18-T,named pTNSl.The whole sequence which is 1989 bp long was determined by sequencing, including the complete ORF of PPV-SC1 NS1 which encoding 662 amino acids.Alignment of pairs of sequence indicates that there are 98% and 99% similary with other porcine parvovirus strains Kresse and NADL-2, respectively. Multiple sequence alignment discloses that there are a few difference between ppv-scl nsl gene and other ppv nsl gene: A-G at 39nt,T-C at 153nt,A-G at 175nt, A-C at 1117nt, A-C at 1535nt .Alternative codon in ppv-scl nsl have distinctly different frequentfy by codonbias analysis at EMBOSS(http://genopole.toulouse.inra.fr/bioinfo/emboss). Thereis not distinct hydrophobicity and transmenbrane helices in ppv-scl nsl protein. Struction domain anslysis of PPV-SC1 NS1 protein indicate that there are a ATP/GTP-binding site motif A at 398-405,16 Protein kinase C phosphorylation site,21 Casein kinase II phosphorylation site,and 3 cAMP/cGMP-dependent protein kinase phosphorylation site.At the same time ,there is a same motif between ppv-scl nsl and Poxvirus D5 protein-like which may share in the same fuction which is necessary during virion duplication.

将PPV-SC1 NS1序列与其他PPV NS1基因进行多序列比对,结果显示,PPV-SC1 NS1与其他的PPV NS1的同源性较高,仅存在个别的差异,分别是第39位A→G,第153位T→C,第175位A→G,第1117位A→C,第1535位A→C;同源搜索比较表明,PPV-SC1与PPV NS1同源性可达98%、99%,与其他的细小病毒NS1基因也存在很大的保守性;密码子偏向性分析结果表明PPV-SC1 NS1基因在同一氨基酸的不同密码子的选择上存在一定的偏向性;PPV-SC1 NS1蛋白总体上说具有亲水性不存在明显的疏水性区段,用swiss TMPRED软件预测PPV-SC1 NS1的跨膜区,返回的结果并没有得到有显著意义的跨膜区的存在;根据基于motif数据库的结构域预测,PPV-SC1 NS1的第393-415位氨基酸残基存在潜在的ATP/GTP结合位点,该蛋白还存在16个蛋白激酶C磷酸化位点,21个酪蛋白激酶2磷酸化位点,3个cAMP-/cGMP依赖蛋白激酶磷酸化位点,PPV-SC1 NS1蛋白与POX_D5(痘病毒D5蛋白)具有一致的保守结构域,推测NS1可能与POX_D5有类似的功能。

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The physiology of the skin machine body for the sake of the environment in the maintenance stability, but eject a body metabolism creation of metabolism thing BE'grease', summer perspire many various skin disease light or good, autumn perspire little metabolism thing metabolism don't go out, various skin disease made, this be the skin machine body of various burning disease.

皮肤机体的生理为了维持内环境稳定,而排出身体代谢产生的代谢物是'油泥',夏天出汗多各种皮肤病就轻或好了,秋天出汗少代谢物代谢不出去,各种皮肤病就犯了,这就是皮肤机体的各种炎症。

If I had anything tender in me, I shot it dead.

如果我有什么招标的话,我枪死亡。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是:立足于色彩绘画,分别从&色彩&、&水墨&两个角度出发,先对它们在中国古代画史论著中作一考证;分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路;着重分析色彩绘画中心&失落&亦即&水墨之变&的原由;及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。