查询词典 imago

The Imago Mundi of Pierre d' Ailly was a comprehensive world geography composed around the year 1410, before Ptolemy's Geography had been rediscovered by Western Europe

皮埃尔·德·阿伊利的《世界的形象》是一部综合性的世界地理学，写成于西欧重新发现托勒密地理学以前，时间在1410年左右。

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来透视凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

Analysis of antetype imago in the story revealed that the story of Cinderella controlled by paternity follows a set of gender orders. Gender power relations operate behind the set of orders gender, by which various imagoes are fixed in position.Through these imagoes some values are transmitted.The story of Cinderella belongs to some culture attribute, which women against the social background of paternity have to obey the male values and aesthetic ideal if wishing to improve their Social position .

通过对故事中原型意象的分析可以看出，在父权制操控下的"灰姑娘"型故事遵循着一套性别秩序，这套秩序背后有性别权力关系在运作，它为童话的各类意象安排好了固定的位置，并通过这类意象传达出一个价值观：灰姑娘型故事只不过是在父权社会背景下，女性希望改变自己的地位而不得不按照男性的价值观念和审美理想去塑造自己的文化属性。

Iron's imago gives us a scene of halberdiers and cavalries, storm wind in the north of the Great Wall and the remains with petrosal rusts standing erectly in the desert. Such a flinty and heroic imago shows heroism that we haven't seen for a long time in sculptures of the present age.

铁的材质带来强烈的铁的意象，金戟铁马、塞外雄风，风中的残躯，已经蚀刻出岩石般的锈痕，但仍然屹立在大地上，这样冷峻豪迈的意象，是当代雕塑中久违的英雄气质。

It is my imago mundi, that picture of world I carry with me as its imagination.

这正是我的 imago mundi，是我经常随我同行的想像中的世界。

This a men adoration in addition a men imago .l is imago ray and sound .

是人崇拜另一个人的意象。l的意象是光线与声音。

And formation of urban imago, characteristics and the five types of urban imago space frameworks are also deduced within in.

论文研究目的是建立一种城市空间信息的描述方法，为实现城市规划技术的数字化、信息化提供基础资料。

It shows the key connections and extended signicances between literal symbol and modern design, which lead to a distinguishably deeming imago and were converted into a systemic theory," the theory of designing imago".

重点论述了在新的东、西方融汇、传统与现代重构的文化背景中，文字符号与现代设计之间存在的重要关联性与延伸意义，并由此引发独特的文字符号深层意象，探讨新的设计意象思维规律，最终发展成为完整的&现代设计意象观&这一理论见解。

Catch kill imago: Happen in imago period, undertake at the dusk with fuggy sunshine.

1。捕杀成虫：在成虫发生期，于晴天闷热的傍晚时进行。2。

And the imago modes in them can be classified into three types: the first type is the imago mode in his proses written from 1927 to 1930, which is depressed and weak in hope; the second one is the imago mode in his proses written in the 1930s, which is spry, activity and combative; the third type is in his proses written in the 1940s, which is laudative and positive.

而其所选取的意象模式可以分为三个阶段：1927年到1930年为第一阶段，其特征为&苦闷沉郁、迷蒙恐惧及淡淡的希望&；30年代为第二阶段，其特征为&充满生机、活力与战斗性&；40年代为第三阶段，其特征为&赞美、歌颂、美好与向上&。

Graf, without question, is the greatest women's player in history.

格拉芙，现在，毫无疑问是女子网坛历史上最伟大的选手。

If not, you will have to look around at all your important data.

如果没有，您将需要检查所有的重要数据。