查询词典 historical method

Further more, since both Marxist economics and German Historical School are the products of the same philosophical tradition, and the tradition is rather parallel to its Chinese counterpart, the re-discovering of German Historical School has great significance either for the creative development of Marxist economics and the inaugurating of China's own economic schools.

此外，马克思经济学在主体上与德国历史学派都是同一种哲学传统和经济学传统的产物，而这种传统与中国哲学传统之间又具有惊人的相似性，这对于马克思主义经济学的创造性发展和开创中国经济学研究传统都具有重大的启发意义。

If historical records are more trivial, the development of historical figures and insignificant things, such as history records no value.

如果历史记载的都是些鸡毛蒜皮、对历史的发展无足轻重的人物和事，记载这样的历史就没有什么价值了。

We managed to point out the orientalized and assimilated historical process by the study of their encounter, intercourse, combination and unification.The cultural origin and esthetical significance composed the logical elements with which to recur the historical encounter of Pratipad and New Taoism, and project their respective esthetical character and inherent inconsistency. We emphasize the intercourse between Pratipad that came on to in Wei-Jin era and Buddhist and metaphysics esthetics on the basis of Pratipad category, just for the lasting appeal and predilection of the latter could set off the existent significance of Madhyamika Prajna System. Here we do a summarize intent upon illuminating no other than the intercourse with which to lead Chinese Esthetics to a bran-new world.

本文以阐发般若范畴的文化渊源、美学蕴涵为理论探讨的逻辑基础；通过历史地再现般若学与玄学两面展开的理论境遇，凸现它们各自不同的美学品格与内在矛盾；而作为两晋际兴盛起来的般若学和基于般若学范畴展开的佛玄美学对话，是本文理论探讨的重要内容，惟其佛玄美学建构的丰富韵致与理论偏颇，才映衬了中观般若体系生成的美学意义；本文以中观般若体系具有的深在美学蕴涵及其对中国美学特出的范型意义为归结，指出正是中观般若体系实现了般若美学蕴涵与中国美学蕴涵的真正交融，这种交融从体系型态上把中国美学引向了新的生成之路。

But, because of overemphasizing the subjectivity, Croce denied the historical objectivity and the uniformity together, thus he is unable to guarantee historical the authenticity, and moreover has marked "the tool" with the history brand.

但因过分强调历史的主观性，自然也就否认了历史的客观性和一致性，从而无法保证历史的真实性，而且给历史打上了&工具&的烙印。

The radical reason in appraising the two books in the historical facts was the authors attitude about the historical facts narrated by personates at War period.

正是司马迁、刘向对待战国纵横家所述史事的不同态度和处理的不同方法成为决定二书在记载战国史实方面优劣的根本性原因。

Each annotation is the replaying of a historical episode or a miniature of a historical period.

现实的、从事物质生产活动的人是人类历史活动的主体。

The following period features an official and literary history reorientation in a special historical context, with the reception of it retrograded rather than impelled, a lesson of lingering historical significance.

转向期《蚀》的接受在特殊的历史语境下展开，主流话语导引与文学史视野是这一时期的最大特点，但《蚀》的接受不仅没有多少推进，反而有所后退。

August Wilhelm Schlegel calls Henry Ⅷ the epilogue to Shakespeare's ten-play historical rhapsodies, in which the dramatist both upholds and subverts the "Tudor myth" by an artful transposing of historical chronology and juxtaposing of the conflicting Catholic and Protestant perspectives.

莎学学者席雷格尔称《亨利八世》为莎士比亚10部英国歷史狂想曲之收场曲，在其中莎士比亚藉由巧妙的歷史时间移位以及並置新教与旧教的衝突观点，同时支持又颠覆了「都鐸神话」。

The compilation of their historical books had lasted for almost one thousand years, during this course the history of Israel became a vivid embodiment of the historical view that history is but the process of Jehovah salving Israeli people.

他们将对耶和华神的信仰融入对民族历史发展的思考和解释之中，其历史书卷的编写几乎持续了一千年之久，在这一过程中，以色列历史成为&历史就是耶和华神对以色列民族的救赎史&的生动体现。

The analysis of change of left-wing discourse prototype-revolution and love, drives home a historical trend that the former popular individual figures escaped gradually from left-wing writers' works and emotional relations were replaced by class ones. In addition, this chapter provides ananalysis and review of historical development on the redirection with regard to the fact revolutionary literature spumed Maxist's positive sublation and ignores Maxist's dialectic individual perspective. Furthermore, a revaluation of the writing mode-revolution and love is made.

同时通过对&革命加恋爱&这一左翼话语原型的历史变迁过程的分析，揭示了个体作为表现对象逐步退出左翼作家的表现视野，情感关系逐步被规训为阶级关系这一历史趋势，对革命文学创作向着背离马克思主义的积极扬弃论、遗忘马克思主义辩证个体观方向异化的历史进程进行了分析和检讨，同时对&革命加恋爱&这种创作模式进行了新的历史估价。

These are places without aristocratic baggage; egalitarian places open to talent, self-improving, engaged in learning and innovation through networks that were at once competitive and cooperative.

这些地方没有贵族遗风作祟，而且对于那些有天分的人是开放的平等之地，这些人善于通过那些曾经很具有竞争力与合作精神的关系网进行自我提高以及学习创新。

Christine: You don't want to see me?

你不想见我？