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harvest fish相关的网络例句

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与 harvest fish 相关的网络例句 [注:此内容来源于网络,仅供参考]

In the traditional Chinese arts and culture of fish and water a symbol of prosperity and harvest design.

在中国传统文化艺术的鱼和水的繁荣与收获的象征设计。

Its products mainly include: fish meal, egg harvest and so on.

其产品主要有:鱼粉、丰年虫卵等。

As early as during the Ming Dynasty, in order to celebrate the harvest, each in the autumn of I, Foshan people use the leftover crafts: such as paper, rags, silk, sweet gum, wax, clay, bamboo, as well as agricultural by-products: such as cocoon, Gu beans, scales, fruits, radish, etc. to tie to, sticky puzzle, paper rush, carving, clipping, sculpture, perfusion and other techniques to produce copper and iron objects into a variety of imitation, imitation porcelain antiques, fake flowers, birds insects and fish, fruits, etc. to counterfeiting, Kit Kat wins the Big Dipper artistic effect, handed down as "Foshan Autumn" Art's unique production style.

早在明朝时期,为庆贺丰收,每于秋收之余,佛山人利用手工业的边角料:如纸、碎布、丝绸、香胶、蜡、陶泥、竹木以及农副产品:如蚕茧、谷豆、鱼鳞、瓜果、萝卜等,以扎作、粘砌、纸扑、雕刻、剪贴、雕塑、灌注等技法,制作成各种仿铜铁器物、仿陶瓷古玩、仿花鸟虫鱼、瓜果等,达到以假乱真、奇巧斗胜的艺术效果,流传下来,成为"佛山秋色"艺术品的独特制作风格。

In that year of plenty, the seas yielded up a rich harvest of fish.

在那个丰收的年头,大海鱼产十分丰富。

In traditional Chinese culture the pattern of fish and water resembles prosperity and harvest."Fish"also embodies a meaning of good fortune and abundance.

在中国传统文化艺术中,"鱼"和"水"的图案是繁荣与收获的象征,"鱼"还有吉庆有余、年年有余的蕴涵。

In traditional Chinese culture and the arts,"Fish" and "water" logo is a symbol of prosperity and harvest,"fish" There are more than Jiqing, every year more than the implication.

在中国传统文化艺术中,"鱼"和"水"的图案是繁荣与收获的象征,人们用"鲤鱼跳龙门"寓意事业有成和梦想的实现,"鱼"还有吉庆有余、年年有余的蕴涵。

So there is a real issue of providing alternative opportunity for fishers so that they can exit the fishery and reduce the pressure on fish stocks and ensure that those who do remain in the fishery have healthy fish stocks to harvest and supply to people who need them.

因此问题在于为渔民提供其它的机会,只有这样他们才能退出捕捞业,减少对鱼类资源的压力,并确保留下的渔民拥有充足的资源,可以捕捞到足够满足市场需要的海产品。

Capture fishery; harvest fishery Fishing for wild fish, normally from a boat, as opposed to aquaculture, where the fish are bred in a controlled environment.

捕渔业捕捉野生鱼类的渔业,一般使用渔船;区别于人为控制环境中的养殖渔业。

It could increase the utility efficiency of marine fishery resource,which thinks about fish harvest and breed rules all together.In this paper,it uses mathematical methods to analyze the Bio-economics theories provided by Flaaten's studying on competing species in marine resource.According to our results,it is shown that the price of one economical fish c...

通过对Flaaten的生物经济学模型的数理分析比较,提出经济鱼种的价格上涨并不会导致该鱼种生物种群存量下降,如果管理措施合理,鱼类种群存量依然存在上升的可能;并由此指出海洋捕捞必须考虑种群间相互关系,利用合理的生物经济学模型、建立明晰的海洋捕捞权等措施有助于海洋生物经济的持续有效发展。

You looked that township of that fishing rice, the fish Fei Shui US, that attractive girl and the capable young fellow full load abundant harvest is flying joyfully, delimits is being fully laden with fresh flower's boat, delimits is being fully laden with the fish small oar, delimits is being fully laden with the happy fruit small oar, sails to the happy other shore.

你看那渔米之乡,鱼肥水美,那漂亮的姑娘和干练的小伙满载着丰收飞喜悦,划着载满鲜花的小船,划着载满鱼儿小桨,更划着载满幸福果实的小桨,驶向幸福的彼岸。

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The physiology of the skin machine body for the sake of the environment in the maintenance stability, but eject a body metabolism creation of metabolism thing BE'grease', summer perspire many various skin disease light or good, autumn perspire little metabolism thing metabolism don't go out, various skin disease made, this be the skin machine body of various burning disease.

皮肤机体的生理为了维持内环境稳定,而排出身体代谢产生的代谢物是'油泥',夏天出汗多各种皮肤病就轻或好了,秋天出汗少代谢物代谢不出去,各种皮肤病就犯了,这就是皮肤机体的各种炎症。

If I had anything tender in me, I shot it dead.

如果我有什么招标的话,我枪死亡。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是:立足于色彩绘画,分别从&色彩&、&水墨&两个角度出发,先对它们在中国古代画史论著中作一考证;分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路;着重分析色彩绘画中心&失落&亦即&水墨之变&的原由;及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。