英语人>网络例句>freedom of expression 相关的网络例句
freedom of expression相关的网络例句

查询词典 freedom of expression

与 freedom of expression 相关的网络例句 [注:此内容来源于网络,仅供参考]

The Appellant maintains that in accordance with the mentalities of highly autonomous expression of intentions and contract freedom called for in the Contract Law, as well as the mainstream law-enforcing mentalities in judicial practice at present, there exist three contracts between the Appellant and the Appellee, which shall be deemed to be valid.

上诉人认为,根据《合同法》倡导的当事人意思高度自治和契约自由的理念,以及目前司法实践中的主流执法观念,上诉人与被上诉人之间共存在三份合同,均应认定为有效合同。

Although it is based on reality, the school of art has a broad choice of subjects, a great freedom in composition, and a combined use of symbolism, euphonium and humor in the expression of ideas. As for skills, it gives an emphasis on the realism of details and the romanticism of the whole and in effect provides the audience with an infinite space for imaginations.

程亚杰从他维也纳老师胡特那里承继过来的"想现实主义"严格地讲,更倾向于浪漫主义的创作方法,它虽然有现实的意义根据,但创作主体有更大的物象选择和组合的自由,画面背后的意图更多的是通过象征、隐喻和幽默的营构来反映;在表现手法上则是重视细节刻画的写实和整体构成的变实,这种写实和变实的交错使用给幻想留下了超时空自由组合的广阔空间。

Freedom is not the expression of one's own desire, choice or self-interest.

自由不是一个人自己的欲望,选择或自我的兴致的表达。

The four factors for determination of fair use are just a basis of the balance of the conflict between the copyright owner and the parodist. For the purpose of the artistic freedom, and regarding the interest in providing incentives to create more art, Copyright Act of Taiwan must add a new provision to refer to the fair use of the copyrighted works for the purpose of the artistic expression.

虽然我国著作权法对於嘲讽性模仿是否侵害著作财产权之问题,有适当的条文可以适用,不过基於对艺术自由之重视,与艺术创作之鼓励,本文认为应於著作权法新增条文,规定基於艺术创作之目的所为之著作利用,得主张合理使用。

As a part of enlightening culture, the enlightening literature is definitely a window that publicizes the logos spirit, however, literature is different from philosophy, literature is the artistic transexpression of the Zeitgeist, but not the direct expression of the rational principles, in the eighteenth century the thought of natural logos brought the production of the free humanity of literature, Faust pursues and explores forward constantly, which stands for the permanent"human"spirit, it means the human's release and rein on the atman, it is the natural situation after breaking the fetters, and it is the revertion of the human natural inbeing; Naive man is the unit that has not been touched by"civilization", it is the origianl nature of human beings, during the conflict and collision of these two different cultures--"nature"and"civilization", it holds the independent free spirit homestead; emotion is natural, when the society made it institutionalized, it is catabolized, Lockersha Na heard the voice of heart under the system of plural marriage, she released the human natural emotion, reverted the natural humanity; under the"civilization", individuality is deprived,"civilization"becomes the contrary of civilization, Rameau's nephew championed the individual existence and freedom in the period of losing"self", it stands for the"self"shaping in the independent pose.

启蒙文学作为启蒙文化的一部分,它自然是张扬自然理性精神的一个窗口,然而,文学又不同于哲学,文学是对时代精神作艺术化的转达,而不是理性原则的直接的传声筒,十八世纪自然理性的思想养料孕育的是文学中自由人性的灿烂之花,浮士德不断地向上求索,代表着永不息止的"人"的精神,"人"的精神是人对于自我本体的一种释放与驾驭,是挣脱枷锁之后的自由状态,是对人之自然本性的还原;天真汉是未曾受过"文明"浸染的个体,代表人类之原本的自然天性,在"自然"与"文明"两种异质文化的冲突与碰撞中,维系着个体独立自由的精神家园;情感本属自然的,在社会将其制度化的同时,也将其异化了,洛克莎娜在一夫多妻制下,聆听的是个体心底之声,释放人之自然感情,复原自然之人性;"文明"下,个体性被剥夺,"文明"已堕入文明的对立面,拉摩的侄儿在"我"丧失的时代,捍卫了个体自我的在场性与自由性,代表了以独立个体之姿存在的"我"。

Her right to uninhibited free expression translates to a greater level of freedom for women everywhere, in the long run.

她有权不受限制自由表达转化为更大程度的自由世界各地的妇女,从长远来看。

Mr Yip in the works, can be seen everywhere this kind of "freedom" and "not forced" expression.

在叶先生的作品,随处可见这种"自由"、"不受强迫"的表达。

Q: What comment do you have on the US Senate passing the resolution on "expression of support for freedom in Hong Kong" submitted by Senator Brownback?

问:你对美参议院通过由参议员布朗巴克提出的&支持香港自由&的决议案有何评论?

As a part of enlightening culture, the enlightening literature is definitely a window that publicizes the logos spirit, however, literature is different from philosophy, literature is the artistic transexpression of the Zeitgeist, but not the direct expression of the rational principles, in the eighteenth century the thought of natural logos brought the production of the free humanity of literature, Faust pursues and explores forward constantly, which stands for the permanent"human"spirit, it means the human's release and rein on the atman, it is the natural situation after breaking the fetters, and it is the revertion of the human natural inbeing; Naive man is the unit that has not been touched by"civilization", it is the origianl nature of human beings, during the conflict and collision of these two different cultures--"nature"and"civilization", it holds the independent free spirit homestead; emotion is natural, when the society made it institutionalized, it is catabolized, Lockersha Na heard the voice of heart under the system of plural marriage, she released the human natural emotion, reverted the natural humanity; under the"civilization", individuality is deprived,"civilization"becomes the contrary of civilization, Rameau's nephew championed the individual existence and freedom in the period of losing"self", it stands for the"self"shaping in the independent pose.

启蒙文学作为启蒙文化的一部分,它自然是张扬自然理性精神的一个窗口,然而,文学又不同于哲学,文学是对时代精神作艺术化的转达,而不是理性原则的直接的传声筒,十八世纪自然理性的思想养料孕育的是文学中自由人性的灿烂之花,浮士德不断地向上求索,代表着永不息止的&人&的精神,&人&的精神是人对于自我本体的一种释放与驾驭,是挣脱枷锁之后的自由状态,是对人之自然本性的还原;天真汉是未曾受过&文明&浸染的个体,代表人类之原本的自然天性,在&自然&与&文明&两种异质文化的冲突与碰撞中,维系着个体独立自由的精神家园;情感本属自然的,在社会将其制度化的同时,也将其异化了,洛克莎娜在一夫多妻制下,聆听的是个体心底之声,释放人之自然感情,复原自然之人性;&文明&下,个体性被剥夺,&文明&已堕入文明的对立面,拉摩的侄儿在&我&丧失的时代,捍卫了个体自我的在场性与自由性,代表了以独立个体之姿存在的&我&。

The traditional research pass wades the point of departure when we researches language problem in the modern new poetry is usually the static-state linguistics, i.e., it explains the rhythm, rhyme and choice of vocabulary from the opposite static layer of the phrase, such as the pure phrase logic and the grammar layer and so on. Though this kind of angle of view of does major contribution in studying language of the modern new poetry, it also brings the irregularity of analysis equally, because its abstract and regular analytic method can't correspond with the modern new poetry whose expression of character is freedom and immediate, and thus obstructs us to have further cognition of the language of the modern new poetry.

传统的关涉现代新诗语言问题的研究的出发点往往是静态语言学,也就是从单纯的语词逻辑、语法层次等相对恒定的语言层面来阐释现代新诗的音韵、节奏乃至词汇选择,这种语言视角尽管为现代新诗的语言研究做出了重要贡献,但同样也带来诸多分析上的弊端,它的这种定型的归纳和抽象的规则化分析方法无法更好地切入到以自由和随即为表述特征的现代新诗语言,也就在一定程度上阻碍了人们对现代新诗语言的进一步认知。

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