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The results show that the best second extraction condition for naringenin was as follows: 7:3 for concentration ratio of methanol and ethanol, 50 for temperature, 5 h for time, and 1:45 for stuff and liquor ratio.

通过实验确定了柚皮素的最佳二次提取条件为乙醇甲醇浓度比7:3、温度为50℃、时间为5h、料液比为1:45,采用分光光度法测得柚皮素平均得率为5.25%。

The feeble fingers were never idle,and one of her pleasures was to make little things for the school children daily passing to and fro, to drop a pair of mittens from her window for a pair of purple hands, a needlebook for some small mother of many dolls, penwipers for young penmen toiling through forests of pothooks, scrapbooks for picture-loving eyes, and all manner of pleasant devices,till the reluctant climbers of the ladder of learning found their way strewn with flower, as it were, and came to regard the gentle giver as a sort of fairy godmother, who sat above there, and showered down gifts miraculously suited to their tastes and needs.

她那虚弱的手指从未有闲着,她的乐事之一便是为每天从屋旁经过的学童们制作小东西--在窗口放一双手套,这是为冻紫的手准备的;放个针线包,给某位拥有许多玩具娃娃的小母亲;放一些拭笔布,给那些在歪七竖八的笔划丛林里辛勤劳作的小书法家们;放一些剪贴薄,给那些喜欢画画的孩子们;还有各种各样令人愉快的小玩意,直到那些极不情愿攀登学问阶梯的孩子们发现,他们前进的道路上布满了鲜花。这时他们把那亲切的馈赠者看作是童话中的仙女。她坐在那上边的屋子里,给他们抛投各种奇迹般契合他们品味和需要的礼物。

This article is divided into seven parts, the first part is the structure of LiNbO ; The second part is the basic physical property (especially for optical property); The third project is for the mix substance which takes some operation for LiNbO crystal; The 4th and 5th part for cyclical polarization niobic acid lithium crystal synopsis and application; The sixth part for Laman spectrum synopsis and the seventh part is the something about experiment.

本文共7部分,第1部分为铌酸锂晶体的结构;第2部分为基本物理性质;第3部分为铌酸锂晶体的掺工程;第45部分为周期极化铌酸锂晶体的简介及应用;第6部分为拉曼光谱简介;第7部分为实验部分。

This article is divided into seven parts, the first part is the structure of LiNbO ; The second part is the basic physical property (especially for optical property); The third project is for the mix substance which takes some operation for LiNbO crystal; The 4th and 5th part for cyclical polarization niobic acid lithium crystal synopsis and application; The sixth part for Laman spectrum synopsis and the seventh part is the something about experiment.

本文共七部分,第一部分为铌酸锂晶体的结构;第二部分为基本物理性质;第三部分为铌酸锂晶体的掺工程;第四五部分为周期极化铌酸锂晶体的简介及应用;第六部分为拉曼光谱简介;第七部分为实验部分。

To be eligible for the award, a service member must be: attached to or regularly serving for one or more days with an organization participating in ground/shore military operations; attached to or regularly serving for one or more days aboard a naval vessel directly supporting military operations; actually participating as a crew member in one or more aerial flights directly supporting military operations in the areas designated; or serving on temporary duty for 30 consecutive days or 60 nonconsecutive days, except, if a waiver is authorized for personnel participating in actual combat.

为了获得该奖项,服务会员资格必须是:重视或定期为一个或多个天,服务与组织参加地面/海岸的军事行动;重视或定期为一个或多个天为一艘军舰直接支持军事行动,实际上是在参加一个或多个空中飞行机组成员直接支持在指定区域内的军事行动,或连续30天或60非连续几天,除临时工作服务,如果放弃为参加人员的核定实际战斗。

objective to study the risk factors on esbl producing strains of k.pneumoniae and e.coli.methods aprospective survey on esbl producing strainsof k.pneumoniae and e.coli for a36-month period.results the resistance rates ofe.coli were:98.08%for ctx,73.08%for amc.the resistance rates of k.pneuˉmonialwere;95.74%for ctx,97.87%for amc.the use rate of third generation cephalosporins was much higher than those of esbls nonproducing strains(p.05).it induce esbls that3rd generation cephalosporins were used extensive.after strenghtening the antibiotic controls,esbls detection rate has gone down.conclusion the factors of infection of esbl-producing strains were the severity diseases,cellular immunological condition,improper medical manipulations.to prevent esbl-producing strains,reasonable antibiotics usage may be the effective measure.

目的 分析临床大肠埃希菌及肺炎克雷伯菌产esbls的危险因素,并加以控制。方法前瞻性监测产esbls菌的情况,并对感染者进行临床调查。结果产esbls的大肠埃希菌、肺炎克雷伯菌的耐药率头孢噻肟钠为98.08%和95.74%,阿莫西林+棒酸为73.08%和97.87%,产esbls菌感染者头孢第三代的使用率(70.21%)显著高于非产esbls菌感染者(39.47%)(p.05);第三代头孢的大量使用诱导esbls的产生。通过加强抗感染药物的使用管理esbls检出率开始下降。结论严重的基础病、高龄、机体免疫力低下,长期住院者是esbls菌感染的易感宿主,皮质激素、化疗及介入性疗法是esbls感染的高危因素。滥用抗感染药是产生esbls的重要因素,合理使用抗感染药是防止esbls产生的主要措施。

First, after contracting flu, has the complication risk high crowd, including 6 months to 5 year-old babies and infants; 60 year-old above old person; Contracts the chronic pulmonary tuberculosis, cardiovascular illness to get sick, the nephrosis, the liver disease, the nosohemia or the metabolic illness get sick the adult and the child; Has the immunosuppression condition adult and the child, including because of takes immunosuppression which the medicine or the AIDS virus infection cause; Contracts the adult who and the child for a long time nervous system illness gets sick (for example cognition barrier, spinal cord damage, epilepsy or other nerve muscle illness sickness and so on); Accepts the aspirin treatment for a long time child and young people (6 months to 18 years old); Lives for a long time in the home for the elderly, the sanatorium and other chronic illness sickness nursing organization personnel; Preparation female who is pregnant in flu season.

一是患流感后发生并发症风险较高的人群,包括6个月到5岁的婴幼儿;60岁以上的老人;患有慢性肺病、心血管疾病、肾病、肝病、血液病或代谢性疾病的成人和儿童;有免疫抑制状况的成人和儿童,包括因服用药物或艾滋病病毒感染而导致的免疫抑制;长期患有神经系统疾病的成人和儿童(如认知障碍、脊髓损伤、癫痫或其他神经肌肉疾病等);长期接受阿司匹林治疗的儿童和青少年(6个月到18岁);长期居住在敬老院、疗养院和其他慢性疾病护理机构的人员;准备在流感季节怀孕的女性。

Cumulus-enclosed oocytes from follicles in prepubertal gilt ovaries from alocal abattoir were cultured in modified TCM199 with and without 10 IU/ml PMSGand hCG for 22 hours respectively.After fixation and dying in 1% acid orcein,itshowed that 77.6% oocytes reached MII stage.Maturated oocytes were denudedwith 1mg/ml hyaluronidase,and fertilized with fresh or thawed sperms in modifiedTBM for 6 hours,then cultured in NCSU23 for 14 hours.The fertilization rates were87.5% for fresh sperms,64.1% for thawed sperms.

抽取从屠宰场获取的猪卵巢中的卵母细胞,在加入和不加hCG和PMSG的mTCMl99培养液中分别培养22小时,地衣红染色发现77.6%的卵母细胞达到MII期;去卵丘细胞后在mTBM中用鲜精或冻精解冻后受精6小时,在NCSU23中培养14小时后固定染色发现受精率分别为87.5%和64.1%;电激活后在NCSU23中培养20小时后固定染色发现原核形成率为94.1%。

Think, for example, of certain forms of diet, of fasting, of sexual continence, of flight "into the wilderness"(the Weir Mitchell isolation cure—without, to be sure, the subsequent fattening and overfeeding which constitute the most effective remedy for the hysteria induced by the ascetic ideal): add to these the entire antisensualistic metaphysics of the priests that makes men indolent and overrefined, their autohypnosis in the manner of fakirs and Brahmins—Brahma used in the shape of a glass knob and a fixed idea—and finally the only-too-comprehensible satiety with all this, together with the radical cure for it, nothingness (or God—the desire for a unio mystica with God is the desire of the Buddhist for nothingness, Nirvana—and no more!).

让我们试想某种饮食方式,试想斋戒、节制性欲、&向沙漠&逃循(维尔·米切尔式的孤立,当然不包括由此产生的强饲法和营养过度,那里包含了医治禁欲主义理想的所有歇斯底里发作的最有效的方法);再试想,教士们的全部敌视感官的和懒惰而诡诈的形而上学,他们依据苦行僧的和使用玻璃扣而且观念固执的婆罗门的方式实行的自我催眠术,以及对其根治术——虚无的、最后的、非常可以理解的普遍厌倦(或者对上帝的厌倦——渴望和上帝结成一种神秘联盟是佛教徒所渴望的虚无,涅盘——仅此而已!

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义?对於上述疑惑,查既有研究成果,不消没有论述者,具体提即「京调排场」现象的可说没有,基於此,有必要对台南市及其周边之民俗性京调排场,不管是语汇来由或者其现象本身,做一番研究。本研究透过文献、访谈、口述史、参与观察等方法,以文化有机体之纵的发展概念为经,以民俗表演之横切面各主客要素为纬,试图先对此文化现象调查并推论出一概貌:台南市民俗性京调排场的形成,是在京调传入台南,台南本地北管子弟改习或兼习京调后,结合北管音乐文化所固有的排场表演型态及民俗演出传统,融合而成,形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友,和中国大陆琴师等等),也曾透过与当地子弟的接触,而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时,对其有义务或交陪的庙宇及子弟间做酬酢性的演出,不收报酬;聆赏者多是京调同好与邻近民众,也有少数路过者;演出模式包括节目安排、乐队编制皆有一定;表演意涵上以「扮仙」祈求神明赐福人间最为重要,因此排仙必不可少,且一定先於京调演唱。随著时间推移,京调排场表演活动的各要素都有变动,惟变迁速度不一,大体而言,业余表演者锐减,人们对酬神娱神节目的需求仍在,因此一些过往的业余表演者遂逐渐转型为职业表演者。此外,虽然表演意涵不变,但在职业表演人员少、又要适应市场的情况下,表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中,而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者,据此概貌,在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象,可视为京剧研究与民俗研究的一环,然而对於台湾文化研究,除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型,进一步扩充整体台湾文化研究的内容外,更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史,其文化自然容易随社会环境改变而弹性适应变迁,呈现多元纷呈、多重覆叠的特色,因此展望未来,从事台湾文化研究应秉除单一观点,保持一定程度之开放与客观胸襟,方不忽视或误识更多重要的文化现象。

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相关中文对照歌词
Wait For You (Song For The Ocean)
Do It For You, Do It For Us
One For You, One For Me
One For My Baby (And One More For The Road)
Forever, For Always, For Certain
One For My Baby (And One More For The Road)
Thank Heaven For Little Girls / You Were Meant For Me / A Fellow Needs A Girl
For Baby (For Bobbie)
For You, For Me, For Evermore
One For My Baby (And One More For The Road)
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Since historical times,England ,where the early inhabitants were Celts, has been conquered three times .

从有历史以来,英国,在此地早期居住的是凯尔特人,已经被征服了三次。

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