查询词典 folklore

A series of works by Tuboi Hirofumi in the late 1970s and early 1980s exerts longstanding influence on Japanese folklore circles, contributes to later development of dry farming study and the pluralism study of Japanese east to west and north to south from the perspective of regional types, and gives an impetus to Japanese basic culture study.

直至今日，围绕坪井学说的讨论仍在继续，尤其在劳作生计领域，90年代以安室知为代表提出了&复合型劳作生计&的观点，针对&类型&论强调了&复合&的研究视角。

Against the background of drying farming culture which is characterized by field burning cultivation, Tuboi Hirofumi reflected on "taro New Year" and "the causes of Japanese choosing rice" from the perspective of folklore, reasoned out the existence of farming system, and established the pluralism theory of "rice cake New Year" vs.

在日本学术界对以火田耕种为代表的旱作农耕文化关注的大背景下，坪井洋文从民俗学的学科角度出发，通过对&芋头正月&、&日本人为何选择了稻米&的思考，推论了旱作农耕文化体系的存在，从同等价值的多元论体系确立了&年糕正月&对&芋头正月&、稻作农耕民文化对旱作农耕民文化的民俗文化多元论学说。

Taro New Year, rice growing agriculture vs. dry farming agriculture. In this theory, they are of equal value. Tuboi Hirofumi revised the monism theory of rice-growing of Yanagita Kunio, developed Japanese study from monism to pluralism, and provided a new methodology to Japanese folklore study.

坪井的研究修正了柳田的稻作文化一元说，把对日本文化的研究由一元论发展为多元论，为日本民俗学提示了新的方法论体系。70年代末80年代初坪井的一系列研究著述，对日本民俗学界产生了深远的影响，带动了之后旱作研究的高涨、以及从地域类型论展开的日本东西/南北的多元文化论研究，推动了日本民族基础文化的研究。

Typical of this kind of folklore is further a humoristic stance - also evident in "Indoor Courtyard" and other works of Zheng Guogu and the Yangjiang group - that can be traced back to the absurd anti-logic of many Hong Kong films like for example those by Zhou Xingci.

香港电影，特别是周星驰的&无厘头&则更是不乏此种幽默。

Compared with the objects protected by the traditional intellectual property law, the folklore displays the indefinitiveness of the object itself and value realization in time.

与传统知识产权所保护的客体相比，民间文学艺术却表现出自身对象的不确定性和资源价值实现预期在时间上的不确定性，正因为如此，对民间文学艺术的&人人得自由使用&便成为值得怀疑的并有理由加以改变的事实，用传统的知识产权制度对folklore加以保护显然不合时宜，必须创建一种全新的制度，作为知识产权保护制度体系中的一个分支，以满足民间文学艺术的特殊要求。

Applying the principles of folklore and garment,this article makes a preliminary research on the style s and origins of women's hair style ,meile,kerchief and hairpin in the south of the lower reaches of the Yangtze River.

运用了民俗学和服装学的原理，对江南水乡妇女的发型、眉勒、包头巾、簪花的形制与渊源作了初步研究。

Using the premise that Morphea contains the living creatures from our imaginations, allows the author to play with characters from folklore and fairy tales.

前提是，Morphea包含从我们的想像力，让作者发挥民间传说和童话故事。

His horrible gaffe, when he allowed Olof Mellberg's throw-in to roll under his foot and into the net as Villa lost 3-0, has become part of British football folklore.

奥洛夫帕梅尔博格的球从他的脚下滚进网中，这造成维拉以3-0惨败，他的这一失误已经成了英国足球的茶余饭后之谈。

Then this part takes the cultural theory of the Birmingham school as the basis. Finally, learning from Louis Althusser's "overdetermination" theory, this part attributes all these factors to a system's structure of impacting folklore spread and development. This structure is also a communication model chart of folklores which is in administrative levels and has the unique law of development.

最后，借鉴阿尔都塞的&多元决定论&，将这所有影响因素归结于一个影响民间传说传播和发展的结构系统中，这个结构也就是一个分层次的、有独特发展规律的民间传说传播模式图。

The words "Pai-Chang"or "Pai5 Tiunn5" have many meanings But when used in traditional opera or music and explained as a kind of formal musical performance they are only applied in Taiwanese Peguan and Nanguan cultural circle particularly in Peguan circle There are two kinds of characters of "Pai-Chang" in terms of the function of the performance namely artistry and folk custom In Tainian city "Pai-Chang" which refers to the formal vocal performance without makeup and acting; nevertheless is used by the amateur actors' organizations of Peking opera as well Such a phenomenon raises two questions: first of all Although Peking the origin of Peking opera has vocal performance of Peking opera "Pai-Chang" is never used either artistry or folklore therefore how does this jargon hand down to the Peking opera circle in Tainan city ?

「排场」(pai5 tiunn5或ㄆㄞˊㄔㄤˇ)一词，用於戏曲音乐方面，做音乐的正式演出型态解释者，为台湾南北管文化圈所特有，其中又以北管最常使用。其以表演目的或弁郧荌粥洃嚏A可分为艺术性与民俗性两种。然而，在台南市及其周边的京剧文化圈内，亦使用有「排场」(pai5 tiunn5或ㄆㄞˊㄔㄤˇ)此一语汇，也指京剧的「正式清唱演出」。本研究动机基於对目前仅见於台南市及其周边之民俗性京调排场的两点疑惑：其一，按京剧的形成地－－北京，虽亦有京剧的清唱演出，然不论为艺术性或民俗性，北京人都不称为「排场」，那麼台南市京剧圈的排场语汇是如何得来的呢？代表了何种意义？

No, it's unnecessary. I don't think I have a fever.

不，没有必要，我想我没有发烧。

We live in a culture of instant gratification.

我们生活在即时满足的文化中。