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feature film相关的网络例句

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与 feature film 相关的网络例句 [注:此内容来源于网络,仅供参考]

Gleaned from the team's trips to racetracks and down the famed Route 66, The Art of Cars is as colorful as its memorable story and characters, making this book -- the only movie tie-in for adults -- a spirited ride down the road of a masterful animated feature film.

收集到球队的前往赛马场上下著名路线66 ,艺术是丰富多彩的汽车作为其令人难忘的故事和人物,使这本书-唯一电影搭成人-热烈乘坐的道路上舞蹈动画电影。

The pilot for "The Nut," a single-camera comedy from feature film writer Ron Shelton and producers Russ Krasnoff and Gary Foster, has gotten the go-ahead from Fox Broadcasting Co.

长片创作人 Ron Shelton 和制片人 Russ Krasnoff , Gary Foster 共同制作的单镜头喜剧《 Nut 》的试播片已经获得福克斯广播的播出许可。

And UK box office charts and in March won an Oscar for best animated feature film, the plasticine heroes battle a mutant rabbit bent on destroying their home town's annual Giant Vegetable Contest.

这绝非一只普普通通的兔子。我们其实是在与一个怪物过招儿,&当地报纸援引他的话说。&

And UK box office charts and in March won an Oscar for best animated feature film, the plasticine heroes battle a mutant rabbit bent on destroying their home towns annual Giant Vegetable Contest.

这绝非一只普普通通的兔子。我们其实是在与一个怪物过招儿,&当地报纸援引他的话说。&

As the representative of the second-generation director, Hou Xiaoxian is creative in his treatment of the film preamble, making it the best footnote to a film. This footnote either expresses the dream about harmonious nature, or becomes a plot metaphor with striking meta-narrative feature, or forms a hologram construction of scatter perspective, etc. Li An, a representative of the third-generation directors, once lived in the U.S. and influenced by Hollywood films, attaches great importance to plot and rhythm in his treatment of film preambles, and favors classical narration. All this is clearly manifested in his "father" trilogy. Cai Mingliang, another famous third generation director, sticks to the artistic philosophy of modernism and displays an arbitrary style.

作为第二代导演代表,侯孝贤创造性地处理片头,使之成为影片的最佳注脚:或传达和谐的自然理想,或成为一个情节隐喻而颇具&元叙事&特征,或构建散点透视的全息式结构;第三代导演的李安因置身异域文化,借助好莱坞电影在中产阶级中的优势,对片头进行了一种重情节、重节奏的剪辑处理,积极靠近古典叙事,这在他的&父亲三部曲&中尤为明显;同为第三代导演的蔡明亮执着于现代主义的艺术理念,透露出个人专断的风格。

"The Legend of 1900 " be to held the feature film leading by famous Italy director Tuonatuolei, with it "Heaven movie theatre ","beautiful Sicily Island legend " having become "searching trilogy ", have given an account of a legendary figure 1900 -----a piano being born in a boat , being good at a boat , dying of a boat genius who builds a lifetime from ocean , belt tightening pulley , the piano in the piece. 1900's birth background has cast his character , has also has become his piano creation keynote: Loneliness and panic, are not matched lip-moving self somewhat by being restraining, but also being appearing indistinctly, correct outside world.

海上钢琴师》是由意大利著名导演托纳托雷执导的故事片,它与《天堂电影院》、《西西里岛的美丽传说》构成了导演的&寻找三部曲&,片中讲述了一个由大海、游轮、钢琴构筑一生的传奇人物1900-----一个生于船,长于船,死于船的钢琴天才。1900的出生背景铸就了他的性格,也成为他钢琴创作的基调:不受约束,但也隐现着几分孤寂与恐慌,对自己,对外面的世界。

Output film or sulphuric acid paper in design suites and confirm that the content is correct and complete, you can print it to the sulfuric acid paper or film, so that the laser used to make PS Edition, when you print to note the following:豍 be sure to select the mirror printing, if the print is there's no doubt that it can print, as a result of sulfuric acid paper or film thickness of plate burning precision, causing it to get the edge of the text is not clear;豎 when it is printed it is advisable to use the software's automatic imposition feature will be the contents of the three-card to a tailor to PS, this will not only save PS, reduce costs, and it is very convenient for the chromatography; when 豏 to master print, time, and generally use sulphuric acid paper or laser films the exposure time is about 3-4 minutes of using electric Division film print, time of 1-1.5 minutes, while the other developering concentration grapple.

输入胶片或硫酸纸在安排好版面并不否认不形式错误后,不离可以不兵其打印到硫酸纸或激光胶片上,以便用来制作PS版,在打印时给夺目以上几不面:豍一不退给拔取镜像打印,如果打印的是别字,晒版时不离会因硫酸纸或胶片的厚度感化晒版精度,变成晒不入的笔不朱边际不澄辉;豎打印时最坏能诳骗软件的被迫拆版功用不兵不一弛咭片的不形式不拆到一弛PS版上,这样不仅耗费PS版、贬矮本钱,而且套色时会格外便当;豏给把持好晒版工夫,凡是搁置硫酸纸或激光胶片晒版的工夫约为3-4不不合钟,搁置电不不合胶片的晒版工夫为1-1.5不不合钟,另边显影液的浓度也给把持好。

Since then, Hurston's opus has been published and republished many times; it has even been adapted for the cinema: Spike Lee's first feature film, She's Gotta Have It, parallels Their Eyes Were Watching God and can be viewed as an interesting modern adaptation of the novel.

自那时以来,赫斯顿的作品已经出版,并再版多次,它甚至被改编为电影:斯派克李的第一部电影,她是爱它,而Parallels 他们的眼睛看上帝和可被视为一个有趣的现代版的小说。

Laurel and Hardy's best feature film; duo sneaks off to fraternal convention without telling the wives; then the fun begins, with Chase as hilariously obnoxious conventioneer.

劳雷尔和哈代的最佳故事片,两人偷偷把公约的兄弟没有告诉妻子,然后开始的乐趣,与摩根大通作为欢快的厌恶会议代表。

Rupert Grint's latest film Cherrybomb is definitely generating lots of buzz in Irish media. A few days ago we posted a snippet from an interview with Lisa Barros D'Sa, and today we have the entire Cherrybomb feature, courtesy of BBC Radio Ulster. The feature is a part of their Across The Line series, devoted to contemporary indie and underground dance music, presented by Rigsy and Paul Hamill. Their collaborator Keith Anderson talked to Cherrybomb directors Glenn Leyburn and Lisa Barros D'Sa about Rupert Grint and how he became involved with this project, but also about music used in the film, the Belfast setting and other things.

鲁珀特的新片《樱桃炸弹》毫无疑问引起了爱尔兰媒体的巨大关注,前两天我们曾经发布过一小段对该片导演之一丽莎巴罗斯德萨的采访片段,现在该次完整的采访已经由BBC广播电台阿尔斯特(爱尔兰一地区,分属爱尔兰和北爱尔兰)分部播出,这个采访是该电台的Across The Line 节目的一部分,这个节目致力于介绍时下的独立和地下舞曲音乐,由Rigsy和 Paul Hamill主持,他们的合作者Keith Anderson 与《樱桃炸弹》的两位导演格伦雷伯恩和丽莎巴罗斯德萨进行了谈论了鲁珀特格林特,以及他是如何参与到这部影片中来的,他们也谈到了影片中的音乐、用于拍摄的贝尔法斯特的各个场所以及其它一些事情。

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