查询词典 fantasy

Afterwards, this article deals with the making and functions of heroic rhetorical fantasy based on some language materials; the absolute authority rhetorical fantasy created by recessive heroic discouse; the ideal model rhetorical fantasy created by dominant heroic discouse, possessing the functions of paradigm, instruction and dedication; the shaping allegory of rhetorical fantasy created by hero's absolutory discouse; the shaping allegory rhetorical fantasy created by future-hero's absolutory, possessing the functions of proving and punishing; the value identification rhetorical fantasy created by sub-hero's confiding discouse, possessing the functions of assisting, exposing evil and carrying forward good; the background metaphor rhetorical fantasy created by pan-hero's praising discouse, possessing the functions of receiving kindness and worship; the opposite symbolic rhetorical fantasy created anti-hero's foolish discouse.

接着，结合语料对"英雄"修辞幻象的生成与功能进行梳理：隐性英雄的语录式话语生成"绝对权威"的修辞幻象，并具有全面控制的功能；显性英雄的号召式话语生成"理想样板"的修辞幻象，并具有楷范功能、教谕功能和献身功能；准英雄的忏悔式话语生成"成长寓言"的修辞幻象，并具有迷误功能、证明功能和惩戒功能；亚英雄的倾诉式话语生成"价值认同"的修辞幻象，并具有协助功能、显恶功能和扬善功能；泛英雄的颂扬式话语生成"背景隐喻"的修辞幻象，并具有受恩功能和崇拜功能；反英雄的愚狂式话语生成"对立符码"的修辞幻象，并具有反衬功能。

Polish Fantasy on Original Theme is one of the two piano concertos composed by the Polish composer─Ignacy Jan Paderewski. Affected by the sectional manner of the fantasy, unique rhythm and the melody of Polish dance music, Polish Fantasy on Original Theme presented the feature of Polish dance music, the style of the fantasy and the form of single movement concerto.

摘要 《原主题波兰幻想曲》为波兰作曲家帕德列夫斯基所创作的两首钢琴协奏曲其中一首，此作品利用幻想曲多段落的方式以及波兰民族舞曲独特的节奏、旋律特性所创作，结合了波兰民族舞曲的特色、幻想曲的风格以及单乐章协奏曲的形式。

On this dissertation it is also definitely pointed that the key to research on "fantasy or trueness" virtuosity-perspective of copy-writing planning system is to solve problem about mode of thought, and presented the integrated thinking way of copy-writing planning'research of this dissertation, that is, from the point of view of copywriting integrated planning mind admitting a systemic "tripartite" viewpoint of advertising copy-writing planning system process which is thought of being "disparted" into mastermind, idea-making and expressive-technique, resolving the "fantasy or trueness -conflict" to bring to a successful conclusion of "fantasy or trueness" relation in the copywriting expression, and establishing a "dialectic virtuosity angle" of view- a "fantasy or trueness" virtuosity-perspective on copy-writing planning systemic research.

文案策划系统过程由创意策划、创意生成及创意表现三阶段组成，前两阶段属于文案策划系统研究思维方式层面的研究范围，后一阶段则属于操作方式层面的研究范围，辩证法矛盾普遍性原理决定了虚实矛盾存在于上述的一切过程及所有阶段之中，同时也存在于这个过程的结果之中。辩证法矛盾普遍性原理决定了这种特定的虚实矛盾的非对抗性质，即：虚实相生，虚以实为基础，又为实提供发展空间；虚实互为消长，统一于一体，相互作用，为广告目标及受众需要谋求虚实间最完美的比例关系匹配；这个过程中体现出&去伪存真&对&真善美&艺术境界的追求；在这个过程的结果中，则体现出文稿在视觉传达、文字的信息内涵及语义的情感诉求三个层面所追求的文稿在虚实方面的整体艺术美感。

CURREY''s Science Fiction and Fantasy Authors: A Bibliography of First Printings of their Fiction (1979), a genuine first-edition bibliography which covered about 200 of the principal genre writers and intensified Reginald''s coverage; and George LOCKE''s remarkably accurate A Spectrum of Fantasy: The Bibliography and Biography of a Collection of Fantastic Literature (1980), which suggested en passant several titles that plausibly supplemented the Reginald Checklist; A Spectrum of Fantasy: Volume 2: Acquisitions to a Collection of Fantastic Literature, 1980-1993 (1994) continues the invaluable enterprise.

柯里所著的《科幻和幻想小说作家：其作品第一次印刷版本的目录》（1979）。作为一本纯正的初版目录，包括了大约200个主要的类型作家，并扩大了雷金纳德著作的覆盖面。乔治。洛克的《幻想小说大系：一个幻想文学收藏的目录与传记》（1980）具有让人惊叹的精确性（以及引人入胜的奇闻趣事），其中似真似假地顺便提到了几个条目补充雷金纳德的目录。《幻想小说大系：第二卷：一个幻想文学收藏的所得，1980-1993》（1994）将这一无价的事业继续下去。

The fantasy which serves as a support for the figure of the Stalinist communist is then exactly the same as the fantasy which is at work in the cartoons of Tom and Jerry: behind the figure of the indestructibility and invincibility of the communist who can endure even the most terrible ordeal and survive it intact, reinforced with new strength, there is the same fantasy-logic as that of a cat whose head is blown up by dynamite and who, in the next scene, proceeds intact in its pursuit of its class enemy, the mouse.

用以支持斯大林式共产主义者的形象的这个幻想于是和在卡通片《猫和老鼠》中运转的幻想正好是一样的：在这个可以忍受甚至最可怕的酷刑并完好的幸存下来的共产主义者用新的力量加固的不灭与无敌的形象背后，有着与那只猫同样的幻想逻辑，即，炸药爆炸了她的脑袋，然而在下一个场景中，这只猫在对其阶级敌人--老鼠--的追击中仍然是完好的。

Then I with my be that one is diligent , study assiduously , cute fantasy future daughter; Probably now's I am a cowardly , easily burst into tears , very yellow-bellied girl , my general fantasy is then future I am a able woman who firm , brave , bursts into tears no longer; Probably now's I am one at other's wish small sheep bullying, my general fantasy is so future I am a world or circle of wushu past master , the name let those person hear me is full of with regard to very frightened ······"future" yearn for that boundlessly!

那么我将幻想未来的我是一个勤劳、刻苦学习、又乖巧的女儿；或许现在的我是一个懦弱、动不动就流泪的、非常胆小的女孩，那么我将幻想未来的我是一个坚强、勇敢、不再流泪的女强人；或许现在的我是一个任人欺负的小绵羊，那么我将幻想未来的我是一个武林高手，让那些人听到我的名字就不寒而栗······"未来"——充满着无限向往！

At first, it points out the philosophical basis of the "fantasy or trueness" perspective about research on copy-writing planning system, then tries to demonstrate the objectivity of the "fantasy or trueness " virtuosity-perspective throughout the systemic research on Copy-writing planning, by means of both theoretical discussion and instance analysis, which accounts for that forwhy "fantasy or trueness" virtuosity-perspective exists.

本文以整合营销传播理论为探讨背景，并引用系统观、辩证法等哲学、思维理论、概念对广告文案策划过程作系统研究，首先指出了文案策划系统虚实观研究的哲学基础，并试图从理论论述与实例分析两个层面论证文案策划系统研究中虚实艺术观的客观存在（即通过本文的研究主要回答了&虚实艺术观为什么会存在&的问题）。

We were there, the group of us women, on our backs, on our mats, searching for our spots, our locus, our reason, and I don't know why but I started crying. Maybe it was sheer embarrassment. Maybe it was knowing that I had to give up the fantasy, the enormous life-consuming fantasy, that someone or omething was going to do this for me - the fantasy that someone was coming to lead my life, to choose direction, to give me orgasms. I could feel the panic coming.

我们这些女人，躺在那些蓝色的鲜亮的席子上，寻找着自己的阴蒂，那些皱折、那些纹路、那些地方，我不知道为什么，突然之间，我开始嘤嘤地哭了起来，也许是因为窘迫和尴尬，也许我知道我即将放弃那些幻想，那些强烈的来自生活真实的幻想，那是什么人什么东西曾经给过我的幻想，它支配着我的生活，指引我的方向，它给了我高潮的幻想。

Small Redstone went on to fantasy up partners to listen to it to tell fantasy, small partners that it was crazy, and it played no small Hongshi very sad, but also to the grandfather said, his ideas, grandfather of the small Redstone said:"Your idea is good, I listen to my grandfather's grandfather said that in the deep sea far from here, there is a fantasy angel, she can become a reality of your dreams, but you really wanted to go there, I can send you two precious: leaves, sword."

小红石又继续幻想起来，它把幻想讲给伙伴听，小伙伴都认为它疯了，不和它玩了，小红石很伤心，又对老爷爷说了自己的想法，老爷爷对小红石说：＂你的想法是好的，我听我的爷爷的爷爷说过，在离这里很远的深海里，有一位幻想天使，她能把你的梦想变成现实，不过，你真的要去那里的话，我可以送你两件宝贝：叶子，剑。

Fantasy, like science fiction and cyberpunk, portrays worlds that differ radically from both the present and the past, but the alternate world in works of fantasy is not defined by technology.

幻想，像是科幻小说和赛博朋克，描绘世界，从根本上不同的现在和过去，但是世界上的替代工程的幻想是没有界定的技术。

Don not attempt to do something which you can not to do.

不要企图做那些办不到的事情。

The expression of CTGF and TNF-αweredetected by immunochemistry and the number of Clara Cells was calculated.

光镜下观察肺组织的病理变化，采用免疫组化染色观察肺组织中结缔组织生长因子和肿瘤坏死因子-α的表达和Clara细胞的数量。