查询词典 ethics

Ethics is an essential factor in literature aesthetic characteristics. Both literature and ethics are rooted in social life. Ethics embodied in literature is the need of both human beings and the society. Literature is the "emotionalization" of ethics, and ethics is the content of emotion.

认为道德关怀是文学审美品格中不可缺少的因素，文学与道德以社会生活为基础；文学表现道德是人类自身和社会的需要；文学描写生活离不开表现道德，文学是道德的"情化"，道德是情感的内容。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

Finally, based on the reality of Chinese socialism market economy, the author dissects the vacancy incurrent construction of Chinese enterprise ethics, draws lessons from the success of overseas' Chinese business ethics, analyses the ethics resources adoptable including the Marx's economy ethics , the synthetical nature and modern-meaningful turns of Confucian ethics, and Amartya ?

最后，立足于中国的社会主义市场经济现实，解剖现行中国企业伦理建设的缺失，借鉴海外华人企业伦理的成功，分析可采用的伦理资源，包括马克思经济伦理、儒家伦理在综合性和现代意义上的转轨以及阿马蒂亚·森整合后果论和义务论，提出中国企业伦理建设的参考性建议。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

This paper, using Parsons's AGIL model, makes an analysis of the adaptation of ethics system in the whole social system, re-enacts the goal of ethics system based on the community system and integrates ethics system with social systems to ensure that the internal ethics system can function smoothly and the original ethics system can be better maintained.

运用帕森斯的AGIL模式分析了师德系统在整个社会系统中适应并以社会系统为基础来重新制定师德系统的目标，通过整合师德系统和社会系统来确保师德系统内部得以顺畅，以达到更好地维持原有的师德系统的运转。

The writer draws on the moral idealism and medical ethics of the traditional Confucian ethics of Jen to correspond with the altruist ethics that represents the medical professional ethics in the western modern medical society.

作者援引了儒家传统仁道伦理中的道德理想主义与医道精神，来与西方现代医学界再现医学专业伦理之利他主义精神的道德呼吁互相呼应。

But obviously, from many of his writings, we can see his thinking on this issue and his attempt to solve the problem. We can go after his thoughts, study what he had achieved to retrieve an ethics as his one in the middle way. Towards the second question, my answer is both "yes" and "no". The reason I give a positive answer is that it is an undeniable fact that Sartre handed down a considerable quantity of writing on ethics. The War Diaries (1939-1940), Being and Nothingness (1943), Anti-Semite and Jew (1946),"Existentialism is a Humanism"(1946),"Materialism and Revolution"(1946), Notebooks for an Ethics (1947-1948), Search for a Method (1954), Critique of Dialectical Reason (1960), and "Notes on Ethics"(1964-1965) are representative examples.

我承认，因为萨特没有找到一个令人满意的解决之道调和他的个人绝对自由和团体自由以及社会自由之间的矛盾，他对有生之年发表他的伦理学专著犹豫不决，但是，从他的许多作品，我们能够窥见他对伦理学思考的端倪和想要完成这本著作的心愿，因此我们有可能沿着他思想的路径，捡起他撒落的花瓣，走完他走到半途的路程。

From the ethics angle,we analyses the Benthamism's ethics and the Pragmatism's ethics,and try to reveal the evolution ary process of the ethics of the sustainable development.

从伦理学的角度出发，通过对以功利主义和实用主义利益观的人际伦理观和环境伦理观的深入分析，揭示可持续发展伦理观的演变过程，同时指出可持续发展伦理观的核心内容就是"天人合一"、"人与自然的和谐统一"。

From the ethics angle,we analyses the Benthamism's ethics and the Pragmatism's ethics,and try to reveal the evolutionary process of the ethics of the sustainable development.Then,we point the hardcore content of the ...

从伦理学的角度出发，通过对以功利主义和实用主义利益观的人际伦理观和环境伦理观的深入分析，揭示可持续发展伦理观的演变过程，同时指出可持续发展伦理观的核心内容就是"天人合一"、"人与自然的和谐统一"。

Economy determines ethic only in the final analysis and if we make economy as the ethical starting-point it will inevitably get rid of the humanity nature of ethics and make the subject free of moral responsibility and bring about economical conciliarism. Although convention has same origins as ethics in etymon, content and function, it's difficult for it to qualify as the ethical starting-point for it lacks the spiritual essence that ethics has. Religious love-knot of ethics is just an artificial ultimate hypothesis of the rationality of value, but the religion's nature of inversion of man and God make it unable to be the ethical starting-point.

经济只是在"归根结底"的意义上"决定"伦理，若把经济作为伦理始点必将抹煞伦理的人文本性，消解主体的道德责任，导致经济至上主义；习俗尽管在词源、内容、功能上与伦理有诸多渊源，但由于习俗缺乏伦理的精神内涵而难以成为伦理始点；伦理的宗教情结不过是对价值合理性的虚拟的终极设定，宗教人神倒置的本质决定它无法成为伦理始点。

Core, self psychology is psychoanalytic, but there are crucial differences in how the patient-therapist relationship is viewed.

自体心理学的核心是精神分析，但在如何看待患者-治疗师关系方面，自体心理学和精神分析有着根本性的不同。

High-performance cars brake drum production costs increase less than 10%.

高性能汽车刹车鼓的生产成本增加小于10％。