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elitist相关的网络例句

查询词典 elitist

与 elitist 相关的网络例句 [注:此内容来源于网络,仅供参考]

To the white working man and woman, he has been seen too often as an aloof elitist, who can't drink whisky, displays a suspicious familiarity with the price of an arugula salad and memorably bowled a deplorable 37 in Altoona, Pennsylvania.

在工薪族白人眼中,奥巴马是一个冷漠的精英主义者,他不喝威士忌,极度熟悉芝麻菜的价格,他历经艰辛,在宾州奥尔托纳市度过了37年光阴。

He found the school very cliquey and elitist.

他发现这所学校很排外并以精英自居。

His alma mater was JiaYing college. I recognized that the school was very cliquey and elitist. The school was cloaked in mystery.

他的母校是嘉英学院,我认为这是一所很排外并以精英自居的学校,并笼罩着神秘的色彩。

I am solidifying for work and feel proud of efficiently and in the team of diligence, can make me feeling more lucky with large numbers of elitist communions of company, their occupation attitudes, respect-work spirit, wise and farsighted thought and abundant experience is me study target.

我为工作在团结、高效、勤奋的团队里感到自豪,能与公司大批优秀人才共事让我倍感幸运,他们的职业态度、敬业精神、睿智思想和丰富经验是我学习目标。

He was a French aristocrat, but he resisted the temptation to disparage the crudities of American culture as had so many previous elitist visitors.

他是一个法国贵族,但他抗拒诱惑,贬低美国文化的crudities因为有这么多以前的精英游客。

Theorists of the "Elitists" era were concerned with the study of power and the elitist groups who controlled decision-making.

精英主义时代的理论家关注对权力的研究以及精英集团如何控制决策过程。

The Trustee Board of Freedom House is dominated by members of the elitist Council on Foreign Relations , including the Chairman Betty Bao Lord, Secretary Kenneth Adelman, Chairmen Emeriti Leo Cherne and Max M.

自由之家董事会受托人为主导的菁英会成员对外关系包括主席赵洪宝爵、司午adelman、主任emeriti利奥cherne和马克斯米kampelman,布热津斯基及受托人、前驻联合国大使柯克帕特里克珍妮和亨廷顿。

In the algorithms the tournament selection, partially matched crossover, exchanged mutation and elitist model to evolutes the individuals.

在执行算法操作时,采用联赛选择、部分匹配交叉、交换变异和优值保留相结合的方法来进化取优。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识,但关键就是分寸感的把握,不然,或者伦为真的大众趣味,或者切入过多的经英语词汇,而使语言虚弱,就我而言,我不敢重操油画,或是改造扩充,就是由于它本身太文化了,一出手就高雅了,怕弄个不伦不类而失掉语言直接性的强度,文化结构的改变,艺术的俗语是一种趋势,从艺术语言上,我是用传统刺绣方式和手法的,早在圆明园画家村时,我几乎没有画出什么东西,油画肯定觉得使用起来有问题,在当时偶然在颐和园门前,看到很多刺绣的艺术品,一下子感到找到了方法,因为刺绣这种手段属于工业文明之前的东西,它有种土色和平民的感觉,这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求,那种不伦不类的现代性,正好我的家乡唐山有一个很有名的刺绣厂,找师傅做作品可能更方便,有了这个想法之后,也得到朋友的鼓励,刺绣这一传统民间资源的再利用,在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然,它不单单是语言风格样式上的意义,它体现的是深层的社会文化结构改变的宣示。

But perhaps the biggest problem of all was the product itself: opera has an eminently elitist image. And the 125-year-old Met was the stuffiest of the musical temples for the rich.

或许这其中最大的问题是歌剧院的产品自身:歌剧有着阳春白雪的形象,并且对有钱人来说,具125年历史的Met是最乏味的音乐殿堂。

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