查询词典 composing stick

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。

First the formation of composing features is explored with reference to the life experiences of Lehar, the social and cultural background of his age and the development of Viennese operetta; secondly, the composing features are analyzed as to rhythm, melody, instruments device, ensemble and play books; Finally, the work is analyzed from the angle of singing. In this part the style of singing is explained specifically in terms of rhythm, timbre, etc. Also a famous Aria "vilja-lied" in this work is explained in detail and a comparison is made between operetta and opera to impress people with the singing style of operetta in a deeper way.

首先，本文从雷哈尔的生活经历、所处时代的社会文化背景、维也纳轻歌剧的发展来分析《风流寡妇》创作特特征的形成；其次，从节奏、旋律、配器、重唱以及剧本这几个方面来分析作品的创作特征；最后，从演唱的角度分析作品，除了从节奏、音色、起句等方面具体的分析作品的演唱风格外，还对其中的一首著名咏叹调维利亚之歌做了详细地分析，并且从演唱的角度把轻歌剧和歌剧做了一个比较，从而使人们能够更深刻的理解轻歌剧演唱的风格。

The composing fodder is from Chinese folk songs, by using and combining the traditional tonality structure of Chinese music and modern composing skills, Mr. Wang made successfully the work have both the richful grace of Chinese music and the strong modern music characteristics which was fresh and originative in that time. It is regarded as the earliest successful sonatina in modern China.

此曲的创作选材于中国的民歌，作者运用传统的民族调性结构和现代的作曲技法相结合创作而成，使乐曲既有浓郁的民族风情又具有时代特征，在那个时代既新鲜又有创意，是中国较早成功的一首《小奏鸣曲》。

At the same time, the content of experiment including composing of sequential logic circuit, controlling principle experiment, composing 8 bit computing unit and composite computing experiment, storing experiment, data bus experiment, float computing unit experiment, multi-pipelining processor experiment etc, all of these experiment engender a correlative system.

同时设计实验内容，包括时序电路的组成及控制原理实验、八位运算器的组成及复合运算实验、存储器实验、数据通路实验、浮点运算器实验、多流水线处理器实验等，这些实验形成一个相互关联的系统。

Wang Lisan" s Sonatina in its three movements: In the Sun ; after the New Rain; Dance of Mountain Folks, covering the composing background; composing characteristics; main technical objects", playing skills; major teaching points and practice methods.

文章内容包括：汪立三及其音乐创作、乐曲的创作背景、创作特征、主要技术课题及其弹奏法、教学要点及练习方法等多方面的论述。

By the analyses and comparisons mentioned above, we may draw a conclusion that they both have shown the variety of serial composing, but in different ways: while Schoenberg, in the process of upholding the basic laws of twelve-tone series, Berg, in the process of combining the traditional elements with serial composing, and making innovation on twelve-tone series.

通过上述分析比较我们可以得出结论：勋伯格是在维护十二音序列基本规范的过程中表现出序列写法的多样化的，贝尔格则立足于序列写作，在把它同传统因素的种种结合和对十二音序列的创新过程中展示这种多样性。

Shun has an active life in Tokyo, Shanghai and Paris, metropolitans with great fascination, where are her main composing bases today and the place expresses her passion for life most beautifully in her philosophy of composing.

Shun活跃在东京，上海，巴黎 3 大魅力都市，把她对生活的热情体现在她的创作哲学里。

The thesis has studied signal analyse methods of diagnosis technology and the composing of monitored and diagnosis system by computer, particularized the whole process of the system development, include the process of the hardware choice and software composing.

本文研究了故障诊断技术的信号分析方法和计算机辅助监测与诊断系统的组成，详细介绍了系统开发的全过程，包括硬件的选择和软件的编制。

Volume 1 introduces the history of accordion , Volume 2 is about the preliminary spread of accordion in China . I dug into great amount of concerning historical data of four aspects, they are the early accordion textbooks, the accordion activities happened in Shanghai, Haerbin and Yanan, which veritably resurges the development of accordion art in China before 1949. Volume 3 reveals the development of Chinese accordion art from after 1949, I focused on five aspects, namely the production, education, performance, theoretical study and communication between China and foreign counties, in time order. This part comprehensively shows the plenty fruits of accordion art in around 50 years after the foundation of China. Volume 4 mainly concerns the development of Chinese accordion music composing. It reviews the history in four periods. Meanwhile, this part also analyses in detail the nationalization pursuit and the utilization of performance skills in composing.

第一章是对&手风琴历史源流&的介绍；第二章是&中国最初的手风琴艺术传播&，本人挖掘出大量的相关史料，从&早期的中国手风琴教科书、上海、哈尔滨和延安的手风琴活动&四个方面进行了研究，真实地再现了1949年以前的中国手风琴艺术发展；第三章是&新中国成立以来的手风琴艺术发展&，分别从&乐器制造、手风琴教育、表演、理论研究与中外交流&五个方面按时间顺序进行了论述，全面反映了手风琴艺术在新中国成立后50余年所取得的丰硕成果；第四章是&中国手风琴音乐创作的发展&，论文将手风琴音乐创作分为四个时期进行了历史的回顾，并对创作中的民族化追求以及手风琴演奏技巧在创作中的运用作了具体分析。

And present to his composing characters of music from classicality composing skills, folk melody, characteristic percussive acoustics and mode-chromaticism.

从古典创作技法、民间音乐曲调、富有特色的敲击性音响效果以及调式半音体系等方面阐述巴托克的音乐创作特征。

Tom: You are right, he worked hard all the time.

你是对的。他一直都是努力工作。

Take shortcomings,failures,and mockings of others as commonplace and a drive to complete oneself,hold your own opinion over the evalution and disscution divested from others,afterwards sink into the state of eliminate mistakes if any or encourge oneself being not being influenced by the sayinngs of others or having no ideas to do.

把缺点、失败及别人的耻笑等看成是一种常事，当成完善自己的动力，对别人的评价和议论自己心中有主见，做到&有则改之，无则加勉&，不为人言所左右或无所适从。