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back space相关的网络例句

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The maximized use's space design idea and the big outward appearance size provided before back row's crew members relatively spaciously has ridden the space .

最大化利用的空间设计理念和较大的外观尺寸为前后排的乘员都提供了相对宽敞的乘坐空间。

Rather than thinking about your experience as the be-all and end-all of reality, take a giant step back and see yourself and the Earth in the grand landscape of space and time, suggests Brian Greene, PhD, an expert in superstring theory (which posits that there are 10 dimensions of space).

不要把自己的体验作为现实的一切,一切的现实。退一步,看一看自我和在浩瀚时间/空间下的地球。这是超串理论(这一理论认为有10个维度的空间专家Brian Greene给人们的建议。

To take full advantage of the smaller kitchen space in the cabinets installed wimple meal Taiwan, eat out, after a push back, this is something that will save the area, and created a relatively independent dining space.

为充分利用厨房较小的空间,在柜子里安装了折叠餐台,吃饭时抽出,用后推回去,这样既节省了占地,又创造了相对独立的用餐空间。

Four chapters in the first volume, including "The Origin of Movement","Thinking of Effort","Movement Space" and "To Find Body", develop the theoretical structures of body language in western modern dance, analyze elements of movements and their semantic characters, reveal the conceptual transformation in the science of modern human movements and science of body language, and discover the re-interpretation through modern dance about the essence of movement and space and time of movement Another four chapters in the second volume including "Feminized Body""Masculine Body""Sex-confused Body" and "Body's Origin", study respectively features of body language in the field of ballet, modern dance and post-modern dance, provide a chronicle embodying the form variation of body language through lineal comparison, and exposit spiritual pursuit and value preference of modern choreographers and their relationship with history and culture. Therefore, effective body strategy of "Back to Body's Origin" in today's human existence is offered and teaches us how to keep our own national culture in the times of cultural globalization and integration.

前者通过&动作的根源&、&力效思维&、&运动空间&、&发现身体&等4章,展开西方现代舞身体动作语言的理论构架,分析其动作语言要素和语义特征,揭示现代人体动作科学与身体语言科学的观念性变革,发现现代舞蹈对动作本质、运动空间和时间所做出的重新阐释;后者通过&女性化的身体&、&男性化的身体&、&性倒错的身体&及&身体的原点&等4章,研究芭蕾舞、现代舞、后现代舞的身体动作语言形态的各自特征,在纵向比较中,提供身体语言形态的&体现&变异的历史图表,在舞蹈本文的叙述和重新阅读中,提示现代舞蹈家的精神追求与价值取向,揭示其与历史文化之间的对应关系,提供现时代人类生存中所应采取的有效的身体策略——返回身体的原点,在全球文化大交流、大融合之中,保持民族文化的独立品格。

As the sub-subject of the research on the localization design of green civic environment (The natural scientific research project of education department of Anhui Province, project Approve number: 2003kj042zd ) the article stases from the challenge that the modern city faced with, through research on the principles of sustainable development and tracing back to green space, reveals the meaning of the green civic public space.

本文作为绿色城市公共空间本土化设计研究(安徽省教育厅自然科学研究计划项目,项目批准号:2003kj042zd)的子课题,从现代城市公共空间面临的挑战出发,通过对可持续发展原则的深入研究和对绿色空间的探源,阐明了绿色城市公共空间的基本涵义。

This comfort is reflected in our rear-seat space, wheelbase lengthened by 14 centimeters in the back seat of our current space in the same class cars with the largest, most spacious, comfortable very strong.

这个舒适性体现在我们的后座空间,轴距加长了14厘米,我们目前的后座空间在整个同级别车当中最大、最宽敞的,舒适性非常强。

Group Exhibitions: in 2006, Process and Expression, The Scale of Picture Determines Attitude: the 1st 5x7 Photo Biennale, Direction, Mixture of Clear and Obscure: Chinese Contemporary Arts Exhibition; in 2005, Fan Shou Wei Yun Fu Shou Wei Yu: the 1st Exhibition of Beijing TS1 Contemporary Art Center, Skin of City—Research on the Possibility of Contemporary City Image (Tap Seac Gallery of Macao, Shenzhen Art Museum), Transparent Box, Untitled—Self-Project:'05 China Pingyao International Photograph Exhibition, Ten Points and Ten Colors (Soka Contemporary Space, Beijing), Tian An Men (Amsterdam Photo Museum, Holland), The 2nd Chengdu Biennale, Tomorrow without Glancing Back: Chinese Contemporary Art Exhibition (Kuandu Museum of Fine Arts, Taipei); in 2004, Meet by Chance, One to One: Their Sight (Chambers Fine Arts, New York, USA), Chinese Photo and Image Fine Arts, Times of Imitating Images; in 2003, Distance—Contemporary Art Invitational Exhibition of Guangdong Museum of Art (Guangdong Museum of Art, Guangdong), Left Hand and Right Hand: China and Germany Contemporary Art United Exhibition (Beijing 798 Space), Expression and Condition, Chinese Photo and Image Fine Arts (Art Museum of Beijing Normal University), Blue Sky without Defense; in 2002, Speak to Oneself, Chinese New Photo and Image Exhibition, Bridge: Contemporary Art Invitational Exhibition, Legend-Fabrication-Copy, Phenomenon, Chuang Ku Exhibition (Shanghai Dongdaming Chuang Ku Exhibition); in 2001, Knowledge is Power; in 1999, Contemporary Chinese Art Exhibition; in 1998, Surprise to Existence, In the City: Opening Oneself; in 1997, Chinese Art General Exhibition: Contemporary Oil Painting Exhibition.

联 展:2006年Process And Expression。&画幅决定态度&首届5x7照相双年展方向、虚虚实实—中国当代艺术展;2005年&翻手为云,覆手为雨&—北京 TS1当代艺术中心第一回展、城市的皮肤—当代都市影像的可能性研究(澳门塔石艺文馆、深圳美术馆)、透明的盒子北京SOHOU现代城)无题—自我投射2005中国平遥国际摄影大展、士点十色、天安门(荷兰阿姆斯特丹摄影博物馆)、第二届成都双年展、明日,不回眸—中国当代艺术展;2004年邂逅、&一对一&他们的目光、中国影像绘画、拟像时代;2003年&左手与右手&中、德当代艺术联展、表情与状态、中国影像绘画展、距离·广东美术馆当代艺术邀请展、蓝天不设防;2002年自言自语、中国新影像展、桥·当代艺术邀请展、演义·捏造·复制、现象、创库展;2001年知识就是力量;1999年当代中国艺术展;1998年对于存在的惊奇、在城市中—开放的自我;1997年中国艺术大展·当代油画艺术展·当代油画艺术展。

The space of hot spring is similar to the bathroom in some way, but which is not duplicated the identical or equal explanation to each other, and it should be connect with a concept of leisure. At the back of the happy image of the hot spring dippers, there is something which formed an organic life from general value of spirit, and which also creating an endless atmosphere of time and space.

虽然温泉空间类似於浴场或浴室,但绝不是复制式或虚拟式的等同,而应是溶入观光休闲概念,并在身体所凝结的幸福影像背后,所形成的一个普遍化及精神化价值的综合有机整体,而创造出无止尽时空之情境氛围。

Travel into space You can learn how we travel into space and back again.

你能知道我们怎么进入太空然后再回来。

But it only can use one time, after once puts on cannot again take off, because extinguished actually its witch collects the strength under its influence already to surmount its own limit, too crossed the exuberant flame finally to be able to burn oneself, when it is loosened once more, the technique in instantaneous will obtain certainly the big strength, but in after, also will lose his/her body for extinguished actually all abilities Constrains the word spirit: The light depends on the technique name to be able the reflective launch technique Pulls the star box: God of death aristocrat's symbol * Breaks the Asian space newly, in order to does not let the space which the present world and the corpse soul each other contact produces impractically in the traversing break the accident separately outside the samsara soul, paces back and forth is breaking, passes through year after year gathers in together, afterwards the soul can separate the memory and the energy, does for returns to the samsara to prepare.

不过它只能使用一次,一旦戴上后就不能再脱下来,因为灭却师在它的影响下其灵子收束力已经超越了其自身的极限,太过旺盛的火焰最终会烧伤自身,当它再次被解下时,术者将在瞬间得到绝大的力量,但在之后,也将失去其身为灭却师的所有能力压抑言灵:光靠术名就能反射性的发动术牵星箱:死神贵族的象征吧(朽木白哉头上的东西★新断界亚空间,为了不让现世与尸魂界彼此接触而产生的空间虚浮在穿越断界意外失散于轮回外的魂魄,徘徊在断界,经过长年累月聚集在一起,之后魂魄会分离出记忆和能量,做为重返轮回做准备

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从有历史以来,英国,在此地早期居住的是凯尔特人,已经被征服了三次。

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