查询词典 ashery

Ashery's work has been discussed in numerous art, academic and cultural publications and books, in various languages.

阿舍瑞的作品在艺术学术圈及多种语言的文化出版物中引起了众多评论。

In Dancing with Men (2003), which is a video work related to the photographs, Ashery has extended Marcus' activities beyond the exhibition space and into the real world.

与这些摄影作品相关的一部名为《与男人共舞》（2003）的动态影像作品中，阿瑟瑞让马科斯的行动超出了展览空间，进入了真实的世界。

Interested in notions of subjectivity and authenticity, Ashery will occasionally produce work as a male character.

对于主观性和真实性感兴趣的阿舍瑞经常以男性为题材进行创作，比如正统派的犹太人、阿拉伯人、黑人、挪威邮差和高个农民。

Ashery's performative practice engages with socio-political paradigms and tends to include participatory and delegated elements.

她采用跨领域的方式进行的视觉艺术实践关注社会政治的范式，其作品趋向于采用一种参与和代表的姿态。

Ashery's practice engages with Jewishness as a cultural material, Zionist narratives, and issues relating to the Occupation of Palestine.

她的作品涉及到作为一种文化材料的犹太性、锡安主义叙事以及与巴勒斯坦被占有关的诸问题。

Two of her related works underscore this: one is a series of portraits titled Self Portrait as Marcus Fischer (2000) where Ashery is performing a kind of transvestitism that broaches not only gender categories, but also cultural and religious ones.

她的两件相关作品就强调了这一点，其中的一件是名为《作为马科斯·费希尔的自画像》（2000）的系列肖像作品。其中，阿瑟瑞的易装不仅是逾越了性别的界限，也逾越了文化和宗教的界限。

For Ashery not only dons her alter ego, but also plays the role of ethnographer as we accompany her into Hasidic festivals in Israel where women and outsiders are prohibited from participating.

因为阿瑟瑞不仅变容，而且还扮演了民族志学者的角色，因为她带领我们进入了不允许女人和外人参加的以色列哈西德派宗教节。

The artists in the exhibition engage the thematic of metamorphosis in unique and idiosyncratic ways including Oreet Ashery and her masquerading as an orthodox Hasidim.

本次展览上的艺术家以其独特的方式展现了展览的变形主题，比如奥里特·阿瑟瑞将自己打扮成一个正统哈西迪教徒。

Oreet Ashery is a London based, interdisciplinary visual artist.

奥里特·阿瑟瑞来自伦敦。

The artists in The Metamorphosis engage these themes in unique ways including Oreet Ashery and her masquerading as orthodox Hasidim; or Erika Harrsch's conflation of a butterfly and female genitalia; or Gabriel de la Mora's self-portraits as canine/anthropomorphic creatures rendered in human hair.

"变形记"展览上的艺术家所直接面对的正是这些主题，比如易装成正统哈西迪教徒的奥里特·阿瑟瑞。或者艾丽卡·哈利舍的女性生殖器和蝴蝶的拼接；以及加布里埃尔·德拉莫拉的作品——用头发把自己画成一只人格化的狗。

There had been a moment during the breakfast meeting, though, after the backslapping and the small talk and when all of us were seated, with Vice President Cheney eating his eggs Benedict impassively and Karl Rove at the far end of the table discreetly checking his BlackBerry, that I witnessed a different side of the man.

那次早餐会期间，在表示过关心和寒暄以后，我们所有人坐了下来，我注意观察了一下，副总统切尼面无表情地吃着班尼迪克蛋（Eggs benedict，源自美国，以英式松饼、火腿、水煮蛋以及荷兰酱组合而成），卡尔。罗夫在餐桌的远端谨慎地经常查看他的黑莓手机，我目睹了他所不为人知的一面。

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