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Imaginary of M. Lapshin pictures involves us in a magic world where majestic gods, splendid nymphs and beautiful fairies live. The artist hymns Eternal Feminity. The general theme of the artist's creative activity is the image of Eternal femininity.

通过M。 Lapshin的想像，我们被带领进入梦幻的世界，圣经故事及古代神话都是艺术家的创作灵感，壮丽的神像，美轮美奂的女神都展现著神圣一面。

Alastair's daughter, an accomplished artist, tried to help her dad with some illustrations in the style of the thirteenth century Italian mural artist Giotto.

阿拉斯泰的女儿，一个多才多艺的艺术家，试图帮助她父亲的一些插图的风格13世纪意大利画家乔托的壁画。

So, he began learning the basic of painting from his granduncle - Lou Qinglan, who is an old artist graduated from Master Liu Haishu's Shanghai Fine Arts College in 1940s, and Chinese Calligraphy from his grandfather Zhao Tingfang, who is also an old artist of Chinese Calligraphy, an student from Master Sha Menghai.

因此，他开始向他的舅公楼青兰先生（四十年代刘海粟上海美专毕业的老一辈的艺术家）、外公赵廷芳（沙孟海的学生、老一辈的书法、篆刻艺术家）学习画画和书法基础，并且在大学时继续向许多美院的教授学习油画技法。

Among these halls, the "Buddha Hall" demonstrates the artist's attempt most directly. In the Orient, artworks regarding religious themes usually will be presented with perfection and heavenliness, but such characteristics are not seen in Liu Dahong's work at all. Instead, the artist has calculatedly created chaos by placing parallel elements in his painting. Images of the frequently waged crusades in the history of the West, the horrifying witchcraft and the rigid statues of westerners have changed the Tibetan Buddha hall into a theater of the absurd. In the center an innocent girl struggling to get away from the stake is the most dramatic spectacle, and the giant, puppet-like Buddha along the people standing or sitting around constitute the scene of trial. In the backdrop, the landscapes and atrocities of wars often seen in western religious paintings are a keen contradiction to the people piously praying in the front. Their belief looks so hopeless.

佛堂是最具代表性的一件，在东方，宗教或描述宗教的艺术作品多倾向完美性和超世性的描写，但这些描写，在刘大鸿的佛堂中被完全破除，取代的是（刘大鸿此处以「置入」、「并列」为取代手法，达到了文本的交叉混乱，实为妙笔）西方宗教中频繁出现的宗教战争、巫术等负面形象，这些雕塑般的西方人物将西藏佛堂变化成荒诞舞台，画面中央一纯洁少女转身挣脱火刑的动作构成最强烈的力度焦点，众角色环状排列并点出审判的基本架构，且和背后如同宠物般拉扯的大佛形成呼应；佛堂后景重迭起西方宗教画内常见的风景描绘，黄土石间宗教战火连连，前景藏人和民众的诚心歌颂反而显出信仰的愚昧。

For drawings, the top three are Japanese artist Yoshitomo Nara, British artist Peter Howson and the Swiss Ueli Hofer.

为图纸，前三名的是日本艺术家yoshitomo奈良，英国艺术家彼得howson和瑞士ueli霍费尔。

Stage候台BACK is an art space from an artist for artists and was founded by German artist Susanne Junker in April 2008 in Shanghai, China.

2008年四月，德国艺术家 Susanne Junker 在中国上海创立stage候台BACK，这是她用一人之力开创给众多艺术家的艺术空间。

These result in the fact that we can hardly discern Cui Wei's painting closely. So appreciators will keep a distance with the artist unconsciously, perhaps this distance is not for the artist to measure.

正因为这样，崔玮的绘画在近距离是分辨不清的，观者在看的同时不自觉地也和艺术家保持了一定距离，或许这样的距离并不是艺术家可以去衡量的。

Liu qiming's paintings remind me of a german contemporary artist kieffer,who wrote a grand elegy for the german nation since world war ii with introspection and repentance.i always think, china art circle begins to have such paintings as liu qiming's, with low singing,related to historical experiences.when will artist like kieffer creating a strong moral ictus for history sufferings appear?

谈刘骐鸣画作，令人想起当代德国画家基弗尔，他以泣血忏悔和入骨反省为德国民族二战以来的历史谱写了宏伟的哀歌。我总在想，中国画界开始有了如刘骐鸣这样低吟浅唱，流连于历史经历的作品，什么时候才能有如基弗尔 SsbbwW.com 为历史苦难发出道义强音的艺术家呢？

"Monkey Boys" remade the Monkey King Ming dynasty in Beijing 2006, they rebuild Monkey King which in subversion institutional feudalism dynasty into the background of globalization and electronic Monkey King post technology. No matter what games of their art is unthinkable, but the subject of Havocing in the welkin is also clear at a glance,"Monkey Boys" only increase a great many of entertainment and readability for new Monkey King that set up with the contemporary social background of consume, this generation can be seen as independent art students in a sign of China's rise, this generation of artists even see the network integration of this information, more use information itself, they let you feel the zooty and unclean art, also outpouring disdain with tradition art, or just make the tradition art become a back ground of art creative with themselves, only child artist is the first generation artist of the gibberish. This"control+n"group exhibition of artists forced to make fun of the lies about a monkey hero of the ancient Chinese legends and modern society link, trying to create a contemporary, and even is the pop cultural hero of network game.

公猿男孩'在2006年的北京重新制造了明版的孙悟空，他们将颠覆封建王朝制度的孙悟空改造成一个在全球化背景下的、在后科技背景下的电子版的孙悟空，不管他们的艺术游戏怎样的不可思议，但传统大闹天宫的主题还是一目了然，只不过'公猿男孩'他们增加了新孙悟空很多建立在当代社会消费背景下的娱乐性和可读性，这也可以被看作是独生一代艺术在中国崛起的一个标志，这一代艺术家更加看中网络上的这种信息整合，也更加利用资讯本身，他们就想让大家感觉到艺术的花里胡哨、艺术的模棱两可，甚至也流露出对传统艺术的不屑一顾，或者只是将传统艺术变为他们自己艺术创作的一个背景，独生一代艺术家首先是无厘头的一代艺术家，此次'control+n'群展的好玩之处还在于使艺术家强行的将一个中国古代的传说中的猴子英雄和现代社会链接，力图打造一个当代版的、甚至是网络游戏版的流行文化英雄。

Chapter TwDeeds and creations of Rakhmaninov's lifeThis chapter has introduced the great artist and his composition career and showed people the artist's amazing legendry and romantic life as well as his symphonic writing gathered with romanticism and national character as a Russian.

从拉赫玛尼诺夫的人生经历和音乐创作生涯中我们会发现：他是一位用灵魂来创作的音乐家，把浓郁的。。。

I use an example quoted by Hu Jiaqi:"It is reported that America separates the DNA of a kind of virus by making use of genetic technology and combines it with another kind of DNA. Finally, they get a kind of virulent biological agent called a "pyrotoxin". Someone discloses in private that 20 grams of such a kind of biological agent could result in the global death of 6 billion people due to infection."

我在这里例举胡家奇所引用过的例子："据报道，美国利用转基因技术，将一种病毒的DNA分离出来，与另外一种DNA进行结合，拼结成一种剧毒的"热毒素"生物战剂，且私下有人透露，这种生物战剂只需20克，就可以导致全球60亿人全部感染死亡。"

Waiting, for the queers and the coons and the Reds and the Jews.

等待着疯子和黑人还有红色共产主义者还有犹太人