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art museum相关的网络例句

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Sunshine Art Museum now has a building area of over 13,320 square meters, and an area of over 2300 square meters for the exhibition hall including The First Exhibition Hall(700㎡),The Second Exhibition Hall(300㎡),The Third Exhibition Hall(300㎡),The Bar Exhibition Hall(200㎡),〝 Hall 〞- Youth Art Centre Zone(1600㎡),The Harmony Art Gallery(200㎡),The Imagine Art Gallery(300㎡),Office Building(700㎡), Culture of The Great Wall International Communication Department of The Great Wall Academy of China, One Ten′s Studio, Guangming Li′s Studio, Yu Feng′s Studio, Clacker Hu′s Studio, the office of the chief editor of www.chinasongzhuang.cn web site, the office of www.arts2008.cn web site.

美术馆建筑面积20亩,总展区面积为2300多平米。包括:一号展厅(700平米)二号展厅(300平米)三号展厅(300平米)酒吧影像放映(200平米) Hall 青年艺术中心区(1600平米)尚上仁和画廊(200平米)境界画廊(300平米)办公大楼(700平米)中国长城学会长城文化国际交流部,一十工作室,李广明工作室,余峰工作室,胡月朋工作室,宋庄 ART 网主编办公室,美术焦点网。

His works are also widely collected by many museums worldwide, such as "the George R. Gardiner Museum of Ceramic Art" in Canada,"American Museum of Ceramic Art" in USA,"Faenza International Ceramics Museum" in Italy,"Zhenjiang Museum" and "Wuxi Museum" in China,"Boleslawiec Ceramics Museum" in Poland,"Tallinn Applied Art Museum" in Estonia, and "Nottingham Castle Museum" in England.

他的作品也被许多国内外的博物馆收藏,比如加拿大的「加得尼尔陶瓷博物馆」,美国的「波姆那陶瓷博物馆」,义大利的「法恩札陶瓷博物馆」,中国的「无锡博物馆」和「镇江博物馆」,波兰的「布拉什瓦给特陶瓷博物馆」,爱沙尼亚的「塔林应用艺术博物馆」和英国的「诺丁汉城堡博物馆」等等。

12 Now --Conceptual Estate in Shanghai, Shanghai, China ; 10 The First Norminative Exhibition of Fine Art Literature, Wuhan, China; 10 Sculpture by the Sea, Sydney, Australia; 8 Gods Becoming Men, Frissiras Museum, Athens, Greece ; 7 What Is Art--Two Wrongs Can Make One Right, Xian Art Museum, Xian, China ; 7 Playing With Chi Energy, House of Shiseido, Tokyo, Japan; 7 L'art a' La Plage, Nice. France; 7 Exposition des Sculptures Chinoises, Jardin Des Tuileries, Paris, France; 6 Between Past and Future: New Photography and Video from China, International Center of Photography / Asia Society, New York, U.S.A; 6 Le Moine et le De'mon, Lyon Contempprary Art Museum, Lyon, France; 5 Busan Sculpture Project, Busan, Korea; 4 Light As Fuck, National Museum of Contemporary Art, Oslo, Norway; 1 Beyond Boundaries, Shanghai Gallery of Art, Shanghai, China

2004年 12月举办《现在---观念地产展在上海》上海住交会上海会展中心中国; 10月举办《海洋雕塑展》悉尼澳大利亚; 9月举办《首届美术文献提名展》武汉; 8月举办《神变成人》弗瑞斯拉斯美术馆雅典; 7月举办《游于气》资生堂屋东京; 7月举办《什么东西》西安美术馆西安中国; 7月举办《想象中国》杜伊勒里公园巴黎法国; 6月举办《过去与将来》纽约国际摄影中心纽约美国; 6月举办《道与魔》里昂当代美术馆里昂法国; 5月举办《釜山雕塑展》釜山文化中心釜山; 1月举办《超越界限》沪申画廊上海中国; 4月举办《轻而易举》国家当代美术馆奥斯陆挪威。

Yigal Ozeri has exhibited extensively throughout Israel, Europe and the United States, and his work can be found in many prominent collections, including Albertina Museum, Vienna; Hudson Valley Center for Contemporary Art, Westchester; Kennedy Center for the Arts, Washington DC; McNay Art Museum, San Antonio; Nerman Museum, Kansas City; Scheringa Museum of Realist Art, Netherlands; Tel Aviv Museum of Art, Israel; and The Jewish Museum, New York.

伊加勒厄泽里显示出了整个以色列,欧洲和美国,广泛他的作品中可以找到许多知名的集合,包括阿尔贝蒂娜博物馆,维也纳,哈得孙河谷当代艺术中心,威,肯尼迪的艺术中心,华盛顿特区; McNay艺术博物馆,圣安东尼奥; Nerman博物馆,堪萨斯城,Scheringa博物馆现实主义艺术,荷兰;特拉维夫艺术博物馆,以色列和犹太博物馆,纽约。

World Sites: Sarajevo's Academy of Fine Arts, New Zealand's Porirua City's Pataka Museum, the Cultural Center of the Philippines, NYC's Mercer Park, Spain's Ethnological Museum, Toronto's Wallace Emerson Park, Taipei's Kuandu Museum of Fine Arts, Fine Art Museum of Ho Chi Minh City, Istanbul's Artemis Art Center, Berlin's Bar of Modern Art, etc.

「磁砖计画」终点:世界22个世界据点:沙拉杰佛艺术学院、纽西兰波利洛市、巴塔卡博物馆、菲利宾文化中心、纽约市马瑟公园、西班牙民族博物馆、多伦多华勒士、伊莫森公园、台北关渡美术馆、胡志明市美术馆、伊斯坦堡阿特米斯中心、柏林现代美术酒吧。。。。。。

In 2000 Gate of the Century: 1979——1999 the Exhibition of Chinese Art, Chengdu Modern Art Museum, Chengdu, China; Man+SPACE, Kwangju Biennial 2000, Kwangju, Korea; Messagers of the Hearth, Center of Contemporary Art of the LycEe Xavier Bernard in RouillE; Transcending Boundaries, Montclair State University, USA; Portrait de Chine Contemporaine, Espace Culturel Francois Mitterand, Perigueux; Les Passe —— Murailles, Contemporary Art of China, Picardie Museum Amiens, France; The First Collection Exhibition of China Contemporary Art, Shanghai Art Museum, China; China, Art in the Twentieth Century, Touring Show in Beijing and Shanghai, China; Asia Contemporary Art Exhibition, Japan.

参加在法国班里哥弗郎索瓦·密特郎国际文化中心举办的&当代中国肖像&;参加在法国阿密庇加底国家美术馆举办的&中国当代艺术邀请展&;参加在中国上海上海美术馆举办的&首届中国当代艺术收藏展&;参加在中国美术馆,上海美术馆举办的&20世纪中国油画展&参加在日本宇都宫美术馆,新汤县民会馆举办的&亚洲当代艺术邀请展&。2001年作品分别在上海美术馆,四川省美术馆,广东美术馆展出;参加在法国巴黎法兰西画廊举办的&是我,是我们&展;参加在中国上海艺博画廊举办的&学院与非学院&展;参加在中国上海艺博画廊举办的&最初的形象——当代纸上作品展&

Collections: Shanghai Art Museum, Guangdong Museum of Art, Hong Kong Art Museum, Teda Contemporary Art Museum, Poston Art Museum of USA, Museum of Koninklijke Academie voor Schone Kunsten van Antwerpen, Museum of K.U.Leuven.

收 藏:上海美术馆、广东美术馆、香港艺术馆、泰达当代艺术博物馆、美国波士顿美术馆、美国纽约艾丝戴拉基金会美术馆、瑞士日内瓦奥兰斯卡基金会美术馆、比利时鲁汶大学博物馆、比利时安特卫普皇家美术学院博物馆、俄罗斯莫斯科比纳耶乌现代美术馆。

Group Exhibitions: in 2006, Process and Expression, The Scale of Picture Determines Attitude: the 1st 5x7 Photo Biennale, Direction, Mixture of Clear and Obscure: Chinese Contemporary Arts Exhibition; in 2005, Fan Shou Wei Yun Fu Shou Wei Yu: the 1st Exhibition of Beijing TS1 Contemporary Art Center, Skin of City—Research on the Possibility of Contemporary City Image (Tap Seac Gallery of Macao, Shenzhen Art Museum), Transparent Box, Untitled—Self-Project:'05 China Pingyao International Photograph Exhibition, Ten Points and Ten Colors (Soka Contemporary Space, Beijing), Tian An Men (Amsterdam Photo Museum, Holland), The 2nd Chengdu Biennale, Tomorrow without Glancing Back: Chinese Contemporary Art Exhibition (Kuandu Museum of Fine Arts, Taipei); in 2004, Meet by Chance, One to One: Their Sight (Chambers Fine Arts, New York, USA), Chinese Photo and Image Fine Arts, Times of Imitating Images; in 2003, Distance—Contemporary Art Invitational Exhibition of Guangdong Museum of Art (Guangdong Museum of Art, Guangdong), Left Hand and Right Hand: China and Germany Contemporary Art United Exhibition (Beijing 798 Space), Expression and Condition, Chinese Photo and Image Fine Arts (Art Museum of Beijing Normal University), Blue Sky without Defense; in 2002, Speak to Oneself, Chinese New Photo and Image Exhibition, Bridge: Contemporary Art Invitational Exhibition, Legend-Fabrication-Copy, Phenomenon, Chuang Ku Exhibition (Shanghai Dongdaming Chuang Ku Exhibition); in 2001, Knowledge is Power; in 1999, Contemporary Chinese Art Exhibition; in 1998, Surprise to Existence, In the City: Opening Oneself; in 1997, Chinese Art General Exhibition: Contemporary Oil Painting Exhibition.

联 展:2006年Process And Expression。&画幅决定态度&首届5x7照相双年展方向、虚虚实实—中国当代艺术展;2005年&翻手为云,覆手为雨&—北京 TS1当代艺术中心第一回展、城市的皮肤—当代都市影像的可能性研究(澳门塔石艺文馆、深圳美术馆)、透明的盒子北京SOHOU现代城)无题—自我投射2005中国平遥国际摄影大展、士点十色、天安门(荷兰阿姆斯特丹摄影博物馆)、第二届成都双年展、明日,不回眸—中国当代艺术展;2004年邂逅、&一对一&他们的目光、中国影像绘画、拟像时代;2003年&左手与右手&中、德当代艺术联展、表情与状态、中国影像绘画展、距离·广东美术馆当代艺术邀请展、蓝天不设防;2002年自言自语、中国新影像展、桥·当代艺术邀请展、演义·捏造·复制、现象、创库展;2001年知识就是力量;1999年当代中国艺术展;1998年对于存在的惊奇、在城市中—开放的自我;1997年中国艺术大展·当代油画艺术展·当代油画艺术展。

Sunhee Kim as Art Director for her well-known curator experience. Ms. Sunhee Kim commits herself to promoting contemporary art in Asia over decades. She has independently conducted or participated in the planning and execution of many renowned exhibitions and galleries in Asia. She was also serving as chief curator of Gwangju Art Museum and Kwangju Biennale in Korea for several years, as well as an executive director in Tokyo Mori Art Museum in Japan and also a professor in Department of Art, Chunnam National University.

金善姬女士长期致力于亚洲当代艺术的研究和推广,曾独立或参与多个亚洲知名艺术展览和艺术馆的策展工作,她连续数年担任韩国光州城市艺术馆(Gwangju Art Museum, Korea)和韩国光州双年展(Kwangju Biennale, Korea)策展人,并曾任职于东京森美术馆(Tokyo Mori Art Museum, Japan)及任教于韩国全南国立大学艺术系(Department of Art, Chunnam National University, Korea)。

10 Paris -- Beijing, Palace Cardin, Paris, France; 10 Mirage, Su Zhou Art Museum, Su Zhou, China; 10 1ST Guangzhou Triennial, Guang Dong Art Museum, China; 10 Beijing Float, Tokyo-Beijing Art Projection, Beijing, China; 10 Made in China, Wilhelm Lehmbruck Museum, Duisburg, Germany ; 9 Triennial of China, Guang Zhou Museum, Guang Zhou, China ; 8 Modernity in China, 1980-2002, Fondacion Armando Alvares Penteado, Sao Paolo, Brazil; 5 Artists of Ideal, Contemporary Art Center, Verona, Italy; 2 Made By Chinese, Gallery Enrico Navara, Paris, France; 1 Made China, Ethon Cohen Fine Art, New York, USA

2002年&制造中国&;&理想主义的艺术家&(意大利维罗纳当代艺术中心);&中国现代艺术&;&中国三年展&;&广州三年展&;&海市蜃楼&; 10月举办《海市蜃楼》苏州美术馆苏州·中国; 10月举办《广州三年展》广东美术馆广州·中国; 10月举办《北京浮世绘》北京·中国; 10月举办《巴黎·北京》巴黎·北京; 10月举办《中国制造》杜易斯堡美术馆德国; 9月举办《中国三年展》广州博物馆广州·中国; 8月举办《中国现代艺术》圣保罗·巴西; 7月举办(长征--一个未完成的计划)井冈山中国; 6月举办北京中国; 5月举办《理想主义的艺术家》当代艺术中心维罗纳·意大利; 2月举办《中国制造》拿瓦哈画廊巴黎·法国; 1月举办《制造中国》埃森画廊纽约·美国。

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The physiology of the skin machine body for the sake of the environment in the maintenance stability, but eject a body metabolism creation of metabolism thing BE'grease', summer perspire many various skin disease light or good, autumn perspire little metabolism thing metabolism don't go out, various skin disease made, this be the skin machine body of various burning disease.

皮肤机体的生理为了维持内环境稳定,而排出身体代谢产生的代谢物是'油泥',夏天出汗多各种皮肤病就轻或好了,秋天出汗少代谢物代谢不出去,各种皮肤病就犯了,这就是皮肤机体的各种炎症。

If I had anything tender in me, I shot it dead.

如果我有什么招标的话,我枪死亡。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是:立足于色彩绘画,分别从&色彩&、&水墨&两个角度出发,先对它们在中国古代画史论著中作一考证;分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路;着重分析色彩绘画中心&失落&亦即&水墨之变&的原由;及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。