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art and part相关的网络例句

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与 art and part 相关的网络例句 [注:此内容来源于网络,仅供参考]

Advertising is part literature,part art,and part show business.

广告是文学、艺术和表演的结合。

Making a movie may be part art and part science, but it's 100 percent business.

中文概要:制作电影或许是艺术和科学的一部分,但是它却是100%的商业。

Bob was art and part in the crime .

鲍勃策划并参与了这项罪行。

Advertising is part literature,part art,and part show bussiness.

广告是一部分文学,一部分艺术,及一部分商业展示。

Mike was art and part of the bank robbery.

迈克煸动并参与了银行抢劫案。

The content and form of Chinese art and, for the most part, Japanese and Korean art, were very different from those of Western art, yet Chinese art promptly adopted certain traits of Western art.

中国艺术,包括日本和韩国在内的亚洲艺术,从大体上看,不仅内容与形式上与西方艺术有着很大的不同,并且在极短的时间内与西方艺术接轨。

Advertising is a big business--and,to many people,a fascinating business,filled with attraction and excitement,It is part literature,part art,and part show business.

广告是一桩大买卖,对许多人来说,又是一件富有吸引力的工作,充满了魅力和激情。广告既是文学,又是艺术,也是演艺事业。

Hebbel Am Ufer 2, Berlin Kreuzberg / Umweg über China, Hebbel Am Ufer 2, Berlin Kreuzberg / The Weight of the Reality, Marella Gallery Beijing / 2006 Regenesis, Museum of Contemporary Art, Haikou / Borderline Video Art Festival, Beijing, Platform China / 2005 Limit and Freedom / Summer Market, Fine Arts Literature Center, Wuhan / 920 Kilograms, Shanghai Duolun Museum of Modern Art, Shanghai / Siemens Art Programe-Part 5, What are they doing here?, SLC, Wuhan, China / 2004 Undercurrent-Video from China, Chinaclub2, Berlin, Germany / Slowly, Fine Arts Literature Center, Wuhan / Plug and Play, Byzantium Community, Wuhan / 2003 Electrolyte, Shenghua Arts Center, Nanjing / The Minority Is Subordinate to the Majority, Biz Art Center, Shanghai / 2002 Mushroom Cloud or Eutopia, Shanghai / Everyday Attitude, special exhibition of Chinese photo art, Pingyao International Photography Festival, Shanxi, China / New Urbanism, Guangdong Art Gallery, Guangzhou / 2001 Contemporary, Wuhan, Hubei Art Gallery / Welcome, Jinshayuan,Wuhan

柏林,HAU2剧场/迂回中国艺术节,柏林,HAU2剧场/现实的重量,玛蕊乐画廊,北京酒仙桥路4号798艺术区/ 2006 再生,海口,当代艺术馆/边界线国际影像艺术展,北京,站台-中国/ 2005 自由与限制——夏市,武汉,美术文献艺术中心/ 920公斤,上海,多伦美术馆/ WHS+8,西门子公司艺术部项目,武汉/ 2004 涌动——来自中国的录像艺术,柏林,Zehdenickerstrasse 12A /慢,武汉,美术文献艺术中心/即插即用,武汉,拜占庭小区/ 2003 电解质,南京,圣划艺术中心/少数服从多数,上海,比翼艺术中心/ 2002 蘑菇云或者乌托邦,上海,外滩艺术馆/日常态度,中国图片艺术特别展,平遥国际摄影节/新都市主义,广州,广东美术馆/ 2001 现在,武汉,湖北美术馆/ WELCOME,武汉,金沙苑

In this text the first part analyses the origin of the appearance of modern painting's decorative character, that is because of the development of the society under which is subjected to the new philosophy thought and art idea, meanwhile it is stimulated by the originality art and east art etc; in the second part elaborates the exploration of painting's decorative character by Western modern painting artists by analysising individual cases; the third part recounts the concrete manifestation of modern painting's decoration by analysising the composition, shape, color, skin texture aspect etc; the forth part puts forward the influence of western modern painting's adornment element to China contemporary painter and China painters'investigation to the adornment element.

本文第一部分分析西方现代绘画出现装饰性的历史渊源,既是由于社会的发展,受新的哲学思想、艺术观念的影响,又是受原始艺术和东方艺术等外来艺术的刺激;第二部分以个案分析的形式阐述了西方现代派画家对绘画装饰性的探索;第三部分着重从构图、造型、色彩、肌理等几个方面来述说现代绘画装饰性的具体表现;第四部分提出西方现代绘画装饰性对中国当代画家的影响及中国画家在装饰性上的探索。

The first part presents a comprehensive scene of the art environment in which Soutine was involved, the influences he received and his opinions on the problems he confronted. This is achieved by analyzing the relationships between his paintings and those of his contemporary as well as between his paintings and the classical art works in museums. The second part will, through his landscape, still life and portrait paintings, explore the forming of Soutine\'s characteristically expressive art language and the development of his art style, which integrated the modernism paintings with classical art elements. The third part will discuss the culture background of his art, the psychology of his creation and his techniques in order to point out" the intuitively expressionist nature "of his art. This part will also analyze the achievement of Soutine\'s art and its contribution to art history through critics\' opinions of him and his influences on other artists.

第一部分分析了苏丁绘画与同时代的艺术家的创作及博物馆中的经典作品的关系,尽力全面地描述苏丁在当时所面对的艺术环境,对其所受到的影响及面对的问题有所认识;第二部分分别从风景、静物、人物三个方面,从苏丁艺术自身的形成、发展来论述他在现代艺术的框架下,借助古典艺术以形成其独特的表现性语言的过程;第三部分从苏丁绘画的文化、心理以及艺术技巧等多个方面进行分析,指明其&富于直觉的表现主义&的特质,并通过批评家的评论与他对后来艺术家的影响来认识苏丁艺术的成就及在美术史上的作用。

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