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Then the brutal minions of the law fell upon the hapless Toad; loaded him with chains, and dragged him from the Court House, shrieking, praying, protesting; across the marketplace, where the playful populace, always as severe upon detected crime as they are sympathetic and helpful when one is merely 'wanted,' assailed him with jeers, carrots, and popular catch-words; past hooting school children, their innocent faces lit up with the pleasure they ever derive from the sight of a gentleman in difficulties; across the hollow-sounding drawbridge, below the spiky portcullis, under the frowning archway of the grim old castle, whose ancient towers soared high overhead; past guardrooms full of grinning soldiery off duty, past sentries who coughed in a horrid, sarcastic way, because that is as much as a sentry on his post dare do to show his contempt and abhorrence of crime; up time-worn winding stairs, past men-at-arms in casquet and corselet of steel, darting threatening looks through their vizards; across courtyards, where mastiffs strained at their leash and pawed the air to get at him; past ancient warders, their halberds leant against the wall, dozing over a pasty and a flagon of brown ale; on and on, past the rack-chamber and the thumbscrew-room, past the turning that led to the private scaffold, till they reached the door of the grimmest dungeon that lay in the heart of the innermost keep.

随后，粗暴的狱吏们扑向倒霉的蟾蜍，给他戴上镣铐，拖出法庭。他一路尖叫，祈求，抗议。他被拖着经过市场。市场上那些游手好闲的公众，对通缉犯向来都表同情和提供援助，而对已确认的罪犯则向来是疾言厉色。他们纷纷向他投来嘲骂，扔胡萝卜，喊口号。他被拖着经过起哄的学童，他们每看到一位绅士陷入困境，天真的小脸上就露出喜滋滋的神色。他被拖着走过轧轧作响的吊桥，穿过布满铁钉的铁闸门，钻过狰狞的古堡里阴森可怖的拱道，古堡上的塔楼高耸入云；穿过挤满了下班士兵的警卫室，他们冲他咧嘴狞笑；经过发出嘲弄的咳嗽的哨兵，因为当班的哨兵只许这样来表示他们对罪犯的轻蔑和嫌恶；走上一段转弯抹角的古老石级，经过身着钢盔铁甲的武士，他们从盔里射出恐吓的目光；穿过院子，院里凶恶的猛犬把皮带绷得紧紧的，爪子向空中乱抓，要向他扑过来；经过年老的狱卒，他们把兵器斜靠在墙上，对着一个肉馅饼和一罐棕色的麦酒打瞌睡；走呀走呀，走过拉肢拷问室，夹指室，走过通向秘密断头台的拐角，一直走到监狱最深处那间最阴森的地牢门前。

In that case they might say that they don't want to come across as.

在那种情况下，他们或许会说他们不想「come across as」。

Geek in the pink Well let the geek in the pink take a stab at it If you like the way I'm thinkin' baby wink at it I may be skinny at times but I'm fat fulla rhymes Pass me the mic and I'm a grab at it well isn't it delicious crazy way that I'm kissin' Cause baby listen to this don't wanna miss it while it's hittin' Sometimes you gotta fit in to get in But don't ever quit cause soon I'm gonna let you in but see I don't care what you might think about me You'll get by without me if you want I could be the one to take you home Baby we could rock the night alone If we never get down it wouldn't be a let down But sugar don't forget what you already know I could be the one to turn you out We could be the talk across the town Don't judge it by the color, confuse it for another You might regret what you let slip away Like the geek in the pink pink pink Like the geek in the pink yeah Well this relationship fodder don't mean to bother nobody But Cupid's automatic musta fired multiple shots at her Because she fall in love too often that's whats the matter At least I talk about it keep a pattern of flattery and She was starin' through the doorframe and eyeing me down like already a bad boyfriend Well she can get her toys outta the drawer then Cause I ain't comin' home I don't need that attention, see I don't care what she might think about me she'll get by without me if she want I could be the one to take her home Baby we could rock the night alone If we never get down it wouldn't be a let down But sugar don't forget what you already know I could be the one to turn you out We could be the talk across the town Don't judge it by the color, confuse it for another You might regret what you let slip away Hey baby look at me go From zero to hero You better take it from a geek like me I can save you from unoriginal dum-dums Who wouldn't care if you com...plete him or not So what I've got a short attention span A coke in my hand Because I'd rather have the afternoon, relax and understand My hip hop and flip-flops well it don't stop with the light rock A shot to mock you kinda puts me in the tight spot The hype is nothing more than hoo-ha so I'm Developing a language and I'm callin' it my own So take a peek into the speaker and you'll see what I mean That on the other side the grass is greener I don't care what you might think about me You'll get by without me if you want I could be the one to take you home Baby we could rock the night alone If we never get down it wouldn't be a let down But sugar don't forget what you already know I could be the one to turn you out We could be the talk across the town Don't judge it by the color, confuse it for another You might regret what you let slip away

怪胎的粉红色那么让怪胎的粉红色就在它刺伤如果你喜欢的方式我thinkin '婴儿在这眨眼我可能有时瘦，但我胖fulla韵我的通行证麦克风和我是一个抓住它以及是不是疯了美味的方式，我基辛'原因婴儿收听此不想错过它，而它的hittin '有时候，你总得适应进入但是，不要任何时候都很快退出事业我一定让你看到的，但我不在乎你们可能认为我你会得到的没有我如果你想我可以是一个带您回家宝贝我们可以岩夜间单独如果我们永远不会下跌不会是一个放下但是，糖不要忘记你已经知道我可以是一个把你我们可以谈论整个镇不要判断它的颜色，它混淆另一你可能会感到遗憾的是你让溜走像怪胎的粉红粉红粉红像怪胎在粉红色的是那么这种关系的饲料并不意味着没有人打扰但丘比特的自动穆斯塔发射多种拍摄她因为她爱上往往是什么问题至少我谈论这件事保持一贯奉承和她starin '通过门框和关注我已经想了一个坏男友那么她可以让她的玩具outta然后抽屉原因我不是comin家里我不需要注意，见我不在乎什么，她可能认为我她会没有我的，如果她想我可以是一个带她回家宝贝我们可以岩夜间单独如果我们永远不会下跌不会是一个放下但是，糖不要忘记你已经知道我可以是一个把你我们可以谈论整个镇不要判断它的颜色，它混淆另一你可能会感到遗憾的是你让溜走喂婴儿看我走从零到英雄您是否可以更好地从一个像我这样的怪胎我可以为您节省来自非独创的达姆， dums 谁不会关心你的COM 。。。他完全或不所以我有一个短期注意跨度焦炭在我的手因为我宁愿有下午，放松和理解我的嘻哈和触发器以及它不停止与轻摇滚一杆嘲笑你有点儿让我在紧张的现场宣传只不过是豪哈所以我开发的一种语言，我callin '但我自己因此，需要看到的发言，你会明白我的意思这在另一边的草绿色我不在乎你们可能认为我你会得到的没有我如果你想我可以是一个带您回家宝贝我们可以岩夜间单独如果我们永远不会下跌不会是一个放下但是，糖不要忘记你已经知道我可以是一个把你我们可以谈论整个镇不要判断它的颜色，它混淆另一你可能会感到遗憾的是你让溜走

Skaggs' major contributions come in the way of arrangements for "Across the Rocky Mountain" and "Hills of Mexico."

Skaggs的主要贡献则是表现在对"Across the Rocky Mountain"和"Hills of Mexico"的编排方面。

Cut across# 1.go a short way;take a short cut across 走捷径;抄近路穿过 We can gain time if we cut across this field.

如果我们抄近路从这田野横穿过去，就可以赢得时间。

Your face is wrapped in your headcloth for protection against sun and wind; and you feel as if you were carrying your own loneliness, like a tangible substance, across it, right across it… to the wells of Tayma… to the dark wells of Tayma that give water to him that is thirsty…"….right across the Nufud to Tayma…" I hear a voice, and do not know whether it is a dream-voice or the voice of my companion.

为了防晒挡风，脸裹到了头巾里；你感觉如带着自己的孤寂，一件有形可触的东西，穿越着这广漠，直穿过去。。。向着&泰马&井。。。向着那供焦渴者水喝的&泰马&井。。。

Do you hear me, I'm talking to you Across the water across the deep blue ocean Under the open sky, oh my, baby I'm trying Boy I hear you in my dreams I feel your whisper across the sea I keep you with me in my heart You make it easier when life gets hard

你听到我了吗？我在跟你说话。穿越水穿越深深的蓝色的海洋在浩大的天空下，噢，天哪。宝贝我在加油男孩，我在梦里听到了你。我在海里感受到你的低语。我在心里把你放在我的身边。你在人生艰难的时候把它变得简单。

On the foundation to research achievements of home and abroad scholar about managing across-culture this text has analyzed our country across-culture corporation's present situation and problems, and finds out the problem source that effects the across-culture corporation ?culture divergence, and puts forward the method of handle culture divergence as well as culture mixing means of the across-culture corporation, then explores out concrete management approach of across-culture corporation.

本文在国内外学者对跨文化管理研究成果的基础上，剖析了我国跨文化企业现状及存在的问题，找出了影响跨文化企业发展的问题根源—文化差异，提出了处理文化差异的方法以及跨文化企业文化融合方式，继而探索出具体的跨文化企业管理实现途径。

Cars were prohibited, and people must walk across the bridge. Scenes of the Old Town and New Town from the bridge were spectacular. People coming and going across the bridge shuttled across jugulars performing on the streets and vendors selling souvenirs, all was bustling.

桥全长520公尺，宽9公尺，为了保护桥体，车辆不准通行，必须步行，在桥上眺望旧城或新城的风景皆美到不行，桥上人来人往，穿梭在街头艺人的卖艺表演与纪念品的摊贩前，好不热闹。

Rupert Grint's latest film Cherrybomb is definitely generating lots of buzz in Irish media. A few days ago we posted a snippet from an interview with Lisa Barros D'Sa, and today we have the entire Cherrybomb feature, courtesy of BBC Radio Ulster. The feature is a part of their Across The Line series, devoted to contemporary indie and underground dance music, presented by Rigsy and Paul Hamill. Their collaborator Keith Anderson talked to Cherrybomb directors Glenn Leyburn and Lisa Barros D'Sa about Rupert Grint and how he became involved with this project, but also about music used in the film, the Belfast setting and other things.

鲁珀特的新片《樱桃炸弹》毫无疑问引起了爱尔兰媒体的巨大关注，前两天我们曾经发布过一小段对该片导演之一丽莎巴罗斯德萨的采访片段，现在该次完整的采访已经由BBC广播电台阿尔斯特（爱尔兰一地区，分属爱尔兰和北爱尔兰）分部播出，这个采访是该电台的Across The Line 节目的一部分，这个节目致力于介绍时下的独立和地下舞曲音乐，由Rigsy和 Paul Hamill主持，他们的合作者Keith Anderson 与《樱桃炸弹》的两位导演格伦雷伯恩和丽莎巴罗斯德萨进行了谈论了鲁珀特格林特，以及他是如何参与到这部影片中来的，他们也谈到了影片中的音乐、用于拍摄的贝尔法斯特的各个场所以及其它一些事情。

For those who choose to go with Scryer, the main perks of aligning your character with them is the added critical strike rating once you gain enough reputation with them.

如果说王小波的作品是茶，那么对不起，只能说他心中都是茶，不是王小波改行当了采茶女。

The secret is not to "think" about the thoughts but to allow them to flow through your mind,while keeping your mind free of afterthoughts.

其中的诀窍就是不要去&想&念头，让它流贯心头，保持心的自由和开放。