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In the process of public environment art design, mural should consist in the person and environmental. Because it is the explain and expand of environment, it can make a concrete and limited space sublimate to be a certain abstract meaning and infinite art space.

在公共环境艺术设计中,壁画的设计应在于人与环境的关系,它是对环境的诠释,更是对环境的拓展,使得一个具体的、有限的场所空间,升华为一个具有某种抽象含义的、无限的艺术空间。

When western art focuses on concretism, abstract expressioniam of Chinese art has been developed for a long time.

当西方艺术还停留在写实主义的时候,中国艺术已经在写意的道路上发展了很久。

But symbols like "five-pointed star,""portrait of leader," and etc. are not standard format of "Cultural Pop," and Huang Gang excluded the most common elements in Chinese Contemporary Art:"persiflage,""mocking,""sarcasm"– these has been seen as flightiness and kitsch in current art world. In contrast, his usage for these symbols as almost "abstract," and with a bare outline and a section of changed and coordinated color could create settled and dignified visual effect.

但"五星"、"领袖像"等符号并非标准的"政治波普"形式,黄钢采取了一种意象化的方式来呈现它们,剔出了1990年代以来中国当代艺术中常见的"戏谑"、"调侃"和"讽刺"——这些方式,在眼下的艺术世界中,已然变得轻浮和媚俗;相反,他对这些符号的表现几乎是"抽象"的,仅仅一个轮廓,一片变化而协调的颜色便能做到,在视觉效果上显得沉稳而凝重。

The consciousness of space in the contemporary era is an energy field created by pure vision and perceptivity. It is also a key element in the making of abstract works of art. As viewed from the traditional art approach it is quite hard to apprehend the consciousness of space of the time. With the individuality and having various emotional attachments, consequentially artists' consciousness of space are not the same.

当代艺术的空间意识,是以其纯粹的视知觉创作出的能量场,也是抽象艺术创作的主要元素,以传统艺术表现来理解当代艺术空间意识是很困难的一件事,在艺术家不同的艺术个性和不同的情感世界里,在无意识的生命状态中必然有着不同的空间意识感受。

While they belong to different categories of art, the abstract music and concrete visual art---- painting do share something in common. Hence, the question of how to integrate the two, making the "invisible" music picturesque and "silent" paintings pleasant to the ear has been long under discussion.

抽象的听觉艺术音乐和具象的视觉艺术绘画既属于不同表现形式的艺术,又存在着共性关系,两者之间如何融合和渗透,如何使"无形"的音乐作品可具有绘画性、"无声"的绘画作品同样可具有音乐性,长久以来就是众多艺术家和理论家所探讨的话题。

So when we felt another kind of tetra-dimensional, extreme, music-like art made up of colors and lines in Malevich and Tatlin's experiment in the early of last century, people had to get used to the visional format from Kandinsky, Pollock, Mondrian and Roscoe. The brand-new artistic experiment is further rooted into experience of our religion, music, philosophy, life and other staffs not only from format to content, but also from theory to techniques. And the traditional plane paintings are used to annotate the art meaning of non-representation. But Chinese are unwilling. It is only the format product of powerful culture in expanding, rather that there are lots of differences between the western abstract and oriental "image".

所以当我们从上个世纪初在马列维奇、塔特林的实验中,体验到一种被称为四度的、极致的、音乐似的、或者说将色彩和线编制成为另一种艺术自由的端倪时,人们就不得不习惯由康定斯基、波洛克、蒙德里安和罗斯科所带给我们的视觉图式,它们从形式到内容、从理论到技巧,无不变本加厉地把这种全新的艺术实验根植于我们对宗教、音乐、哲学、生活以及诸多问题的体验中,并用传统的二维平面绘画来诠释出非具象的艺术意义,不过这些对中国人来说,很可能是不情愿的,它只是强势文化在扩张中的样式产物,更何况这些西方式的抽象与东方式的"意象"仍然有着极大的差异。

The course of abstract and generalize is just the course of managing the abstractive thinking, and is also the course of form our art languages and art symbols.

提炼、概括的过程是抽象思维的过程,也是形成语言、产生艺术符号的过程。

Dadaism came out in Frist World War, then the Abstract expressionism and pop art came out one after one after the Second World War, and made New York instead Paris become the world art centre, those are clear proof.

一战与达达主义的出现,二战之后美国的抽象表现主义和波普艺术相继登上世界艺术舞台,并使纽约取代巴黎,成为了世界艺术的中心都是明证。

In term one, Art Foundations students studied the abstract expressionist art movement, focusing on the works of Jackson Pollock and his action painting (splattering, dripping, and pouring).

在第一学期,美术班的学生们学习了抽象表现主义艺术运动,并主要研究了行动画派大师杰克逊·波洛克和他的行动绘画。

"Art" films, filled with codes, resemble abstract dreamlands. Art film fans love dreaming.

一部部充满符码的「艺术电影」,犹如一个个的抽象梦境。

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