查询词典 Logos

He depersonalized the Logos as simply the inherent rationality of God, which led him to formulate a doctrine of the homoousia of the Logos and the Father which necessarily denied the personal subsistence of the preincarnate Word.

他人格化的标识只是固有的合理性，上帝，这使他制定一个理论homoousia的标志和必然之父否认了个人生活的preincarnate字。

While it is possible for Paul to speak of one prosopon of God and the Logos, and to use the term homoousios of Christ and the Father, yet the Logos and the Son were not by any means identical.

虽然是有可能的保罗发言的一prosopon上帝和标志，并使用这个词homoousios基督和父亲，但标识和儿子并没有以任何方式完全相同。

While it is possible for Paul to speak of one prosopon of God and the Logos, and to use the term homoousios of Christ and the Father, yet the Logos and the Son were not by any means identical.

虽然它是可能的保罗谈论的一个prosopon上帝和徽标，并使用的术语homoousios基督和父亲，但标识和儿子都不能以任何方式相同。

As a part of enlightening culture, the enlightening literature is definitely a window that publicizes the logos spirit, however, literature is different from philosophy, literature is the artistic transexpression of the Zeitgeist, but not the direct expression of the rational principles, in the eighteenth century the thought of natural logos brought the production of the free humanity of literature, Faust pursues and explores forward constantly, which stands for the permanent"human"spirit, it means the human's release and rein on the atman, it is the natural situation after breaking the fetters, and it is the revertion of the human natural inbeing; Naive man is the unit that has not been touched by"civilization", it is the origianl nature of human beings, during the conflict and collision of these two different cultures--"nature"and"civilization", it holds the independent free spirit homestead; emotion is natural, when the society made it institutionalized, it is catabolized, Lockersha Na heard the voice of heart under the system of plural marriage, she released the human natural emotion, reverted the natural humanity; under the"civilization", individuality is deprived,"civilization"becomes the contrary of civilization, Rameau's nephew championed the individual existence and freedom in the period of losing"self", it stands for the"self"shaping in the independent pose.

启蒙文学作为启蒙文化的一部分，它自然是张扬自然理性精神的一个窗口，然而，文学又不同于哲学，文学是对时代精神作艺术化的转达，而不是理性原则的直接的传声筒，十八世纪自然理性的思想养料孕育的是文学中自由人性的灿烂之花，浮士德不断地向上求索，代表着永不息止的&人&的精神，&人&的精神是人对于自我本体的一种释放与驾驭，是挣脱枷锁之后的自由状态，是对人之自然本性的还原；天真汉是未曾受过&文明&浸染的个体，代表人类之原本的自然天性，在&自然&与&文明&两种异质文化的冲突与碰撞中，维系着个体独立自由的精神家园；情感本属自然的，在社会将其制度化的同时，也将其异化了，洛克莎娜在一夫多妻制下，聆听的是个体心底之声，释放人之自然感情，复原自然之人性；&文明&下，个体性被剥夺，&文明&已堕入文明的对立面，拉摩的侄儿在&我&丧失的时代，捍卫了个体自我的在场性与自由性，代表了以独立个体之姿存在的&我&。

That is, before there was a historical Jesus born of Mary and accessible to the sight and touch of Jews and others in his own day, there was a Logos--a principle of reason, an element of ordering, a "word"--that participated in the Godhead and thus existed, but which only preexisted as far as the "incarnate" Logos, the word that took on flesh and humanity (John 1:1-14), was concerned.

那就是，在历史上有一个由马利亚所生，在他活着的日子里以犹太人和其他人可理解的方式来看见和触摸到的耶稣来到之前，就有一种逻各斯——一种理则，一种秩序的要素，一种&道&——分享里面的神性，因此而存在。但是，只要这种逻各斯的&具体化表现&，只有先前存在，道才会道成肉身和人形（约翰福音1：1—14）是有关这方面的内容。

Tactile logos never cease to stimulate logo designers; these are the very type of logos that force them to retreat into the inner sanctums of their mind, translating what resides mentally into concrete strokes, regardless of whether these strokes are on metal,** or on other types of materials.

触觉标志对于设计师的激励永不停止；它是那种典型的要求设计师反观他们思想的起源的设计，探询那些隐藏在固体的笔画之后的精神层面的东西。不管这些笔画是来自于金属，纸张或其他各种类型的材料。

Tactile logos never cease to stimulate logo designers;these are the very type of logos that force them to retreat into theinner sanctums of their mind, translating what resides mentally intoconcrete strokes, regardless of whether these strokes are on metal,paper or on other types of materials.

触觉标志对于设计师的激励永不停止；它是那种典型的要求设计师反观他们思想的起源的设计，探询那些隐藏在固体的笔画之后的精神层面的东西。不管这些笔画是来自于金属，纸张或**各种类型的材料。

Tactile logos never cease to stimulate logo designers; these are the very type of logos that force them to retreat into the inner sanctums of their mind, translating what resides mentally into concrete strokes, regardless of whether these strokes are on metal, paper or on other types of materials.

触觉标志对于设计师的激励永不停止；它是那种典型的要求设计师反观他们思想的起源的设计，探询那些隐藏在固体的笔画之后的精神层面的东西。不管这些笔画是来自于金属，纸张或**各种类型的材料。

Tactile logos never cease to stimulate logo designers; these are the very type of logos that force them to retreat into the inner sanctums of their mind, translating what resides mentally into concrete strokes, regardless of whether these strokes are on metal, paper or on other types of materials.

触觉标志对于设计师的激励永不停止；它是那种典型的要求设计师反观他们思想的起源的设计，探询那些隐藏在固体的笔画之后的精神层面的东西。

Tactile logos never cease to stimulate logo designers; these are the very type of logos that force them to retreat into the inner sanctums of their mindvi设计网, translating what resides mentally into concrete strokesvi标志设计, regardless of whether these strokes are on metal, paper or on other types of materials.

触觉标志对于设计师的激励永不停止；它是那种典型的要求设计师反观他们思想的起源的设计vi设计欣赏，探询那些隐藏在固体的笔画之后的精神层面的东西。不管这些笔画是来自于金属，纸张或其他各种类型的材料。

It is also known as one of the most poisonous naturally occurring substances.

它也被称为一个最自然发生的有毒物质。

The greatest stress is found at the location on the cross section where V is the largest.

最大应力出现在横截面上V为最大的地方。