查询词典 Godard

Let me explain this with an example. You go to a movie like Jean-Luc Godard's "A bout de souffle", a great movie, when it came out in the late Sixties, it was a great movie. If you look at it today you don't feel that.

让我举一个例子，如果你去看一部叫做"A Bout de souffle"或者"L'avventura"的电影，非常棒，在它60年代刚刚推出的时候它是非常棒的一部电影。

In the grip of crushes I have learned Italian, sat through Godard films and bought a lot of expensive underwear.

我处于极度兴奋状态。神魂颠倒之际，我学了意大利语，看了戈达尔的电影，买了很多昂贵的内衣。

With the so - Luc Godard as saying that if the Lumiere brothers, is the last of the Impressionists, then the new art of George Lane's first love is a poet.

用让-吕克·戈达尔的话说，如果卢米埃尔兄弟是最后的印象派，那么乔治·梅里爱就是新艺术的第一个诗人。

In a way that seems inexplicable today, the director Jean-Luc Godard and his films were at the center of the maelstrom.

警民冲突不断，政府产生了严重的信任危机，这在现今看来似乎不可思议。

Today you couldn't pay most Chicago moviegoers to see a film by Godard, but at that moment, the year after the Battle of Grant Park, at the height of opposition to the Vietnam War, it was all part of the same alignment.

如今你去看戈达尔的电影并不能表明你是芝加哥最热忱的影迷，但是当时时值在"格兰公园"发生的最激烈的反越战抗议的第二年，去看戈达尔的电影意味着你和抗议者们站在同一战线。

Although a case can be made for Godard's "Breathless","Jules and Jim" was perhaps the most influential and arguably the best of those first astonishing films that broke with the past.

尽管戈达尔的也足够优秀，但也许最具影响力和令人震惊--它宣告和以往的电影传统彻底决裂。

From third chapter to seventh chapter , unscrambled detailedly Godard's five films.

第三章《筋疲力尽》重点分析了影片运用到的长镜头和"跳接手法"的运用；第四章《阿尔法城》从分析叙事结构开始，详细分析了该片黑白影像以及光影的美学效果；第五章《中国姑娘》把影片色彩、画面的几何线条作为研究重点；第六章《狂人皮埃罗》从心理学上对影片的色彩展开分析，重点探讨画面的不对称构图；第七章《卡宾枪手》从电影符号学的角度对该片的镜头语言进行分析。

In April of 1969, driving past the Three Penny Cinema on Lincoln Avenue, I saw a crowd lined up under umbrellas on the sidewalk, waiting in the rain to get into the next screening of Godard's "Weekend."

另一段回忆则要愉悦得多。1969年的4月，我驾车从林肯大道上的"三便士电影院"驶过时，看到观众排成一队长龙在雨中撑伞等候戈达尔的影片《周末》的放映。

The dance competition is clearly influenced by Jean-Luc Godard's 's 1964 film ' Bande A Parte ' which Tarantino has named his production company after.

跳舞比赛清楚地被 Jean-Luc Godard 的 1964 电影影响" Bande 一 Parte " Tarantino 依照它命名了他的生产公司。

I think that for every movie I make, I always try to duplicate that feeling of purity and innocence that I got when I saw this movie,'' he said.''I bring in Western drama. I bring in metaphor. I bring in Jean-Luc Godard. Whatever I bring in to my own films, I am forever trying to update and recapture that feeling.

我每拍一部电影都试图复制我看这部电影时得到的纯净天真的感受，我将它们带入西方戏剧，带入每个隐喻，带入戈达尔，带入我自己的电影，我永远都试图更新和找回那种感受。

No, it's unnecessary. I don't think I have a fever.

不，没有必要，我想我没有发烧。

We live in a culture of instant gratification.

我们生活在即时满足的文化中。