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April 16, 2010, the Chinese artist Yan King pyrography pyrography works tour ended in London, who came from China, the international civil pyrography artist successful tour in the UK Luobailaike Museum of Art, sold for pyrography Works worth 2562 U.S. dollars, by the British people and artists, and many people of this fire, rice paper and paper art of pyrography is interested in this art is a unique praised the extraordinary stunts!

2010年4月16号,中国烙画艺术大师闫金刚烙画作品在英国伦敦巡展结束,这位来自中国的的国际民间烙画艺术大师在英国罗柏莱克艺术馆成功巡展,拍出烙画作品价值2562美元,受到了英国民众和艺术家的欢迎,他们对这种火与纸的宣纸烙画艺术很感兴趣,称赞这种艺术是一种无与伦比的奇人绝技!

" Glass art " magazine (straight sixteenmo, full-color art printing paper, page 64 of bimonthly) It is by the professional committee's executive of society's glass art of Chinese industrial art, artistic network, high glass China that artistic Co., Ltd. hosts, member of Imperial Academy of Beijing, glass of Chinese, learn the key periodical scientifically, Chinese and English format, issue home and abroad.

玻璃艺术》杂志(正16开,全彩铜版纸,双月刊64页)是由中国工艺美术学会玻璃艺术专业委员会主管,中国玻璃艺术网、北京翰林轩玻璃艺术有限公司主办的中国科学学会核心期刊,中英文版式,海内外发行。

Just over 1,000 years of Chinese traditional stencil dyeing paper mold mold, is carved out of thick paper cut design, it should be regarded as China's earliest paper-cutting art.

距今约 1000年的中国传统镂空印染模具纸型,是用厚纸剪刻出来的图样,应该算是中国最早的剪纸艺术了。

Then this paper does the further study on the growing trend of new types and the reasons why different types changed during different periods. Meanwhile, the paper focuses on the problems that existed in Chinese current TV program of synthetic art such as an overwhelming trend of over-entertainment and vulgarism. Finally, the paper try to suggest some worthy idea for the healthy development of TV program of synthetic art.

接着本文对电视综艺节目的发展趋势,以及电视综艺节目发展与演变的原因进行了分析,指出了当前综艺节目存在的过度娱乐化以及庸俗化的倾向,并在前文研究的基础上对综艺节目的良性发展提出了建议。

Starting with the analysis of the evolution of contemporary ceramic of China in more than 2 decades and the background of Chinese contemporary ceramic ,hackling and analyzing the westernization progress and the development situation of contemporary art education, this paper attempts to put forward an opinion that the development of Chinese contemporary art education is actually the progress to verify the global applicability of western art by our own art practice.

本文试图从二十几年来现代陶艺在中国的演进和中国现代陶艺的背景分析入手,通过对中国艺术理论&西化&进程及现代艺术教育发展状况的梳理和分析,提出中国当代艺术近几十年的发展过程,实质上是以自己的艺术实践,验证西方艺术的&全球&可应用性的过程。

This paper mainly includes two parts The first part falls into three main sections. First, it analyses the formative causes of the Chinese traditional house interior display art through five aspects, including the structure and forms of Chinese traditional architecture, the productive mode of Chinese traditional society, Chinese traditional philosophy, the idea of ethics and grading and custom of Chinese traditional society. Second, it briefly introduces the history of Chinese traditional house interior display art's development. Finally, it focuses on the analysis of Chinese traditional house interior display art's design ideas and concludes that its design ideas embodies the five sides as follows: respect for nature and imitate artfully nature, practical-oriented and function incorporated into form, images of space of what the theory and practice forms, balanced natural pattern of the display, artifacts with the thoughts and respect for poetic imagery. Another part of the article further researches on the application of Chinese traditional house interior display ideas to the contemporary home display, and leads to the author's view, that is that each era should has its own character when it inherits the traditional culture. What's more, the contemporary Chinese-style home display design not only have to take over the spirit of the tradition but also have to give full consideration of the contemporary aesthetic concepts, principles and methods. In the 21st century, humanistic care is greatly proponed in the interior design. The interior display art should develop towards the ecological, personalized and comfortable direction and the cultural dimensions. It should absorb the traditional cultural elements to decorate contemporary living space. In order to upgrade the simple and primary "appearance likeness" to a higher level of "spirit likeness", it must effectively grasp the poetic imagery of space, which can reach the artistic effect of "both appearance and spirits".

本文的重点内容有两部分:一部分是从中国传统建筑的结构形式、中国传统社会的生产方式、中国传统的哲学观念、中国传统的伦理等级观念、中国传统社会的风俗习惯等五个方面简单分析了中国传统民居室内陈设艺术形成的原因;简要介绍了中国传统民居室内陈设艺术的发展过程;着重对中国传统民居室内陈设艺术设计理念的具体内涵进行了深入的分析,总结出其设计理念集中体现在五个方面,即崇尚自然与巧法造化、实用为本与文质彬彬、虚实相生的空间意象、均衡自然的陈设格局、器以载道与以境为尚;另一部分是对中国传统民居室内陈设设计理念在当代居室陈设设计中的应用作了较深层次的探讨,并提出了自己的见解,即每个时代对传统文化的继承都应该呈现出自己的特色,当代中式风格的居室陈设设计既要秉承传统民居室内陈设艺术的设计精髓,又要充分考虑当代审美观念、原则和方法的融入。21世纪,室内设计大力提倡人文关怀,具体到室内陈设艺术设计上,应该向生态化、个性化、舒适化和文化层面发展;吸收传统文化元素装饰当代居室空间,要有效地把握空间意境,使当代中式风格的居室陈设设计从简单、初级的&形似&上升到较高层次的&神似&,进而追求&形神兼备&的艺术效果。

In "the inscription" the success of the occasion, in order to expand the domestic and international art of communication, innovation, prosperity and the art of paper-cut industry to open up the road to promote paper-cut of the rescue, protection, development work, by the Chinese Culture Promotion Society, Zhejiang Province Department of Culture organized by the art of Chinese Culture Promotion Committee, Tonglu County People's Government hosted the third "Divine Charm" national competition and the first national paper cutting paper cutting Contest from Zhenggao, we have received the country's 31 provinces, autonomous regions and municipalities sent Entries of more than 2100 pieces of paper-cutting, more than 100 pieces of cut-paper art.

在&申遗&成功之际,为了扩大国内外剪纸艺术交流,推陈出新,繁荣剪纸艺术,开拓剪纸产业化道路,促进对剪纸的抢救、保护、开发工作,由中华文化促进会、浙江省文化厅主办,中华文化促进会剪纸艺术委员会,桐庐县人民政府承办的第三届&神州风韵&全国剪纸大赛暨首届全国剪纸创意大赛从征稿至今,已收到全国31个省、自治区和直辖市寄来的剪纸参赛作品2100余件、创意剪纸100余件。

The brush pen is sharp, soft and elastic so that Chinese calligraphy and painting is likely to become an art of line. Chinese ink can be diluted and attempered. Moreover, it is neither sticky, nor astringent nor stagnant. These properties make people able to write or paint freely. The paper for Chinese calligraphy and painting, especially rice paper, can absorb Chinese ink of various kinds. It is suitable for calligraphy and painting using brush pen.

其中,毛笔笔锋尖细、质地柔软而富有弹性,这使得中国书画更易成为一种自由表达的线的艺术;松墨和油墨易于稀释和调和,而且不粘、不涩、不滞,可以保持运笔的灵活,并通过墨汁的浓淡变化实现写意的目的;中国书画的用纸具有吸附软笔水墨的特性,不仅适宜于毛笔的书写,也有利于发挥墨的特性。

Furthermore, the paper analyses the evolution tendency of the aesthetic language of Chinese contemporary ceramic. Analyzing the creative practice of new emerging ceramic art and the new linguistic form in ceramic production area, the paper holds that the thinking of culture and the popularity of performance are the irreversible trend of the aesthetic language of Chinese contemporary ceramic.

本文在此基础上进一步分析了中国现代陶艺审美语言的演变趋势,通过对新兴陶艺的创作实践及来自陶瓷产区的新语言形态的分析,提出文化之思与表现之风为中国现代陶艺审美语言不可逆转的演变趋势。

Be located in Yangzhou east close the Chinese paper-cut museum inside ancient alley to cover an area of 3000 square metre, the paper-cut masterpiece that adduction hid the house to come from countrywide each genre more than 400, museum established paper-cut art technically still to pass atelier of Great Master of place of be used to, paper-cut, caller can experience the glamour of traditional paper-cut craft personally.

位于扬州东关古巷内的中国剪纸博物馆占地3000平方米,馆内收藏了来自全国各流派的剪纸代表作400余件,博物馆还专门设立了剪纸艺术传习所、剪纸大师工作室,访客可以亲身体验传统剪纸技艺的魅力。

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