荒原

基本解释 (translations)

badland  ·  wastelands  ·  wolds

词组短语

bad land · The Waste Land

与荒原相关的网络例句 [注：此内容来源于网络，仅供参考]

They clung to the purple moors behind and around their dwelling - to the hollow vale into which the pebbly bridle - path leading from their gate descended , and which wound between fern - banks first , and then amongst a few of the wildest little pasture - fields that ever bordered a wilderness of heath , or gave sustenance to a flock of grey moorland sheep , with their little mossy - faced lambs :- they clung to this scene , i say , with a perfect enthusiasm of attachment

她们眷恋住宅后面和周围紫色的荒原一眷恋凹陷的溪谷。一条鹅卵石筑成的马道，从大门口由高而低通向那里，先在蔽树丛生的两岸之间蜿蜒着，随后又经过与欧石南荒原交界的几个最荒芜的小牧场。一群灰色的荒原羊和苔藓般面孔的羊羔，都靠这些牧场来维持生命嗨，她们热情满怀地眷恋着这番景色。

Starting with the developments of the author\'s creation, the dissertation follows up the scent of the occurring of his novels and the\'track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner\'s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner\'s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author\'s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American\'s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品和崇高的美学景象；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方(来源：A6c8cBC论文网www.abclunwen.com)特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所，其创作动因在于既关注对南方人们精神荒原的描绘，也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

Starting with the developments of the author"s creation, the dissertation follows up the scent of the occurring of his novels and the"track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner"s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner"s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author"s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American"s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品和崇高的美学景象；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所，其创作动因在于既关注对南方人们精神荒原的描绘，也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

It is ugly for Eustacia, beautiful for Clym, comforting for Thomasin, and home for Venn.

对游台莎，荒原是邪恶的；对克林，荒原是美好的；对托玛沁，荒原是一个安慰的地方；对维恩，荒原是家。

This paper mainly deals with the conflict between the main character in the novel and the "Environment"—Egdon Heath, especially the conflict between Eustacia and the Heath.

本文主要是评论小说中的主要人物与环境"爱格敦荒原"之间的冲突，尤其是游台莎与荒原间的冲突。

This paper mainly deals with the conflict between the main characters in the novel and the "Environment"----Egdon Heath, especially the conflict between Eustacia and the Heath.

本文主要是评论小说中的主要人物与环境----爱格敦荒原----之间的冲突，尤其是游台莎与荒原间的冲突。

One is that Eustacia accepts life on Egdon Heath, and be a real member on the Heath; the other is that Eustacia escapes from Egdon Heath to pursue her desired life.

一种是游苔莎接受荒原生活，成为荒原上真正的一员；另一种是游苔莎逃离荒原追求自己的生活。

In The Return, Eustacia hates the Heath and want to escape from it; Clym wants to change it; while Thomasin and Venn are faithful to it; but for Mrs. Yeobright, she neither loves it nor hates it, she is like a denizen.

在《还乡》中，游台莎憎恨荒原并且想逃离荒原；克林想改变荒原；而托玛沁和维恩则对它很忠诚；对约布赖特太太来说，她既不爱它也不恨它，她就象外来者，与荒原格格不入。

In The Return, Eustacia hates the Heath and wants to escape from it, Clym wants to change it; while Thomasin and Venn are faithful to it; but for Mrs. Yeobright, she neither loves it nor hates it, she is like a denizen.

在《还乡》中，游台莎憎恨荒原并且想逃离荒原；克林想改变荒原，而托玛沁和维恩则对它很忠诚；对约布赖特太太来说，她既不爱它也不恨它，她就像是外来者，与荒原格格不入。

In the first part, the origin and connotation of"Wasteland"consciousness in Mu Dan's Poetry were introduced. His inspiration was from"Wasteland"of western Eliot. He analyzed the origin and connotation of"Wasteland"consciousness cauterized Chinese character combining Chinese time background and his learning atmosphere as well as his absurd fortune.

第一部分为穆旦诗歌&荒原&意识产生的渊源及内涵：他从艾略特《荒原》的产生及定义中得到启示，并结合中国的现实背景，自身的学习氛围以及个人的荒诞际遇来分析烙上中国印的&荒原&意识的形成及内涵。

与荒原相关的网络解释 [注：此内容来源于网络，仅供参考]

To a wilderness of night：终日流浪于黑暗的荒原

From a garden of God's light,从上帝光辉的伊甸园离去吧! | to a wilderness of night.终日流浪于黑暗的荒原 | Sleep now; sleep now...沉睡吧......沉睡吧......

Dragonfin Angelfish：北风苔原,龙骨荒原的内陆水域

Deep Sea Monsterbelly:The Frozen Sea的开放水域. | Dragonfin Angelfish:北风苔原,龙骨荒原的内陆水域 | Fangtooth Herring:灰熊丘陵,尖啸海湾的内陆水域

badland：荒原

badional 磺胺硫脲 | badland 荒原 | badland 重蚀地

Fetid Heath：恶臭荒原

175Cascade Bluffs飞瀑绝壁EVE | 176Fetid Heath恶臭荒原EVE | 177Flooded Grove潮没树丛EVE

Gladden Fields：格莱顿荒原

从奥克兰一路玩到皇后镇,参观霍比屯和许多其他标志性的电影外景地风光--末日山脉(Mt Doom),魔都(Mordor) 、安达因河(the River Anduin)、罗斯洛里安(Lothlorien)、林谷(Rivendell)、伊森加德(Isengard)、格莱顿荒原(Gladden Fields)、伊多拉斯(Edo

Gladden Fields：加拉登荒原

éored 马队 | Gladden Fields 加拉登荒原 | Barliman Butterbur 巴利曼.贝特巴 (款冬花??)

Bonescale Snapper：北风苔原,晶歌森林,达拉然,龙骨荒原,灰熊丘陵,尖啸海湾的内陆水域

Barrelhead Goby:肖拉查盆地的内陆水域. | Bonescale Snapper:北风苔原,晶歌森林,达拉然,龙骨荒原,灰熊丘陵,尖啸海湾的内陆水域 | Borean Man O' War:北风苔原,龙骨荒原,灰熊丘陵,尖啸海湾的沿海水域

Bonescale Snapper：北风苔原,晶歌森林,达拉然,龙骨荒原,灰熊丘陵,尖啸海湾的传世月光宝盒内陆水域

Barrelhead Goby:肖拉查盆地的内陆水域. | Bonescale Snapper:北风苔原,晶歌森林,达拉然,龙骨荒原,灰熊丘陵,尖啸海湾的传世月光宝盒内陆水域 | Borean Man O' War:北风苔原,龙骨荒原,灰熊丘陵,尖啸海湾的沿海水域

Bonescale Snapper：北风苔原,晶歌森林,达拉然,龙骨荒原,灰熊丘陵,尖啸海湾的wow盗贼之神内陆水域

Barrelhead Goby:肖拉查盆地的内wow战场挂机陆水... | Bonescale Snapper:北风苔原,晶歌森林,达拉然,龙骨荒原,灰熊丘陵,尖啸海湾的wow盗贼之神内陆水域 | Borean Man O' War:北风苔原,龙骨荒原,灰熊丘陵,尖啸海湾的沿...

Teenage wasteland：待开垦的荒原

Before we get much older 直到我们老去以后 | Teenage wasteland 待开垦的荒原 | It's only teenage wasteland 只是一片待开垦的荒原